AAton Cantar Mini User Manual
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AAton Cantar Mini User Manual

16-track digital audio recorder
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Cantar
Mini
User
Manual
Software v 2.37

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Summary of Contents for AAton Cantar Mini

  • Page 1 Cantar Mini User Manual Software v 2.37...
  • Page 2 Cantar X3...

  • Page 3: Table Of Contents

    Table of Content INPUTS........................8 OUTPUTS........................9 MEDIA........................10 Formatting......................10 State Icons......................11 Remaining Space....................11 Powering On/Off.....................12 Power ON......................12 Power OFF......................13 General Mechanical description..................14 HELP : Key Reminder ....................16 Setting up a Record Session..................17 Reset........................17 Project.........................17 Selection......................17 Creation......................17 Day Suffix......................17 Media.........................18 Selection......................18 Formating......................18 Audio Parameters....................18 Cantar Audio Chain....................19 Setting up...
  • Page 4 Limiter......................27 Phase Inverse....................28 Filters.......................28 Attenuators.......................28 Link.........................28 Digital Filters (E.Q).....................29 Corresponding Track Solo-ing................29 Double Solo & Phase-Meter.................29 Line........................30 Gain.......................30 Attenuator......................30 Filter........................30 Other Parameters....................30 AES-42........................30 Setting up Outputs : HEADPHONE................32 Headphone Level....................32 Level........................32 Safety Level......................32 Outmaps......................32 Current Outmap....................32 Name......................33 Inputs.......................33 Other Main Selector Positions..................33 Setting up Outputs : LINE OUTPUTS................34 Outmaps......................34...
  • Page 5 Connection.......................43 Via Ethernet....................43 Via Wifi.......................43 Using the App....................43 Completion......................44 Track Names....................44 Timecode.........................45 State........................45 Internal Source Timecode Method................45 Internal Free-Run master clock................45 Calendat Init....................45 Operator Init....................45 LTC Init & Control (from camera, GPS or Cantar) LTC-out........45 Internal Record-Run driving clock................45 Internal clock, AutoSlate on clapsticks..............46 External Source.....................46 Ca tourne : Usefull functions..................47...
  • Page 6 Operator TC.....................57 Record-Run TC....................57 Clap Detection......................57 Mixer Fader Max Level...................57 Phantom Mic Gain....................57 Polyphonic Mode....................57 Tone & Beep......................57 Tone Level......................57 Beep Level......................57 Record Beep.....................57 Beep Routing....................57 Disarmed Tracks....................57 Remote Rec......................57 Playback & Rec.....................58 Slate Mics......................58 Internal slate mic....................58 Jack 3,5 slate mic....................58 Jack 3,5 bias pwr....................58 Talk full duplex....................58 Talk to Tracks....................58...
  • Page 7 Save.......................61 Load........................61 Load firmware.......................62 PLAYBACK AND RECORD..................63 Activate the playback and Rec mode................63 Live Mode......................63 Select the file(s) to play (and how it will be sent to the Record InGrid)......63 Create Play-card....................64 Test the setup....................65 Pre-Record......................66 Record......................66 Clone Mode......................66 Select the files to play..................66 Play-cards......................67 Test &...

  • Page 8: Inputs

    INPUTS 4 Mics (4 TA-3 ) Cold – Hot – Gnd 2 Lines (2 TA-3) (same wiring as above) 2 Aes-42 pairs (Sub-D 15 HD) Pair A1-A2 Pair A3-A4 Cold – Hot – Gnd Cold – Hot – Gnd (14) (15) Cantar X3...

  • Page 9: Outputs

    OUTPUTS 6,35 mm HP 3,5mm HP/ Slate 8 Lines (Sub-D 25) 8 7 6 5 4 3 2 1 (hot+ cold- gnd) 2 Aes pairs (Sub-D 15 HD) Pair A1-A2 Cold – Hot – Gnd (11) Pair A3-A4 Cold – Hot – Gnd (12) Cantar X3...

  • Page 10: Media

    MEDIA The Cantar can record on 4 medias : an internal M.2 SSD drive ; 2 SD cards and 1 USB media (the first media connected to any of the Cantar’s USB port). The SSD is located on the Cantar's mother board, not accessible. •...

  • Page 11: State Icons

    II. State Icons Grey: not present and not used. • Blue: present, but not used. • Blue, with a green check: present, being used by a Recording process.. • Blue, with a red X: not present or faulty or full, while being used by a Recording process. •...

  • Page 12: Powering On/Off

    Powering On/Off The Cantar may be powered by 3 sources : 2 internal smart batteries and an external source (XLR-4 ; specs : 13 to 18 V – 4 Amps) Ground – NC – NC – +Batt The power sources are hot swapable : the Cantar automatically switches instantly without power break from one to another.

  • Page 13: Power Off

    NB: Rescue Mode • Power failure or low battery. In case of an unexpected shutdown: • Emergency Shutdown • System problem The next time the Cantar is powered On, it will launch a special startup mode with minimum system loading. It displays a dialog box with the following choices: Reboot •...

  • Page 14: General Mechanical Description

    General Mechanical description The Cantar can be roughly divided into several main parts : The Linear Actioner panel : 10 linear faders, each having a corresponding solo Button. • On the back side of the panel are located the TA-3 corresponding to the analog inputs : 4 Mics and 2 Line inputs.
  • Page 15 The Right Side which gives access to Usb, Sd slots, and Ethernet port. • The Left Side which gives access to the Timecode Lemo-4 and the option port. • On the left side, just underneath the Cantar is the Digital inputs/outputs connector (SubD 15 HD).

  • Page 16: Help : Key Reminder

    HELP : Key Reminder In order to remind the user of the shortcuts available at any time, a quick help Menu is available by pressing three times the Shift button. This help box is available in the Record, Pre-Record, Test, Play, Browse, Outmaps, and InGrid Menus.

  • Page 17: Setting Up A Record Session

    Setting up a Record Session I. Reset If needed, resetting a Cantar to its original state is made in the Technical Menu (while the Main Selector is in the 3 o’clock position). Select the item “Reset Factory” and select how depth should the Cantar be resetted : all parameters ;...

  • Page 18: Media

    III.Media Selection The Cantar can record on 4 medias : an internal SSD drive ; 2 SD cards and 1 USB media (the first media connected to any of the Cantar’s USB port). For each media, 3 modes are available: •...

  • Page 19: Cantar Audio Chain

    - a Linear fader (10 on the Linear Actioner panel or 12 on the Cantarem 2). - the Jog wheel during a Solo (if not controled by any actuator). - any optional controler : - Cantaress - A-Box - Cantarem2 NB: The first Cantarem is not compatible with the Cantar Mini. Cantar X3...

  • Page 20: Setting Up Actuators

    Setting up Actuators Any slider of the Linear actioner panel, or Cantarem2 (if connected) or A-Box (if connected) can be assigned to any input (Mic, Line) or track or Line out level. • When an optional controler is connected, its assignments override other actuators' assignments, making them unassigned in case of conflict.

  • Page 21: A-Box

    III.A-Box (if connected) To open the Assignation panel, press and hold the Shift button on the Cantar + a potentiometer Solo button on the A-Box. To go to next or previous actuator press the Ctrl + Plus(+) or Minus(-) button or press the appropriate Solo button. Assignation is changed by pressing the Plus(+) and Minus(-) buttons or using the Jog wheel.

  • Page 22: Setting Up Tracks

    Setting up Tracks I. Ingrid routing In Grid routing can be modified while the Main Selector is in the 5 o'clock position. You can configure up to 20 InGrid presets (from 1 to 20). Pict “Tracks.1” 1. Current Ingrid The InGrid used is changed by holding the Control button and pressing the Plus(+) or Minus(-) buttons.

  • Page 23: Declare Input As Mixdown

    • For input number superior to 8: PostFade an arrow is displayed, select the item and press Right/Left button to adjust the input number. • PostFade N is the output of the track N through the attenuation applied to this track. Note that the PostFade has a delay of 1 sample.

  • Page 24: Ms Decoding Into Mixdown

    Ms decoding into Mixdown For MS pair, only 4 PanPot positions are available: • M is sent to the Left and S is not sent to Mixdown. • M is sent to the Right and S is not sent to Mixdown. •...

  • Page 25: Track Solo

    • If an input routed to the Track has a modifying parameter applied such as: Phantom power, Phase inversion, Preamp Filter or Digital EQ, it is displayed at the top of the vumeter with respectively a radioactive symbol (☢), a phase symbol ( f ), a 'fn' symbol (with n being the number of the filter) or an 'EQ' symbol, Delay is symbolized by ‘D’.

  • Page 26: Corresponding Input Solo-Ing

    ii. Track with no actuator Attenuation can be changed through 2 different ways : - during Solo by rotating the Jog wheel. - While in the Ppr or Test positions, by displaying the Ingrid panel (by pressing the F1 button) and then by selecting the desired track and then by holding the Shift pressed while rotating the Jog Wheel.

  • Page 27: Setting Up Inputs

    Setting up Inputs 10 inputs (4 Mics ; 2 Lines ; 4 Aes-42) are available. Inputs are set up in their Solo page : many parameters can be modified (Phantom power, limiter, filter, EQ). It is also a way of modifying the gain of inputs which have no actuator assigned.

  • Page 28: Phase Inverse

    routed. If the signal level reaches the limiter zone (–6dBFS), the triangle will start blinking yellow. NB: In 24-bit recording mode, it is common practice to adjust the input gain so that a 'normal' signal does not go over the -20dBFS level. With the Limiter activated, the 32dBu head-room above the –8dBFS kick-in point gives 24dBu above the 'no-limiter' full scale.

  • Page 29: Digital Filters (E.q)

    Phantom, Limiter and filter are applied on slaves identically to the linked master. Phase inverters remain independent. For a stereo pair, slaved input is the balance. Before its actuator middle-point (potentiometer, fader, cantarem 2) the slave's level is attenuated, after the middle-point, the master's level is attenuated.

  • Page 30: Line

    III.Line Gain If a Line input is not assigned to an actuator, its attenuation can be changed during Solo by rotating the Jog wheel. Attenuator Toggle between High Level & Low Level with the Shift + Plus(+) or Minus(-) buttons. Low Level: default for all line inputs.
  • Page 31 Device names + Delay of the mic (in samples) • Low cut filter parameter cycles through “Flat”, “40 Hz / -3dB”, “80 Hz / -3dB” and “120 Hz / -3dB”. • Pre-attenuation parameter cycles through “0 dB”, “-6dB”, “-12dB”, “-18dB”. •...

  • Page 32: Setting Up Outputs : Headphone

    Setting up Outputs : HEADPHONE I. Headphone Level Level To display the headphone Level, press the Headphone button at the right corner of the Cantar. This is available in all Main Selector positions. The level will be displayed aside the headphone symbol, replacing temporarily the current Headphone Outmap name.

  • Page 33: Name

    Name Each Outmap can be named (max: 12 characters). Press the Shift+OK buttons to modify it. Inputs Each input can be sent to the Left and/or Right Ear. The Left Ear is represented in RED, the Right Ear is represented in GREEN. You can navigate through the input grid with the direction buttons (Left-Right-Plus-Minus) or using the Jog wheels.

  • Page 34: Setting Up Outputs : Line Outputs

    Setting up Outputs : LINE OUTPUTS Cantar Mini has 8 Line outputs. I. Outmaps You can configure up to 26 Outmaps (from 'a' to 'z') each applicable to one or several outputs. NB: Line and AES Outmaps are shared. (Line Outmap 'a' is the same as AES Outmap 'a').

  • Page 35: Play Mute

    Play Mute When the Cantar is in the Play position, the output may be Muted using the Play Mute option. Using the Left and Right buttons or the Jog wheel, move the light blue selection box to the third item of the wanted row and press the OK button to modify the value. If the Play symbol is de-activated (emptied triangle) the output is muted in Play.

  • Page 36: Talk

    iii. Talk Compared to Headphone Outmap, you can choose Tlk1 and Tlk2. It corresponds to the Talk function (Control and Left or Right buttons). Pressing those buttons, enables the Slate Mic and the 3,5mm jack Mic and will send the stream to the Headphones and to any Outmap (Line, AES) where the corresponding Talk function is routed.

  • Page 37: Setting Up Outputs : Aes Outputs

    Setting up Outputs : AES OUTPUTS Cantar Mini has 4 AES outputs. I. Outmaps You can configure up to 26 Outmaps (from 'a' to 'z') each applicable to one or several outputs. NB: Line and AES Outmaps are shared. ( AES Outmap 'a' is the same as Line Outmap 'a').

  • Page 38: Playing Takes

    Playing Takes Play Menu is while the Main Selector is in the 8 o'clock position. This Menu enables to play the audio files contained in the Project and Day Folder chosen into Browse File Menu. For Cantar-X3 or Mini files, it displays a waveform (calculated while recording) and the possible sync points marked.

  • Page 39: Recorded Mixdown

    Recorded Mixdown In this mode, are sent to headphone, Tracks corresponding to Mixdown-Left and Mixdown-Right. Tracks will be routed Mono (to both left and right ears), Vumeters from other Tracks than Mixdown are darken. This mode is symbolized on the Headphone Outmap grid (F2 button press) by Xl and Xr inputs being active, at Center.

  • Page 40: Solo

    Solo Solo of one or multiple tracks is available. Track(s) is(are) played Mono (to both left and right ears), Pre-Fader (Track level as it was recorded). The timeline displays only the waveform(s) corresponding to the selected Track(s). Press the Solo button corresponding to the Track on the assigned actuator to toggle the corresponding Track-Solo ON/OFF.

  • Page 41: Metadata

    METADATA I. Next Record While the Cantar is in the Pre-Post Record (PPR) position (while the Main Selector is at 11 o’clock), it is possible to edit next take’s metadata. Quick Edit (Scene-Take-Notes) : from the PPR Menu Once the pink selection box is displayed (if not, press the OK button), select the appropriate field and press the OK button.

  • Page 42: Single Take Edition

    In the top part, Media, Project folder and Day folder can be modified. Select the desired field with the Left and Right buttons and press the OK button. NB: It is possible to refresh the Project list, by re-selecting the Media, as well as refreshing the Day list by re-selecting the Project.

  • Page 43: Web App

    IV. Web App Connection Via Ethernet Connect your Cantar to your computer via an ethernet cable and switch on the recorder. • Establishing the communication between computer and Cantar may take up to 1 or 2 • minutes (IP discovering etc…) depending on your OS, network type etc… On the computer, run any web browser (Firefox, Edge, Internet Explorer, Chrome …) and •...

  • Page 44: Completion

    V. Completion Track Names While typing tracknames, a list with previous entered tracknames is displayed according to the first characters typed in. Select the desired proposition using the Plus(+) and Minus(-) buttons and validate it by pressing the Ok button. By pressing the F2 key, the Track Completion Management is displayed.

  • Page 45: Timecode

    If no TC is being received, the Jam has no effect and 'Jam Failed' is displayed. In the Stop position, the 'Sync Clock' is set by an Aaton OriginC which also initializes cameras and GMT generators. 'ATC' (ASCII-TC) appears in the timecode area.

  • Page 46: Internal Clock, Autoslate On Clapsticks

    recorded Take has been closed at 01:34:15, the next start-TC proposed will be 02:00:00. The Cantar Record-Run mode lets you use the pre-record buffer without creating TC overlaps. For example, if the preceding Take ends at 01:45:00, and the pre-record buffer is set at thirteen seconds, the next audio file will start at 01:45:02.

  • Page 47: Ca Tourne : Usefull Functions

    Ca tourne : Usefull functions I. Pre-Record functionality Pre-Record Position is at the 11 o'clock position and allows 3 important functions while displaying the main information regarding the record session. Pre-Record Buffer While the Main Selector is on Pre-Record Position, the Cantar activates its pre-record buffer. This buffer stores the audio in a First-In/First-Out (FIFO) buffer memory and dumps them to the recording media as soon as Record is activated.

  • Page 48: Tracks

    • If an analog input is marked “OFF”, it is because it is not used in the current Ingrid or any of the current Outmaps (Headphone, Line, AES). So in order to save Power, the Cantar switches this input off. •...

  • Page 49: Trash

    IX. Trash Send to Trash • Select one or multiple Takes From the Audio Browser Menu : • Press the Shift + Escape buttons. Restore from Trash From the Backup Menu, select AUDIO_TRASH as current source day folder and copy from this folder to any media wanted or any project Delete from Trash From the Audio Browser Menu, select “AUDIO_TRASH”...

  • Page 50: Sound Reports

    Sound Reports Cantar may generate Sound Reports after Backup or whenever the user wants from the Audio Browser Menu (Snap Report). I. Setting up the reports Sound Reports are setup in the Session Menu (while the Main Selector is in the 2 o'clock position).

  • Page 51: Data

    • If a 2-cell wide field is placed on the last column, it's painted in red to show that it is invalid • To change the customized text of a field, re-select the first cell and apply the same type. •...
  • Page 52 The Snap Report Process may filter takes according to their type. Select the Take field and press the Ok button It displays a dialog enabling to choose up to 3 different filters. For each filter a different report will be generated. Select the “# of reports field”...

  • Page 53: How To Extract & Process Files : Backup

    How to Extract & Process Files : BACKUP Backup parameters can be setup while the Main Selector is in the 1 o'clock position. • Copy from one media to another. This position enables to: • Apply interleave process (Stereo or Polyphonic). •...

  • Page 54: Idle Backup

    To select all Takes, press the F2 buttons. While browsing the source list with the Plus(+) and Minus(-) buttons, if a Take is also on the target list, it is automatically highlighted. • Copy: by pressing the F4 button The backup process can be started into two modes: •...

  • Page 55: Network Backup

    IV. Network backup All medias may be accessed using the Network connection : The internal SSD, and the SD cards (Access to the internal SSD is Read only). This option is enabled in the Technical Menu, item “File network Access”. When enabled, a computer can be connected to the Ethernet plug or throught the Wifi connection.

  • Page 56: Audio & Timecode

    AUDIO & TIMECODE Audio & Timecode parameters are modified while the Main Selector is in the 4 o'clock position. The Menu is made of items and their description on the right part of the screen. Use the UpPlus(+) or Minus(-) buttons to select the appropriate item and press the OK button to edit it. I.

  • Page 57: Timecode Fudged

    • Tape ref. hexa: The first 4 characters NNNN set 0000NNNN User-Bits (numeric value are recommended). • Date BCD: Audio date automatically sets up the User-Bits field with iso format. (e.g. Audio date 25/02/2016 will be inserted as 25021600 User-Bits). Timecode Fudged The audio-file time stamps correct the TC flaw of some HD cameras.
  • Page 58 XI. Playback & Rec Enable or disable Playback&Rec Menus. When enabled, Playback&Rec Menus (Record-Ppr-Test- Play-Browse) may be accessed when rotating the Main Selector while holding the Shift button pressed. XII. Slate Mics Internal slate mic Internal slate mic level adjustement. Jack 3,5 slate mic Jack 3,5 slate mic attenuation adjustement.Taggle jack 3,5 slate mic biais Power ON or OFF.
  • Page 59 TECHNICAL Technical parameters are modified while the Main Selector is in the 3 o'clock position. The Menu is made of items and their description on the right part of the screen. Use the Plus(+) or Minus(-) buttons to select the appropriate item and press the OK button to edit it. I.
  • Page 60 Peek Hold Sets the duration of peak hold in seconds. IV. System Clock Date The system date is used to create the Day folder name (YYYY-MM-DD) which contains the files for that workday. NB: The workday folder can contain hours past midnight, if the recording session is not interrupted.

  • Page 61: Save

    X. File Network access Allows access to the internal SSD and to the SD cards using the Network connection. If enabled, a computer can be connected to the Ethernet plug. Disks are accessed by: • On a Mac computer: Connecting to the adress smb://MINI_XXXXX •...

  • Page 62: Load Firmware

    XIV.Load firmware Access to the firmware loading Window. 1 – Get the latest Cantar Mini firmware version from the Aaton Support web site. (http://www.aaton.com/software-updates) 2 – The firmware file (extension .csw) is contained in a zip, extract it onto an USB or a SD card.

  • Page 63: Playback And Record

    PLAYBACK AND RECORD The playback and record allows the Cantar to play a pre-selected file and to simultaneously record a new file. The feature can be divided into 2 modes : Clone Mode : • Cloning the last take (all your iso tracks) and redoing the mixdown track(s). ◦...

  • Page 64: Create Play-Card

    Live Live 1 – Setup the playback mode. (In this part : 2 – Select the target bank (e.g. a) by pressing the Control + Left or Right buttons. 3 – Select the location of the playback file (by pressing the Left and Righ buttons to select the Media or Project or Day fields and then Ok buttons to validate) 4 –...

  • Page 65: Test The Setup

    – Move the cursor to the In point, using the Jog Wheel. – Create a new Play-card by pressing the Shift+F4 buttons. The In-point is defined by the Play cursor position and the Out-point is by default placed several seconds later. You can create up to 21 Play-cards within a file by repeating those actions.

  • Page 66: Pre-Record

    Pre-Record The PLAYBACK and REC PPR Menu is equivalent to the regular PRE REC position but adds the preload of the Playback file in order to be ready to play during the record Record Start the PLAYBACK and REC Record session by holding the Shift button pressed while rotating the Main Selector to the REC position (12 o’clock).

  • Page 67: Play-Cards

    2 – Select the target bank (e.g. a) by rotating the Left Crown 3 – Select the location of the playback file (by pressing the Left and Righ buttons to select the Media or Project or Day fields and then Ok buttons to validate) 4 –...

  • Page 68: Annexes

    ANNEXES I. Connectors Mini Delta Ribbon As seen from the outside (user's side) Pin description: - 1, 2: Ground - 3: LTC In - 4: Ascii - 9: World clock out - 10 & 23: Tally (no polarity) - 14 & 15: V Batt - 16: LTC Out - 21: World clock In - 22: Ground...

  • Page 69: Mic & Line Ta-3(F)

    Mic & Line TA-3(F) - 1 Ground - 2 Hot - 3 Cold AES-42 In/AES Out Dsub-15 HD (F) AES-42 Inputs AES Outputs Channel Pair Hot + Cold - Channel Pair Hot + Cold - Analog Output Dsub-25 Output Channel Hot + Cold - Hi-Rose...

  • Page 70: Cantar Audio Chain

    II. Cantar Audio Chain III.Software history version 2.37 (December 19, 2017) During an external timecode JAM (Long press on F3), a confirmation is now needed. • A number ID was added into the playback cards in the playback and record mode •...
  • Page 71 Save & Load settings were not handled correctly files with spaces in the name. The mixdown was sent in outputs (Line,Aes,Aes42) even when Play out was muted. There were duplicated lines in Cantar Mini contextual help version 2.23 (July 3, 2017) Bug Fix on : •...
  • Page 72 In the reports files, tape Id was limited to 4 characters. version 2.12 (April 23, 2017) : First Version Cantar X3 / Mini compatible A metadata WepApp is available through Ethernet or wifi connection. • 1 - Connect your device tablet (e.g. iPad) or computer (PC or MAC) to the Cantar. Your device may warn you about the fact internet is not available on this connection.
  • Page 73 previous version) (if ON, Disarmed tracks still won't be recorded BUT the vumeters will display any disarmed track level, the disarmed tracks can be heard in any output (headphone, line out or aes out). Using idle backup, status in test position is now persistent. •...
  • Page 74 The format USB shortcut key F6 was not active in Session Menu. A better error management is introduced in case of trouble during a format process. When line out setup is open from TEST/PPR screen ESC was not working to exit. version 1.116 (August 29, 2016) An automatic screen back light level adjustment is now available.
  • Page 75 In PPR position, on "delete last take", a confirmation is now requested before moving the last • take to the trash. In BROWSER position on delete take, you can clean the other media(s) at the same time. • During restore from audio trash, the files are moved when the target drive matches with the •...
  • Page 76 Last phase correlation is displayed in Test/Record/Ppr Menus. • Dante option icon in Stop Menu • In play position, output configurations using Mix Left and Mix right stay valid. • (Recorded Mixdown down tracks are monitored on the corresponding output). Bug fix on •...
  • Page 77 Dialog assignation list incoherency Circle status changed on take type edition Lock panel triggered during the solo Lag when exiting from TEST position if idle mode is enabled. Confict between level display panel during metadata edit in PPR. AES gain adjustement using jog Short audio file names are created instead of long name using "underscore only"...
  • Page 78 Headphone stay active in all positions of the main selector (except in STOP and IN GRID • ROUTING) In COPY/BACKUP, if target free size is lower than the size of selected Takes, user is still • allowed to start the backup. (useful if you backup at midday and in the evening on the same card and if the total backup size is close to the target media size) Bug fix on...
  • Page 79 Metadata direct edition in Ppr Menu behaves like full fields edit. • New units for input delay setup (ms / meters / samples). • Factory test procedure were hidden • Ready for the new 12 sliders USB Cantarem. • Ninja rooting mode into IN-GRID screen (Do not cover all combinations). •...
  • Page 80 Audio stream control has been improved and new messages have been added in case of • trouble. version 1.53 (June 12, 2015) New control added on audio stream integrity. • Bug fix: Lag of interface in record vumeters and play back position. •...
  • Page 81 Cantar X3...
  • Page 82 Cantar X3...

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