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Cranborne Audio, for us, means so much more than metal boxes with components in them. These are our labours of love that embody and demonstrate our demand for excellence. By ...
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To top it all off, each and every Camden 500 is proudly made with the utmost care and attention to detail by our team in the UK. The beauty of this is that each and every one of our products ...
First, make sure the 500 series chassis is powered off, the power supply has been removed and the capacitors have had time to discharge. Before picking up Camden 500, as a precaution, touch the metal chassis of your 500 series chassis to discharge any built-up static electricity. ...
Signal Path Input and Connections: When inserted into a 500 series chassis, Camden 500 has two possible input paths; one on the host chassis itself, and one on Camden 500’s front panel. When connecting inputs, pay close attention to Camden ...
In isolation, flipping the polarity of the mic preamp will not result in any audible effects, however the polarity switch is a useful tool when Camden 500 is being used as part of a multi-mic recording setup, or instances where other instruments - also being mic’d and recorded - are bleeding into the microphone. ...
Technical Specifications When we set out to design Camden 500, we decided that we wanted to bring the kind of sonic performance previously reserved for those with the highest budgets to everyday musicians and engineers - people just like ourselves. ...
Camden 500 has an EIN of -129.5dB unweighted with a 150 ohm load. If we use other measurement techniques such as “inputs common”or “A-weighting” - Camden’s EIN performance is <-135.5dB, and <-131dB respectively. The result is an ultra low-noise front-end that you would only find on the most elite ...
However, what is objective with THD measurements is the smaller the THD percentage, the more transparent the mic preamp and the less colour - good or bad - it is adding to the signal. When designing Camden 500 - we aimed for the smallest possible THD percentage to achieve the most transparent preamp possible. ...
Preamps also tend to drastically increase frequency roll-off as the gain is increased to maximum, however Camden 500 only has a maximum roll-off of 0.7dB for a consistently linear frequency response at all gain settings - resulting in crystal clear, detailed, and accurate high end that is impervious to increased ...
Camden 500 to produce punchy, sharp, and tight transients at all frequencies and on all sources without fear of reduced attack as gain is increased. At maximum gain, Camden 500’s phase shift increases to only 4° - an unprecedented figure for a preamp at maximum gain. ...
Camden 500’s maximum output level is +27.5dBu however most audio interfaces have a maximum input level of +21.5dBu; it is very easy for Camden 500 to clip the input of an audio interface if the gain controls are not set correctly. If additional attenuation is required between Camden 500 and your audio interface, ...
Reamping Sources Through Mojo Camden 500 is more than just a preamp; it’s also a signal processor featuring our Mojo circuit. The great thing about Mojo is that it is an amazing analogue saturation tool that can be used on anything from the ...
Thanks to Camden 500’s high-headroom line input and low-noise design, you can run audio already processed by Thump or Cream, back-through Camden 500 to apply a second stage of processing and re-record its effects back into the DAW. ...
● Occasionally, some sources will not feature enough frequency content to enable Mojo to take effect. In these rare circumstances treat the audio with another type of processing. ● When Camden 500 is powered up, it can take between 10-30 seconds for the bias Why is there ‘clicking’ and ...
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