Miktek T100 Owner's Manual

Introduction
Thank you and congratulations on your purchase of the
Miktek T100 Snare/Tom/Instrument microphone. You
work hard to give a better than average performance,
so you demand a better than average microphone to
reproduce the sound of your drums. Miktek T Series
microphones offer way above average sound and build
quality, impressing the most discriminating engineers
and artists. Featuring cutting edge capsule designs that
are perfectly matched to Miktek's proprietary output
transformers; the T Series microphones produce a
modern, yet truly classic sound, well suited to today's
contemporary performers.
In the following sections of this manual you will find
a description of the T100's features, step-by-step
set-up and operating instructions along with detailed
specifications. In addition, we've also included some
basic miking fundamentals for typical live sound and
recording applications. To some of us these may seem
very basic. However, at Miktek we want to encourage
young or new engineers to use our microphones, or at
least to read our manuals and learn something about
recording and live sound. We know you're serious about
your sound because you purchased an outstanding
audio instrument, and at Miktek, we're serious
about providing superior products and service to our
customers. We appreciate your patronage and hope
you enjoy using your microphone as much as we enjoy
making them.
Sincerely,
Michael Ketchell - Managing Director
T100 Features
• Dynamic Snare/Tom/ Instrument Microphone
• Neodymium Magnet
• Super Cardioid Pickup Pattern
• Custom Miktek Transformer
• Package with Lever Rim Mount Clip and Protective Case
Description
The Miktek T100 super cardioid, dynamic microphone
features a custom designed, neodymium capsule
element offering extremely clear and articulate sound
reproduction of conga, timbales, hand drum, high
and low toms, and of course, snare drum. The T100's
frequency response is full and robust and is perfect for
reinforcing snare and toms in live sound applications.
T100
Dynamic Snare/Tom/Instrument Microphone
Owner's Manual
The T100 features a carefully engineered capsule coupled
to a custom designed, boutique transformer, resulting
in a response that's smooth and even with tight bass
along with articulate mids and highs. Plus, the capsule's
unique labyrinth design provides the capsule's unique
labyrinth design provides precise pattern control and
maximum gain and maximum gain before feedback, so
your snare and toms, cut through the PA with clarity and
distinction. The deep and honest response makes the
T100 snare/tom mic ideal for studio applications. With
high SPL capabilities the T100 can easily accommodate
the loudest drummers and can even be used to mic up
loud guitar amps. The T100's steel grill and die cast body
ensure durability and reliability night after night. The
T100 can be set upon a traditional mic stand using the
included holder, or use the included LRM100 lever rim
mount clip to mount the T100 directly on a snare or tom.
The ultra stealth, dark gray finish make the T100 an
attractive complement to any drum kit. The Miktek T100
snare/tom microphone will reproduce the sound of your
drums faithfully, delivering a solid foundation to any live
or studio performance.
Understanding Polar Patterns
Perhaps the most important aspect of using your T100,
or any other microphone, is to understand its polar
pick up pattern. Every microphone has a characteristic
polar pattern that determines how well it accepts
or rejects signal coming from various areas around
the microphone capsule. There are many types and
variations of polar patterns but the three most common
are omnidirectional, bidirectional or figure-eight and
unidirectional or cardioid. Omnidirectional microphones
pick up sound from everywhere, producing the same
frequency response regardless of where the sound
source originates (in front of the mic, behind it, to the
side, etc.). A bidirectional or figure-eight microphone
picks up sound directly from the front and back while
rejecting the sound at the sides. In contrast, cardioid
mics are specifically designed to accept the sound coming
from directly in front, and to reject sound coming from
behind or from the sides. The T100's capsule provides a
super cardioid polar pattern with an even tighter pick-
up pattern. While omni and bidirectional microphones
are very useful for a variety of applications, the majority
of miking situations in live sound applications require
unidirectional or cardioid microphones. When positioned
correctly, the cardioid pattern allows you to pick up more
of the sound you want and less of the sound you don't
want. In live sound