C o n t e n t s THE DESIGN PRINCIPLE LENSES AND SHUTTERS 1.1. THE SYSTEM OF THE M 679cs - ACCESSORIES 3.1. LENS SELECTION 1.2. ORDERING INFORMATION 3.2. IMAGE CIRCLE 1.3. TECHNICAL DATA LINHOF M 679cs 3.3. LENSBOARDS 3.4.
1 . T H E D E S I G N P R I N C I P L E The Linhof M 679cs is a modular view camera for the formats 6x6 cm film or on chip is faster and more precisely achieved than with the /2 1/4 x 2 1/4 in.
1 . T h e D e s i g n P r i n c i p l e 1.1. THE SYSTEM OF THE M 679cs - ACCESSORIES Basic Magnifier viewing - Hasselblad backs system for Basic lighthood Adapter for...
001161 Acute Groundglass for M679cs, 33x44 021844-S Flat Lensboard M 679 size 3 001173 Format dial 6x7 M 679cs for format 6x6 - 6x8 Recessed Lensboard M 679, size 0 001163 (included in camera price M 679cs) 003905 Recessed Lensboard M 679, size 1 / Rollei Shutter.
1 . T h e D e s i g n P r i n c i p l e 1.3. TECHNICAL DATA LINHOF M 679cs Overall camera dimensions in basic position Length: 170 mm, width: 153 mm, height: 294 mm with integrated panorama benchholder 6.7 x 6.0 x 11.6“...
2 . C A M E R A D E S I G N D E T A I L S A N D A C C E S S O R I E S The Linhof M 679cs is a system camera with an utmost flexibility of the individual system components.
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.1. FEATURES AND CONTROLS Normal bellows Unlocking of lensboard Accessory shoe for filter holder, compendium etc.
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2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 26 Rack and pinion drive for lateral shift of the rear standard 27 Rack and pinion drive for vertical shift of the rear standard...
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.2. THE OPTICAL BENCH The base of the camera is an optical bench with two parallel guided rails.
Therefore, the integrated benchholder of the M 679cs has a precise angle scale. The maxi- Attention please: Locking after each mum tilting to either side is 45°, the panorama displacements with the rotation is 360°.
The normal bellows is very flexible but at the same time stable enough to allow extreme dis- placements. The wide angle bellows (Code 002754) of the Linhof M 679cs is double-folded permitting extreme extensions. Therefore, the extension range is wide enough to avoid changing the bellows unnecessarily.
Informations for lens selection, lensboards and For the M 679cs two compendiums with inte- shutters please see chapter 3. grated filterholder are offered. 2.6. LENS CHANGE...
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2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s The filterholder of the Pro Compendium is ins- erted in the accessory shoe of the camera body.
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.8. REAR STANDARD The maximum usable format is 6x9 cm. The M 679cs Interchangeable format groundglass back...
Fresnel screens are used. With the Linhof M 679 the optical centre of the Fresnel screen is offset from the centre of the screen. In addition it can be moved up and...
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6x6 image section (see illustration opposite page). This Hasselbald finder is especially recommen- ded in combination with the Acute groundglass M 679cs. THE MAGNIFIER VIEWING ADAPTER 8x8 THE BASIC LIGHTHOOD (002763-S) serves (002757) to be attached to the basic lighthood as light shield permitting viewing in brighter permitting viewing of the total groundglass area.
THE HASSELBLAD V ADAPTER AND DIGITAL IMAGING Acccepts the complete Hasselblad V back The Linhof M 679cs is a universal tool by using technique such as rollfilm magazines, Polaroid various medium format magazines for classical magazine 100, and all backs adaptable to rollfilm photography as well as for digital backs Hasselblad V.
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Accepts the Mamiya RB magazine Pro SD, the cassette RZ and all digital backs adapted for Mamiya 6x8 motor cassette, Horseman back the Mamiya RZ. 6x7/6x8/6x9, the Linhof Rapid Rollex slide-in Operation when using rollfilm cassettes: cassette 6x7 as well as Silvestri system accesso- Fits on the Transport film to the first frame with the ries.
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.13. ADAPTERS FOR DIGITAL BACKS The Linhof M 679cs offers the freedom to use either the digital back of sories (001695). Or you choose the Universal Adapter (001697) in combi- your choice or rollfilm backs without complicated modifications.
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.14. RAPID CHANGE ADAPTER SLIDE The Linhof Rapid Change Adapter Slide permits continuous work flow by rapidly changing the complete image composition to picture taking without taking off or attaching backs.
Adapter plate for Hasselblad V Adapter plate for Adapter plate for H1, H2 (001701) (001700) Mamiya 645 AF/AFD (001702) Digital backs adapted to different medium format cameras can be combined with digital backs for use with the ingenious view camera system Linhof M 679cs.
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A combination of precision adapters is the link CHIP SIZE 24x36 mm used with the Universal Rapid Change Adapter of the Linhof M 679cs with the digital back. We offer 2 alternatives for different chip sizes Slide. Scorings are for formats 37x37/ 37x49...
(001696) Universal Rapid Change Adapter Slides (002765-S and 002766-S) can be attached to 9x12 / 4x5 view cameras such Linhof Kardan as Linhof Kardan, Sinar, (001101) Horseman and Cambo. Sinar, Horseman The Linhof Adapters (001101, (001102) 001102 and 001103) for diffe-...
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.17. STAND ALONE POLAROID BACK This Polaroid back especially developed for the Linhof M 679 utilizes the 600 range of Polaroid films. This Polaroid back is used independently from the individual format. Instant photography over the entire area for quick image composing and exposure control.
2 . C a m e r a D e s i g n D e t a i l s a n d A c c e s s o r i e s 2.18. THE SYSTAINER TRANSPORTATION LINHOF M 679cs The Linhof M 679cs is packed and dispatched in an "intelligent box", called systainer with the following advantages:...
2.19. TRIPODS AND TRIPOD HEADS PLEASE NOTE: Obviously, the selection of a tripod combinati- When inserting the M 679cs into the on that matches the stability and precision of systainer case, please ensure the following: the camera is of vital importance.
MAIN LENS CHARACTERISTICS Focal length, aperture, size of shutter, diameter of filter (screw-in filter or slip-in filter) and image circle. For details please refer to the Linhof product and price listing or contact the lens manufacturer.
120, 135 210, 240 image circle is enlarged is en- 65, 72, 75, 80 larged. PICTURE FORMAT The Linhof price and product listing contains the complete range of currently available lenses. For further details you should contact your Linhof experts.
3 . L e n s e s a n d S h u t t e r s 3.2. IMAGE CIRCLE In order to make optimum use of the decisive advantage of the M 679cs, i.e. its wide range of displacements lenses are needed with large image circle and first-class image reproduction quality right up to the edge of the image circle.
3 . L e n s e s a n d S h u t t e r s 2.3. LENSBOARDS With all symmetrically designed lenses (nor- The lensboards of the M 679cs are square mally with lenses longer than 90 mm) the ad- accepting the lens exactly in the centre.
We offer all lenses in central mechanical and Shutter speeds B and 30s to 1/500s in third-stop electronically controlled shutters which can increments. also be mounted by Linhof on the correspon- In tenth-stop increments adjustable 5-blade-iris ding lensboards. aperture. Weight 306 g.
The full range of available digital lenses can be found in the current Linhof price and product listing. Digital lenses on Linhof M 679 lensboards ranging from 24 to 210 mm focal lengths in electronic or mechanical shutters ( Rollei, Schneider, Copal).
4 . C A M E R A A D J U S T M E N T S Only by the possibility of displacing lens and rear standard all advantages of a view camera are fully utilized. These displacements serve for control of perspective, positioning of the depth- of-field and creative image composing.
Scale for lateral shift at the rear standard adjustment is sufficient and all displacements remain parallel. Direct parallel adjustment (vertical shift) with self aligning micro drives at the lens standard (M 679cs with Apo-Sironar 4,5/35 mm and wide angle bellows).
Most parallel adjustments are executed indirectly. In other words: The possible adjustments increase linear with the camera extension. The M 679cs offers an up/down or lateral shift of 168 mm each at maximum camera extension The front and rear standard is simply placed parallel to the main (tilting angle 30°).
4 . C a m e r a A d j u s t m e n t s 4.3. VERTICAL PARALLEL SHIFTS (INDIRECT) Indirect vertical shifts (lens rise or lens drop) are used to produce an image with- out converging lines when shooting from a low or high view point.
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4 . C a m e r a A d j u s t m e n t s LENS DROP When working in the studio shooting is often made from a high view point (still life, table- tops etc.): with the aid of the integrated panora- ma benchholder the camera is set to the subject determining the image on the groundglass and focus.
4 . C a m e r a A d j u s t m e n t s 4.4. HORIZONTAL PARALLEL SHIFTS Horizontal shifts (lateral displacement or cross front movements) are used to obtain frontal views from a lateral camera position, producing an image without vanishing lines and perspec- tive distortion.
4 . C a m e r a A d j u s t m e n t s 4.5. COMBINED PARALLEL SHIFTS 1. Select the appropriate camera view point, adjust Horizontal and vertical shifts can, of course, the groundglass, determine also be applied in combination.
4 . C a m e r a A d j u s t m e n t s 4.6. SCHEIMPFLUG ADJUSTMENTS adjustment possibilities). Groundglass-Scheim- on the opposite side of the groundglass. The When talking about camera movements, the pflug exaggerates the perspective rendition but amount and direction to any camera adjustment term "Scheimpflug"...
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4 . C a m e r a A d j u s t m e n t s DISPLACEMENTS, WHERE? Displacement with rear standard: Displacement with the lens standard: The M 679 with its highly practical centre rota- tion of the lens standard, also allows direct + only slight focusing necessary + no perspective distortion + desired plus of perspective rendition...
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PPRACTICAL EXAMPLE 1. Set the camera with the panorama bench- holder to the object. If possible focus an The design of the M 679cs permits object point (M) on the groundglass axis turning and swinging of the lens in (swinging axis) which should be in the desired focal plane.
4 . C a m e r a A d j u s t m e n t s 4.7. DEPTH-OF-FIELD WEDGE Since the objects to be handled are normally Plane of focus 3-dimensional you have to use additionally a Depth-of-field wedge small lens aperture.
4 . C a m e r a A d j u s t m e n t s 4.8. SUMMARY 1. Use Scheimpflug adjustments for depth-of- field control only for subjects which are in an oblique position to the camera from the near point to the far point.
4.9. DEPTH-OF-FIELD AND Depth-of-field optimizer If the optical bench is tilted more than 20° DEPTH-OF-FIELD OPTIMIZER The M 679cs offers an integrated depth-of-field the calculated aperture value can be reduced Generally speaking, only one plane can remain optimizer. For the depth-of-field optimizer, by 1/3 f/stop.
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Reproduction range 1 : 4 = + 1/3 stop (32 2/3), for both standard rails the Linhof M 679cs fully 1 : infinity = – 1/3 stop (45 1/3). supports this technique. Only the final focusing...
The operating elements are now on the left side already made cannot be fully utilized. of the camera (seen from the groundglass). The design of the Linhof M 679cs will always This sequence is also necessary for lateral indi- avoid yawing when correctly handled: with...
Focus precisely with the aid of the depth- return all camera controls to zero. of-field optimizer calculating the necessary • Framing with the M 679cs is as easy as with aperture. a non-adjustable medium format camera: • If required depth-of-field cannot be ob- set the camera to the object.