Summary of Contents for Glou-Glou RENDEZ-VOUS
- Page 3 CONCEPT An agreement. The RDV can be broken down into six parts. This is what we have here. Time and place. At its core, it is two effects: 6 stage phaser/vibrato Take it slow, get acquainted. 12 db/oct multimode filter running in parallel.
- Page 4 6 STAGE PHASER/VIBRATO 2 4 6 (right) Sets the stage of phasing/vibrato. Choose between in or out of phase The more stages, the more pro- dry signal. nounced the effect. SURPRISE: There are also 3 hidden 4 possible phaser combinations: stages.
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Page 5: Multimode Filter
MULTIMODE FILTER LP BP HP NP HI/LO Selects the filter Switch between high and low mode. Low-Pass, Band-Pass, High-Pass or Typically low mode is good for bass. Notch Pass. As you wish. (If Notch-Pass is selected, try setting the Peak between 7- 9o’clock. This will FIXED act as a very neutral phaser). - Page 6 TRIANGLE/SQUARE An enhanced version of the LFO found in the KORG MS-20. The switch choose between: The LFO can be mapped to saw/triangle/inverted-saw either (or both) of the effects. or variable width square. The knob above the switch morphs the wave- form: from saw to triangle to inverted saw in the up position, width of the square in the down position.
- Page 7 ENVELOPE SPEED Not your classic envelope. Features a wide variety of Choose between 11 different rates. attack speeds for unconventional results. First 3 positions (CCW) really slow, no ripple envelope Last 3 position (CW) fuzz-like land. (Quasi-synth sounds when playing bass). 5 positions in-between classic envelope, with variable attack.
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Page 8: Modulation Matrix
MODULATION MATRIX MODULATION GATE MODULATION SELECTER Most useful when the LFO is at audio 6 position rotary switch. rate. Sets which modulation affects which effect. For most applications, the gates Yellow indicates the modulation of the phaser. should be left off (up position) Green indicates the modulation of the filter .
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