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Akai Manuals
Recording Equipment
s2000
Operator's manual
Akai S2000 Operator's Manual
Stereo midi digital sampler
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Also See for S2000
:
Owner's manual
(238 pages)
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Table Of Contents
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Contents
Table of Contents
Bookmarks
Table of Contents
Warning
Protecting Yourself and the S200
Important
Ventilation
FCC Warning
Copyright Notice
Contents
Introduction
Features
About this Manual
Front Panel
The Disk Drive
Taking Care of Your Disks
Rear Panel
Setting up the S2000
Getting Started-Connections
Playing the Demo Sequence
Mounting the S200
Getting Around the S2000
Operating Modes
The Page and Group Keys
F1 and F2
The Data/Select Wheel
The Select Wheel in Edit Program
The Select Wheel in Multi Mode
The Select Wheel in Edit Sample
The Play Key
How the S200 Works
S2000 Flowcharts
Edit Sample
Edit Program
Multi-Mode
4-Channel Effects Processor
Load Mode
Using Floppy Disks
Using Hard Disks
SCSI, SCSI ID, Volumes, Partitions, Etc.
Select to Load from Floppy Disk or Hard Disc
Loading the Entire Volume
Loading Other Items from Disk
Loading a Multi
Loading Only the Programs and Their Samples
Loading Individual Programs and Their Samples
Loading Only Programs
Loading Only Samples
Loading Individual Items
Loading an Operating System
Loading from Other Manufacturer's CD-Roms
Notes Regarding Loading Other Manufacturer's Sound Library
Load Mode Screens
Save Mode
Saving the Entire Memory to Floppy Disk or Hard Disk
Notes on Saving Data
Saving Other Items to Disk
Saving a Multi
Saving All Programs and Their Samples
Saving an Individual Program and Its Samples
Saving All Programs Only
Saving All Samples Only
Saving Individual Items
Saving Operating System
Naming Disk Volumes
Deleting Items from Disk
Save Mode Screens
Single Mode
Notes Regarding 'Old Akai' Method
Renumbering Programs
Deleting Programs
Layering Programs in Single Mode
Creating Multi-Timbral Setups in Single Mode
Single VS Multi
Multi Mode
Setting up a Multi
Assigning Programs to a Multi Part
Modifying the Multi
Setting a Part's MIDI Channel
Setting a Part's Level and Pan
Setting a Part's Output Assignment
Setting a Part's Effects Buss Routing
Fine Tuning a Part's Pitch
Transposing a Part's Pitch
Setting a Part's Low and High Key Ranges
Setting a Part's Priority
Important Notes about Multi Parameters
Naming a Multi
Multi Mode Screens
Using Multi Mode for Layering Programs
Using Multi Mode to Set Keyboard Splits
Combining These Techniques
Program Edit
What Is a Keygroup?
Keygroup Zones
Overlapping and Crossfading Keygroups
Assignable Program Modulation
Important Notes about Single Edit and Multi Edit
Editing in Single Mode
Creating, Renaming and Copying Programs
Changing the Program Number/MIDI Channel
Monitoring Other Programs
Program Polyphony and Priority
Keygroup Crossfade
Mono Legato Playback
Important Note Regarding Mono Legato On/Off
Tuning a Program
Transposing a Program's Pitch
Setting Master Output Level Parameters
Assigning a Program to an Individual Output
Routing Programs to the Internal Effects
Editing in Multi Mode
Loudness Modulation
Pan Modulation
Copying and Deleting Keygroups
Notes Regarding Keygroup Selection
Setting a Keygroup's Key Range
Notes on Setting Keyspan Ranges
Assigning a Keygroup to a Mute Group
Velocity Crossfade/Switch
Assigning Samples to Keygroups
Tuning the Sample in Zone 1
Setting Level and Pan for the Sample in Zone 1
Assigning a Zone/Keygroup to an Individual Output
Setting the Zone's Low and High Velocity Ranges
Switching the Keyboard off
Setting the Loop Characteristics of a Keygroup
Setting Velocity to Sample Start Time
Assigning Samples to Zones 2, 3 and 4
Assigning Stereo Samples to a Program
Layering Sounds in a Keygroup
Creating Stereo Sounds from Mono Samples
ENV1-Shaping Amplitude
Setting Amplitude Modulation for Keygroups
The Filters
ENV2-Shaping the Filter
Using the Filter and Envelope Generators
The Second Filters
The Tone Page
Env3
Modulating Pitch
The Low Frequency Oscillators
Lfo1
Notes Regarding Setting LFO1 Modulation Depth
Modulating LFO1
LFO2-The Auxiliary LFO
Setting Pitch Bend Parameters
Adding Portamento
Notes on Using Portamento
Single Edit Screens
Name/Detele/Copy Screens
Multi Edit Screens
Sample Mode
What Is Sampling?
Sampling-Recording into the S200
Making a Recording
Naming Samples
Setting Record Parameters
Notes about Stereo Recording
Setting Record Levels
Making the Recording
Input Select
Recording Digitally
Sample Screens
Sample Edit
Detele and Renaming Samples
Tuning a Sample
Normalising a Samples's Level
Trimming a Sample
Looping a Sample
Setting the Loop Hold Time
Crossfade Looping
Tuning the Loop
Making a Good Loop
Using at and Length
Reversing Samples
Setting Digital Fade up and Fade down
Notes on Using Fade Up/Down
Re-Sampling - Optimising Memory
Timestretch
Sample Edit Screens
Effects Mode
Organisation of Effects Files
Assigning Effects to Single Programs
Assigning Effects to Multi Parts
Note about Effects Selection in Multi
Assigning Effects to Individual Keygroups
Processing External Sound Sources through the Effects
Routing External Sounds through the Effects
Selecting the Effects Output
Chaining Effects
Effects Edit
Ring Modulation/Distortion
Eq
Modulation Effects
Chorus, Phase Shift and Flanging Effects
Rotary Speaker Effects
Autopan and Frequency Modulation Effects
Notes Regarding the Autopan/Fmode Effect
Stereo Pitch Shift Effects
Bypassing the Modulation Effects
Delay and Echo Effects
Mono Delay/Echo Effects
Ping Pong Echo Effects
Note Regarding Mono Echo Effects
Crossover Delay
Stereo Delay/Echo Effects
Bypassing the Echo/Delay Effects
Reverb Effects
Some Tips on Using Reverb
Reverse Reverb
Gated Reverb
Effects Output Section
Effects Direction
Switching out the 'Direct' Signal
Copying Effects
Copying Effects between Different Effects Files
Global Mode
Tuning the S200
Setting the S200'S Output Level
Setting the Single Mode's Program Change Channel
Selecting the External MIDI Controller
Monitoring Incoming MIDI Channels
Setting the Play Key's Parameters
Setting the SCSI Interface's ID
Formatting Disks
Formatting Floppy Disks
Formatting Hard Disks
Formatting and Arranging will Destroy All Data on the Disk
DAT Backup/Restore
You Cannot Backup Sampler Data to DCC or Minidisk Formats
SMF Playback
Setting the S2000'S SCSI ID
MIDI Via SCSI
MIDI System Exclusive Channel
Global Mode Screens
Appendix
Connecting an External Hard Disk Drive
Notes on Using Hard Disk Drives
SCSI Cables
Cable Length
Data Compatibility Issues
Sound Data
Effects Files
Multis
ME-35T Drum Settings
Songs and Qlists
Installing the Options
Installing Memory Expansion
Installing the FMX008 Flash ROM Boards
The S2000 Operating System
Booting up from Floppy Disk
Booting up from Hard Disk
Specifications
S2000 MIDI Implementation Chart
Index
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Owner's Manual
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