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Peavey Manuals
Electronic Keyboard
DPM 488
Owner's manual
Peavey DPM 488 Owner's Manual
Dpm series performance keyboards
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Also See for DPM 488
:
Owner's manual
(145 pages)
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Table Of Contents
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Contents
Table of Contents
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Table of Contents
Contents
Introduction
The Audio Connection
Audio Hookup
Cable Setup
Using the DPM as a Workstation
Mono
Stereo
Stereo Headphones
Live Use as a MIDI Keyboard/Master Controller
Studio Use with an External Sequencer
Front Panel Descriptions
Powering up
Quick Parameter Setup
Data Entry Controls
Volume Control
Auditioning Programs
About Dynamic Allocation
Multi Mode
The most Common DPM Operations
Global Tuning
Main MIDI Edits
Keyboard Velocity Response
Display Viewing Angle
Change MIDI Input Channel
Change MIDI Output Channel
Change MIDI Mode
Enable Overflow Mode
Turn Local Control on or off
Filter out MIDI Data
Storage Functions
Cartridge Memory Management
Format a Disk Prior to Saving Data
Saving Data to Disk and Naming Data Files
Loading Files from Disk
Deleting Files from Disk
Sending Data Via MIDI System Exclusive Messages
Edit Menu Tweaks
Change Overall Timbre
Increase/Decrease Timbre
Change Program Volume Level
Change Stereo Pan
Set Pitch Bend Range
Assign Footpedal and Footswitch
Master Effects Selection
Initialize Entire Unit
Creating Drum Kits
Drum Kit Basics
Accessing and Modifying Drum Kit Parameters
Programming the DPM
History and Background
How the DPM Generates Sound
Analog Synthesizer Emulation
DPM Synthesizer Architecture
Sampler
Oscillators
Dcas
Pan
Filters
The Art of Modulation
Output Stage
Signal Processors
About the DPM Modulation Matrix
DPM Modulation Modules
DPM Programming Techniques
About the Compare Function
Wave Page
Coarse
Fine
Waveform Reference List
Amplitude Page
Positive Modulation Amount Applications
Filter Page
Cutoff
Res
Curve
Envelope Page
Scale
Modulation Applications
Levels
Loop
Times
LFO Page
Rate
Shape
Amount
Delay
Fadein
Wheel
Amod
Volume Page
LFO Modulation Applications
Links Page
Major Big-Time Caution
Vol
Volmod
Programming the On-Board Signal Processors
About DPM Signal Processing
Effects Structure
The Differences between Effect 1 and Effect 2
Signal Processors in Multi Configurations
FX Parameter Programming
Base Channel Program Parameters
Last Individual Program Selected
Programming Signal Processing Parameters
Reverb Parameter
Type
Size
Damp
Delay Parameters
Timel
Timer
MIX
Chorus Parameters
EQ Parameters
Gated Reverb
Distortion Parameters
Gatetype
Exciter Parameters
Combination Effects Options
Distortion/Reverb and Reverb/Distortion
Delay/Chorus and Chorus/Delay
Distortion/Eq and Eq/Distortion
Reverb/Eq and Eq/Reverb
Sequencing
Basic Operation
Storage
Sequence Structures
Overview of Sequencer Button Functions
Sequence/Song Selection
Getting Ready to Record a Sequence
Sequencer System Setup
Control Screen
Tempo
Clock
Sequence Edit Functions
Create a Sequence
Delete a Sequence
Copy a Sequence
Choose a Sequence Effect
Clear All Sequences
Sequence Track Assignments
Assign Program to Track
Track Configuration
Volume
Track MIDI Output Assignment
FX2 Send Assign
Set Track Volume/Automated Mixdown
Recording a Sequence
Transport Controls
Rewind
Play
Fast Forward
Record
Erase
Erase + Record
Track Edit Functions
Erase Note And/Or Controller Data
Notes
Ctrls
Lokey
Copy Note Data
Fromseq
Track
Frombar
Thru Bar
Transpose Note Data
Scale Note Velocities
Quantize Note Data
Mode
Step
Insert Measure Data
Delete Measure Data
Before Bar
Merge Tracks
Slide Data
Clocks
Step Editing
Step Size
Step Edit Operations
To Play Back a Sequence in Step Edit Mode
To Enter Step Mode from Normal Playback
To Record in Step Edit Mode
Constructing a Song
To Erase+Record in Step Edit Mode
To Name, Clear or Build a Song Play List
Name/Save a Song
Clear a Song
Build a Song
Song Building Options
Building a Song
Event
Repeat/Tempo
Editing a Song
Change a Step
Delete a Step
Insert a Step
Sample Editing
About Sampling
Sample Transportation
About Multi Sampling
Memory and Sample Time
Definition: Waves and Samples
Accessing Sampling Functions
Load
Sample from Disk
Show
Sample Memory Status
Rcv
Receive a Sample from an SDS-Compatible Device
Base
Tone
Range
Xmit
Transmit a Sample to an SDS-Compatible Device
Edit
Wave
Edit Samples in Memory - Loop and Trim
Start
End
Delete
Deleting Samples
Deleting Waves
Using an SX/SX II with the DPM Keyboard
Dump
Sample Memory Management Tips
Sample Time Trade-Offs
The Sample/Patch Program Relationship
The DPM as Sampler
Additional Tips
Advanced Applications
MIDI Overflow Mode
Alternate Tuning Tables
Selecting a Preset Tuning Table
Creating Your Own Tuning Tables
Alternate Even-Tempered Tuning
MIDI System Exclusive Storage
Saving Sysex Data to the DPM
Reloading and Sanding Sysex Data from the DPM
Programming Tips and Background Material
Sequencing Basics
About Envelope Generators
Automatic Crossfading
Manual Crossfading
Pressure Controlled Crossfading
Programming/Editing Tips
Pressure-Controlled Pitch
Envelope-Controlled Pitch Effects
Using Velocity with Amplitude and Filtering
Combi Delays
Unusual Wave Combinations
Tremolo Effects
Filter Keyboard Tracking
Blank Template Patches
About Levels and Distortion
Care of Floppy Disks
Inserting Disks
Write-Protecting Disks
Protecting the Drive
Proper Care of Disks
MIDI Supplement
MIDI Basics
MIDI Hardware
MIDI Message Basics
Channel Messages
Voice Messages
Pitch Bend
Mode Messages
System Common Messages
Other Messages
Local Control On/Off
Song Position Pointer
Books on MIDI
Index
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