Sony NEX-6 Manual page 10

Feature-rich for a photographic experience
that never leaves you wanting
Full HD movies
Record beautiful movies thanks to the
Exmor™ APS HD CMOS sensor and
fast readout. NEX-6 supports a variety
of movie formats, including AVCHD
Ver. 2.0 at 60p/50p and 60i/50i as
well as 24p/25p* . Shoot carefree in
1
fully automatic mode or use P/A/S/M
Smile Shutter / Face Detection
Capture people when they are at
their most charming. The camera
waits until faces are smiling then
automatically takes the shot. Smile
detection is adjustable in three levels.
Soft Skin Effect
Make people look their best by
removing unsightly blemishes and
wrinkles from faces when you shoot.
Softening is restricted to faces and is
adjustable in three levels.
Superior Auto
This convenient mode offers the
ultimate in shooting freedom. The
camera reads the scene then auto-
matically adjusts settings for superb,
hassle-free photos and movies.
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modes when you want maximum
control over the look of the movie. In
addition, a wide variety of optional
A-mount lenses are available to offer
aspiring moviemakers all the tools they
need to produce stunning cinema*
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* 1080 60i/1080 50i devices
* 2 Requires Mount Adaptor LA-EA2 or LA-EA1.
Creative Style
Six modes give you creative control
over the ambience of photos and
movies before the shot. Choose from
Standard, Vivid, Portrait, Landscape,
Sunset or Black & White.
Scene Selection
Take the guesswork out of difficult
shots. Simply select from one of eight
scenes — including Portrait, Sunset
and more — and NEX-6 adjusts set-
tings for optimal results.
Sweep Panorama
Majestic landscapes and cityscapes
can now be captured with ease. Just
sweep the camera in an arc while
shooting and the camera automati-
cally creates a stunning panorama.
Auto Portrait Framing
Give portraits a professional look.
NEX-6 automatically crops images
while you shoot for the most pleasing
look. It also saves
the original so
.
2 you can decide
which is best.
Anti Motion Blur
Sony's compositing technologies de-
crease blur when capturing scenes in
which subject-motion blur can occur,
such as in dimly lit settings or when
shooting at telephoto focal lengths.