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Manuals
Brands
Roland Manuals
Synthesizer
JX-10
Owner's manual
Roland SUPER JX-10 Owner's Manual page 25
Polyphonic synthesizers
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Also See for SUPER JX-10
:
Owner's manual
(88 pages)
,
Owner's manual
(53 pages)
,
Owner's manual
(73 pages)
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Enlarged version
Bender
Range
Key
Mode
1
1
'
1UXI(_
j?;?ff«Sf!fj?j^
UP
WHOLE
LO
WHOLE
DUAL
SPLIT
T.
VOICE
X-FADE
TOUCH
VOICE
SELECT
(T.
VOICE)
Volume
Key
touch pressure
CROSS
FADE
(X-FADE)
Volume
L
/
Lower
^
v/
Upper
Tone
/
"N,
Tone
This Factor
sets
the
maximum
effect
of
the
Bender.
The
value
in
the Display represents
semi-tone. 2
is
major
2nd, 3
is
minor
3rd,
4
is
major
3rd
and
7
is
perfect
5th.
The Key
Modes
which
can be
selected with
the
Quick
Edit
Function
are
restricted to
four
modes; Upper
Whole,
Lower Whole,
Dual
and
Split
Here,
however,
two more Key
Modes,
altogether 6
modes
can
be
set.
T.
VOICE
and
X-FADE
can be
selected
by
rotat-
ing
the
a
Dial
counterclockwise,
and
other
modes
can
be
selected
by
rotating
it
clockwise.
Touch
Voice
Select
Mode
(T.
VOICE)
In
this
mode,
either
the
Upper
or
Lower Tone
is
output
depending
how
you
play the key-
board-
That
is,
when
you
play the
keyboard
hard, the
Upper Tone
is
selected,
and
when
you
play
softly,
the
Lower Tone
sounds.
As
shown
in
the
left
picture,
the key
touch
pres-
sure
that selects
the
Upper
or
the
Lower Tone
changes depending on
the
Upper
Split
Point
(= Factor
13).
When
the
Split
Point
is
set to
higher
note,
stronger
key touch
will
be
needed
for
obtaining the
Upper
Tone.
•
Cross Fade
Mode
(X-FADE)
This
is
a kind
of
Dual
mode.
In
this
mode,
the
volume
of
the
Lower Tone
decreases by
stronger key touch,
and
the
vol-
ume
of
the
Upper Tone
decreases
by weaker
key
touch. This
mode,
therefore
can be
effec-
tively
used
to
change
the
volume
balance
of
the
Tones
by changing
the playing
manners
when
you
are
using
diffrent
Tones
for
the
Upper and
the Lower.
Key
touch pressure
25
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