ENSONIQ ASR-X PRO User Manual page 41

1 1 1 1 2 2 2 2 R R R R e e e e v v v v C C C C h h h h o o o o r r r r u u u u s s s s
Combines a plate reverb with a stereo chorus.
P P P P a a a a r r r r a a a a m m m m e e e e t t t t e e e e r r r r
Decay
HF Damping
HF Bandwidth
Diffusion 1
Diffusion 2
Definition
Chorus Mix
LFO Rate
LFO Shape
LFO Phase
Chorus Depth
Chorus Center
System
Feedback
1 1 1 1 3 3 3 3 R R R R e e e e v v v v F F F F l l l l a a a a n n n n g g g g e e e e r r r r
This insert effect features a plate reverb with a flanger effect.
P P P P a a a a r r r r a a a a m m m m e e e e t t t t e e e e r r r r
Decay
HF Damping
HF Bandwidth
ENSONIQ ASR-X Pro UserÕs Guide
R R R R a a a a n n n n g g g g e e e e
0.0sec to 10.0sec
100Hz to 21.2kHz
100Hz to 21.2kHz
0 to 100
0 to 100
0 to 100
Full Dry to Full Wet
1/1 Sys to 1/32 Sys, 0.0Hz
to 20.0Hz
Triangle, Sine, Sawtooth,
Square, Asym, 16-Step, 8-
Step, 4-Step
-180deg to +180deg
0.0ms to 25.0ms
0.0ms to 50.0ms
-99% to +99%
R R R R a a a a n n n n g g g g e e e e
0.0sec to 10.0sec
100Hz to 21.2kHz
100Hz to 21.2kHz
D D D D e e e e s s s s c c c c r r r r i i i i p p p p t t t t i i i i o o o o n n n n
Controls the amount of time it takes for the
reverberation to decay after the input signal stops.
Controls the rate of attenuation of high frequencies in
the decay of the reverberation. Increasing the value of
this parameter will gradually filter out (dampen) more
and more high frequency energy.
The high frequency bandwidth acts as a low pass filter
on the signal going into the reverb, controlling the
amount of high frequencies that will pass into the effect.
The higher the setting, the more high frequencies are
allowed to pass.
Smears the input signal transients, to diffuse and
smooth the sound. Lower values will cause impulse
sounds to appear as a series of discrete echoes, while
higher values tend to increase the smear (smoother
sounding with fewer discrete echoes). We recommend
settings of 50 for starters.
This parameter, similar to and in series with Diffusion 1,
performs the same way but controls lower frequency
ranges. Experiment with different levels between the
diffusion parameters to find the settings that are right
for your source.
Controls the rate at which echo density is increased with
time. Setting this parameter too high can cause the echo
density to build at a rate which exceeds the decay rate.
Controls the dry/wet mix of the chorus.
Controls the rate of pitch modulation to the chorus.
Determines the shape that the LFO will use for pitch
modulation.
Controls the relative phase between left & right LFOs.
Controls the amount of modulation.
Controls the delay times within the chorus. Adjusting
this parameter will change the tonal character of the
chorus.
Controls the amount of feedback applied from the
output of the chorus to the input of the reverb.
D D D D e e e e s s s s c c c c r r r r i i i i p p p p t t t t i i i i o o o o n n n n
Controls the amount of time it takes for the reverb to
decay after the input signal stops.
Controls the rate of attenuation of high frequencies in
the decay of the reverberation. Increasing the value of
this parameter will gradually filter out (dampen) more
and more high frequency energy.
The high frequency bandwidth acts as a low pass filter
on the signal going into the reverb, controlling the
amount of high frequencies that will pass into the effect.
The higher the setting, the more high frequencies are
allowed to pass.
Insert Effect Parameters
33