Advertisement

Quick Links

INTRODUCTION

Thank you for purchasing the Remote Line Drive RLD-1.
This preamplifier is handcrafted with top quality, highly re-
liable components. We are confident that you will be well
satisfied with its sonic performance and find pleasure in its
functional beauty.
Before you enjoy these experiences, however, please take
a few minutes to read this Owner's Manual and acquaint
yourself with the instructions for optimal operation. This
will ensure your listening pleasure today, and for many
years to come.

OPERATING INSTRUCTIONS

UNPACKING - Be sure to save the original box and pack-
ing materials. Store them in a dry environment. It is best to
use the original packaging should you need to transport or
ship the RLD-1.
INSTALLATION - Place the RLD-1 as closely as possible
to its final installation location, while leaving yourself ac-
cess to the rear panel. Choose a location with at least a
few inches of ventilation space around the chassis.

LINE LEVEL SOURCE CONNECTIONS

Connect your line level sources (CD, DCC, Mini-Disc,
VCR, tuner, cassette deck, phono preamplifier, etc.) to the
input of your choice on the rear panel.
There are 5 line level inputs labeled CD, VIDEO, TUNER,
TAPE, and PH/AUX for your convenience. If you have pur-
chased the optional phono stage, then you will want to use
the PH/AUX connectors for your turntable. If not, then use
this input for any line level source you choose.

TAPE RECORDER/PLAYER CONNECTIONS

To use monitoring facilities built into a tape recorder, con-
nect your tape deck (R-DAT, DCC, Mini-Disc, etc.) to the
McC
ORMACK
BEYOND YOUR EXPECTATIONS, WITHIN YOUR REACH.
TAPE 2 inputs and outputs, as indicated on the rear panel.
The TAPE 2 IN jacks receive the signal from the deck; the
TAPE 2 OUT jacks send the signal chosen by the source
selector to your deck.

AMPLIFIER CONNECTION

Be certain your power amplifier is turned OFF, then con-
nect it to the RLD-1 output of your choice. Two pairs of
outputs are provided for special applications (eg. connect-
ing self-powered subwoofers). These are wired in parallel
and are electrically identical.
NOTE - The RLD-1 uses high-quality RCA phono jacks for
input and output connections. Please remember that se-
lecting high quality cables for use with this revealing com-
ponent will result in superior sonic performance from your
system. Your McCormack dealer will guide you in making
this important component choice.
The RLD-1 uses a removable 3-wire grounded AC power
cord. Plug the AC power cord into the RLD-1, then plug the
other end into an appropriate wall socket.
When all connections are made, move the RLD-1 to its
permanent location. Check again to be certain that all your
plugs are fully inserted, making tight connections.
When first powered up, and with restoration of service af-
ter a power outage, the RLD-1 starts in Standby Mode.
Press the button labeled STANDBY to begin normal op-
eration. The RLD-1 will switch to its default settings, which
are for CD input and -50 dB level settings.
Turn on your power amplifier.

BREAK-IN PERIOD

Your RLD-1 has already been burned in at the factory.
However, like all high quality components, it will still re-
quire a break-in period of approximately 100 hours before
it will sound its best. When not in use, switch the RLD-1 to
A
UDIO

Advertisement

Table of Contents
loading
Need help?

Need help?

Do you have a question about the RLD-1 and is the answer not in the manual?

Questions and answers

Paul
February 22, 2025

Can the tape monitior loop be used for an equalizer?

1 comments:
Mr. Anderson
February 22, 2025

Yes, the McCormack RLD-1 has a tape monitor loop (TAPE 2 IN and TAPE 2 OUT jacks) that can be used for an equalizer. The TAPE 2 OUT jacks send the selected source signal, and the TAPE 2 IN jacks receive the processed signal back. By connecting an equalizer between these jacks, you can modify the audio signal before it is sent to the amplifier.

This answer is automatically generated

Summary of Contents for McCormack RLD-1

  • Page 1 TAPE RECORDER/PLAYER CONNECTIONS quire a break-in period of approximately 100 hours before it will sound its best. When not in use, switch the RLD-1 to To use monitoring facilities built into a tape recorder, con- nect your tape deck (R-DAT, DCC, Mini-Disc, etc.) to the...
  • Page 2 Video input. When Video is selected, SPECIFICATIONS this switch will toggle the unit in and out of Theater Mode. In Theater Mode, the RLD-1 is set to unity gain, and vol- Line Amplifier Section ume and balance controls are disabled. Other functions Gain: 20 dB (Select, Monitor, Mute, Standby) work as usual.

Table of Contents