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Summary of Contents for Allen Organ Company Q286/HII-86
- Page 1 Q286/HII-86 Quantum™ Series Copyright © 2015 Allen Organ Company LLC All Rights Reserved AOC P/N 033-00200 Revised 10/2015...
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Page 2: Table Of Contents
Renaissance/Quantum™ technology are the product of years of advancements in digital sound and control techniques by Allen Organ Company. This system represents the apex of digital technology applied to exacting musical tasks. The result is a musical instrument of remarkably advanced tone quality and performance. -
Page 3: Organ Stops
I. ORGAN STOPS PITCH FOOTAGE The number appearing on each stop, along with its name, indicates the “pitch” or “register” of the particular stop. Organs can produce notes of different pitches from a single playing key. When this sound corresponds to the actual pitch of the played key, the stop is referred to as being of 8’... -
Page 4: Specialized Stop Controls
Your Allen Organ provides authentic, digitally sampled voices. They are protected by copyrights owned by the Allen Organ Company and are stored in memory devices, each having affixed to it a copyright notice; e.g., © 2003 AOCO, © 2001 AOCO, etc., pursuant to Title 17 of the United States Code, Section 101 et seq. - Page 5 MIDI on Pedal Opens MIDI channel to the Pedal. MIDI on Swell Opens MIDI channel to the Swell MIDI on Great Opens MIDI channel to the Great. Tremulant This stop provides a vibrato effect, natural in the human voice and wind instruments.
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Page 6: Expression & Crescendo Shoes
III. EXPRESSION & CRESCENDO SHOES The organ’s control pedals (called “shoes”) control expression and crescendo. The left-most shoe expresses the Great and Pedal Divisions. The next/middle shoe expresses the Swell Division. The right-most shoe is the Crescendo shoe. It is a master Crescendo for all divisions. It gradually adds stops as it is opened/depressed. - Page 7 SETTING GENERAL PISTONS General pistons will affect all stops in any division. Any stop turned on will be set within a General piston registration. To set a General piston: First, turn on any stops you wish to save within a registration. Press and hold the SET Piston.
- Page 8 RECALL “R” PISTON The “R” or Recall piston recalls the last registration setting prior to using any General or Divisional piston. For example; Press a General or Divisional piston/toe stud. The stop registration programmed on that particular piston/toe stud will appear. Manually register additional stops to the current stop registration.
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Page 9: Artistic Registration
VI. ARTISTIC REGISTRATION (Trained organists might not need to review this section.) Organ registrations fall into two broad categories; solo combinations and ensembles. A solo combination is one in which a melody is played on one keyboard, the accompaniment on another keyboard. - Page 10 TRUMPET SOLO Swell: Festival Trumpet 8’ or French Trumpet 8’ Great: Diapason 8’, Viola Pomposa 8’, Octave 4’, Fifteenth 2’, Mixture IV Pedal: Contre Violone 32’, Diapason 16’, Octave 8’ Play melody on Swell and accompaniment on Great. These few combinations demonstrate basic techniques of solo registration. In creating registrations of your own, remember these three simple rules: Seek tonal contrast between solo and accompaniment.
- Page 11 SUGGESTED ENSEMBLE COMBINATION REGISTRATIONS: GREAT ENSEMBLE COMBINATIONS 1. Harmonic Flute 8’, Spitzflöte 4’ 2. Harmonic Flute 8’, Spitzflöte 4’, Fifteenth 2’ 3. Diapason 8’, Octave 4’ 4. Diapason 8’, Octave 4’, Fifteenth 2’ 5. Diapason 8’, Octave 4’, Fifteenth 2’, Mixture IV 6.
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Page 12: Transposer
VII. TRANSPOSER Vast computer capability makes it possible to perform the sometimes difficult task of transposing, while allowing the organist to play in the notated key. The GeniSys™ Controller controls the operation of the Transposer. The GeniSys™ Controller is located at the left side of the console. -
Page 13: Installation, Voicing, And Care Of The Organ
The switch labeled ACOUSTICS on the GeniSys™ Controller must be ON to hear the selected pallet. The selected Acoustic Portrait™ gain, measured in dB (decibels), can be accessed and adjusted within the GeniSys™ Controller. See the GeniSys™ Controller guide later in this manual for more detailed instructions on Acoustic Portrait™... -
Page 14: Safety Information
X. SAFETY INFORMATION USA ONLY CAUTION Never plug the instrument into any current source other than 110 to 120 volts, 50/60 Hertz alternating current (AC). A verified grounded outlet is essential to proper operation and protection of the instrument. Proper polarity should be checked with an AC circuit analyzer before connecting the organ. - Page 15 Warning: This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause interference to radio communications. It has been type tested and found to comply with the limits for a Class B Computing Device in accordance with the specifications in Subpart J of Part 15 of FCC Rules, which are designed to provide reasonable protection against such interference in a residential installation.
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Page 16: Genisys™ Controller Guide
XI. GENISYS™ CONTROLLER GUIDE BASIC OPERATION ....................15 Start-Up Sequence ....................................15 Advancing Through the Windows ................................16 Selecting the Capture Memories ................................16 Saving Registrations Using the Pistons/Toe Studs ..........................17 Locking Capture Memories ..................................17 Unlocking Memories Using Your Code ..............................18 Unlocking All Memories If You Forget Your Code .......................... -
Page 17: Basic Operation
INTRODUCTION The GeniSys™ Controller is an interface that controls many organ functions and a variety of MIDI functions. The GeniSys™ Controller includes a LCD (liquid crystal display) window that displays functions, one at a time, as well as an integrated Rotary Dial with push buttons used to make selections. -
Page 18: Advancing Through The Windows
2. Advancing Through the Windows The Allen Organ GeniSys™ operating software contains many settings that are user- programmable. Each programmable setting can be adjusted via the GeniSys™ Controller. These programmable settings are divided up into many window functions. To advance the GeniSys™ Controller's display to the next window function, locate and press the CURSOR button until the positioned... -
Page 19: Saving Registrations Using The Pistons/Toe Studs
4. Saving Registrations Using the Pistons/Toe Studs A registration is any combination of stops. These registrations can be stored (remembered) by the organ’s capture memory system. The pistons provide a way to make changes quickly from one registration to another. General Pistons are those that affect all stops on the organ. -
Page 20: Unlocking Memories Using Your Code
On the GeniSys™ Controller, locate the MEMORY button. Press and hold the MEMORY button. Then, while holding MEMORY, press the General Pistons that will correspond to your three-digit code. Release the MEMORY button and an "L" will appear next to the “M” number in the display, indicating this memory is now locked. -
Page 21: Stop Action And Capture Self Check
8. Stop Action and Capture Self Check This feature self-checks the capture system. The test insures each stop is functioning properly and is controllable by the capture system. Advance to the ‘SELF CHECK’ window function (see Section A-2). To start the self-check, press the CURSOR button on the GeniSys™... -
Page 22: Acoustic Portrait™ Settings
To change to a different voicing specification, press the CURSOR button on the GeniSys™ Controller and position the cursor on the voicing specification name. Turn the ROTARY DIAL to select a different voicing specification. SOUND LIBRARY SOUND LIBRARY CLASSIC ALLEN ENGLISH CATHEDRL When the desired voicing specification is displayed, press and hold the SET piston. - Page 23 To change the active Acoustic Portrait™ or adjust the Acoustic Portrait™ gain, advance to the ‘ACOUSTIC PORTRAIT™‘ window function (see Section A-2). The window will display the name of the currently selected Acoustic Portrait™ pallet on line 1 with the Gain setting on line 2.
- Page 24 Acoustic Portrait Gain (Volume) Adjustment: To change the Acoustic Portrait Gain setting, press the CURSOR button on the GeniSys™ Controller until the cursor is positioned on the Acoustic Portrait gain setting. Turn the ROTARY DIAL on the GeniSys™ Controller to change the gain setting. Gain adjustment range is from minus 35dB to +6dB.
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Page 25: Hymn Player
11. Hymn Player GeniSys™ instruments contain an internal Hymn Player which plays a selected set of pre-recorded hymns within memory. Additional hymns cannot be added to the existing list of available hymn Note: selections. To access the Hymn Player function, advance to the Hymn Player function window (see Section A-2). -
Page 26: Usb Operation
B. USB OPERATION 1. USB Memory Port GeniSys™ consoles are equipped with a USB type memory port. Depending on the model instrument, the USB memory port can be located at various locations on the console. The USB memory port can accept USB flash devices up to 32GB in size. Important! USB flash devices larger than 32GB will not operate correctly within GeniSys™... -
Page 27: Genisys™ Sequencer
2. GeniSys™ Sequencer GeniSys™ instruments contain the added versatility of a built-in console sequencer. Similar to the operation of an external MIDI sequencer, the GeniSys™ Sequencer will record and playback an organist’s performance in exacting detail. Every key, pedal, piston, stop and expression movement is recorded and played back as it was originally recorded by the organist. - Page 28 The GeniSys™ Sequencer contains many display functions. Here is a quick breakdown of those functions and what they do: Sequencer Control Function: PLAY: Standard Sequencer File Playback; PLAY mode will play the selected MIDI song file number from within the selected MIDI Song File Source Folder. PLAY+: “Playlist”...
- Page 29 a. Select a MIDI Song File Number: To select a MIDI song file number, press the CURSOR button on the GeniSys™ Controller to position the cursor on the MIDI Song File Number. Turn the SEQNCR PLAY ROTARY DIAL to select a Work 00000 STOP song number.
- Page 30 c. Delete a MIDI Song File Number: To delete a MIDI song file number, press the CURSOR button on the GeniSys™ Controller SEQNCR PLAY to position the cursor on the Work 00000 STOP Sequencer Control Function. Turn the ROTARY DIAL to select “DEL”...
- Page 31 d. Play a MIDI Song File To load and play a MIDI song file, select a MIDI Song Source Folder and MIDI Song File Number (see sections 2a and 2b above). Press the CURSOR button to position the cursor on SEQNCR PLAY the Transport Control Function.
- Page 32 To resume playback, press the MEMORY button. SEQNCR PLAY The counter will begin counting Work 00XXX PAUS from the current counter value and the instrument will begin playing indicating playback has resumed. Transport Control Function will change to “PAUS” in case the organist needs to pause playback again.
- Page 33 Turn the ROTARY DIAL to select the “SRCH” SEQNCR PLAY control function. Work 00140 SRCH The “SRCH” function scans the MIDI song from the beginning of the MIDI song file up to the current counter position for any messages pertaining to the organ's stop registrations and expression data.
- Page 34 f. To Record A MIDI Song: To record a MIDI song file, select a MIDI Song Source Folder and MIDI Song File Number (see sections 2a and 2b above). Press the CURSOR button on the GeniSys™ Controller until the cursor is positioned on the SEQNCR PLAY Sequence Control Function.
- Page 35 Hint! To ensure the initial console setup information is recorded within a MIDI song, perform these steps after the recording has started: 1. Press the CANCEL piston. This will turn off any stops which are turned on and also record the currently selected capture memory level within the MIDI song. Doing this will set the organ to the correct capture memory level when the MIDI song is played back preventing the potential for incorrect piston registrations to be selected and recorded into the MIDI song.
- Page 36 To resume the recording at the current counter value, press the MEMORY button. SEQNCR REC counter will begin counting Work 00XXX PAUS from the current counter value indicating recording resumed. Transport Control Function will change to “PAUS” in case the organist needs to pause the recording again. Upon completion of the recording, press the CANCEL piston to turn off all of the stops and also move the expression shoes to their lowest position.
- Page 37 Press the CURSOR button to position the SEQNCR REC cursor on the Transport Work 00140 STOP Control Function. Turn the ROTARY DIAL to select the SEQNCR REC “SRCH” control function. Work 00140 SRCH The “SRCH” function scans the MIDI song from the beginning of the MIDI song file up to the current counter position for any messages pertaining to the organ's stop registrations and expression data.
- Page 38 h. PLAY+ (Playlist Playback) The PLAY+ feature will playback a sequential list of MIDI songs within a selected MIDI File Source Folder. The Sequencer will begin playing all MIDI songs, in numerical order, starting with the MIDI file song number shown within the display. For example, if the MIDI file song number is set to “#10”...
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Page 39: Capture Memory Registration Save/Load
Press the MEMORY button to begin SEQNCR PLAY+ #01 playback. The counter Work 00XXX STOP will start counting to indicate that playback has started. Important! If the selected MIDI song file SEQNCR PLAY+ #01 number is not located when playback is FILE NOT FOUND! started, the display will indicate “FILE NOT FOUND!”... - Page 40 a. Delete a Capture File To delete an existing capture file number, press CAPTURE MEMORY the CURSOR button and position the cursor on SAVE ALL 01 the Mode Select value. Turn the ROTARY DIAL to select “DEL” CAPTURE MEMORY mode. Select a Capture File Number.
- Page 41 Important! If the selected capture file number CAPTURE MEMORY does not exist, the display will indicate “ERR ERR NO SUCH FILE! NO SUCH FILE!” To continue, select a different capture file number. b. Load a Capture File To load an existing capture file number, press CAPTURE MEMORY the CURSOR button and position the cursor on SAVE ALL 01...
- Page 42 CAPTURE MEMORY Press LOAD MEMORY button. The display will indicate when the file has been loaded. The capture system will also turn off or cancel CAPTURE MEMORY all stops when loading is complete. LOADING... CAPTURE MEMORY SUCCESS! Important! If the selected capture file number CAPTURE MEMORY does not exist, the display will indicate “ERR ERR NO SUCH FILE!
- Page 43 Turn the ROTARY DIAL to select one of the CAPTURE MEMORY (3) available Capture Save SAVE ALL 01 types: ALL, PCF or CRB (see section above description of the different Capture Save types). Select a Capture File Number. Press the CAPTURE MEMORY CURSOR button to position the cursor on the SAVE ALL 01...
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Page 44: Advanced Operation
Important! If a selected capture file number CAPTURE MEMORY already exists when starting the save process, ERR FILE EXISTS! display will indicate “ERR FILE EXISTS!” and the capture data save will not be saved. To continue, delete the current selected capture file number or select a different capture file number. -
Page 45: Configuring General Pistons
2. Configuring General Pistons This procedure enables pistons to control stops that are normally not controlled by those pistons. Important! The Piston Configuration is common to all capture memories. For example: (1) Pistons can be configured to control only certain specific stops. (2) A piston can be configured so that it will only affect the Tremulant stops. -
Page 46: Restoring Original Factory Settings
To return to the Main Window to store registrations to the pistons you just configured, press and hold the SET piston. Then, while holding SET, press CANCEL. Release both. (See Section A-4). The use of the CONFIGURE PISTONS function is only limited by one’s creative imagination. -
Page 47: Global Tuning
The display will briefly flash the word "WORKING" on the first line of the display to indicate that the current command function is being re-initialized. 4. Global Tuning Global Tuning allows the organist to adjust the pitch of the entire organ. This tuning adjustment allows the organ to be tuned to another instrument more easily. -
Page 48: Modifying The Crescendo And Tuttis
6. Modifying the Crescendo and Tuttis The original factory settings include a second set of Tuttis and a second set of Crescendo settings that can be altered to suit an organist’s needs. Advance to the ‘CRESC/TUTTI B’ window function (see section A-2). There are two modes available in this window function, "SET"... - Page 49 Release both the SET piston and MEMORY button. Step 1 is now programmed. Repeat the above procedure to set all available crescendo step positions. Important! DO NOT USE THE CRESCENDO SHOE TO MOVE BETWEEN STEPS WHILE PROGRAMMING CRESCENDO B STEP POSITIONS. Crescendo B data in other step positions will cause the current stop registration displayed to change, i.e.
- Page 50 Manually disabling Celestes and Tremulants: To manually disable the celestes and/or tremulants at any of the available Crescendo B steps positions, advance to the ‘CRESC B CUTOUT’ window function (see section A-2). CRESC B CUTOUT LEVEL: DISABLED Press the CURSOR button until the cursor is positioned on the ‘LEVEL’ setting located on line two of the display.
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Page 51: Sostenuto (Optional)
7. Sostenuto (optional) Sostenuto is an Italian word meaning “sustained.” Unlike the sustain switch, which sustains any notes played as long as the sustain switch is held on, the Sostenuto switch sustains only the notes being held at the very moment it is pressed. Sostenuto is actuated by the organ’s MIDI Sustain switch (which is optional on some organs) located to the left of the Great/Pedal expression shoe. -
Page 52: Piston Sequencer
8. Piston Sequencer The Piston Sequencer allows the organist to step through a sequence of registrations using piston/toe studs labeled "+" and "-". Four modes of operation are available. OFF: The Piston Sequencer is disabled. The "+" and "-" pistons/toe studs will not function. - Page 53 SIMPLE STEPPER MODE To select the SIMPLE STEPPER mode, advance to the 'PISTON SEQUENCER' window function (see Section A-2). Press the CURSOR button to position the PISTON SEQUENCER cursor on the mode value line. Turn the ROTARY DIAL to select SIMPLE PISTON SEQUENCER STEPPER mode.
- Page 54 The SIMPLE STEPPER's step position may be changed at any time, on-the-fly, by pressing a different General piston than the one displayed. SIMPLE STEPPER will then step up or down from the newly selected General piston number when either the "+" or "―"...
- Page 55 ADVANCED STEPPER MODE To select the ADVANCED STEPPER mode, advance to the 'PISTON SEQUENCER' window function (see Section A-2). Press the CURSOR button to position the PISTON SEQUENCER cursor on the mode value line. Turn select ROTARY DIAL PISTON SEQUENCER ADVANCED STEPPER mode.
- Page 56 Pressing the “+” piston/toe stud will select the next General piston number, in this case General Piston #2. Remember! If capture memory level #1 is selected and General #1 is displayed, the “―“ piston will do nothing since General #1 is the lowest possible General piston number available.
- Page 57 CUSTOM SEQUENCE MODE To select the CUSTOM SEQUENCE mode, advance to the 'PISTON SEQUENCER' window function (see Section A-2). Press the CURSOR button to position the PISTON SEQUENCER cursor on the mode value line. Turn the ROTARY DIAL to select the PISTON SEQUENCER CUSTOM SEQUENCES mode.
- Page 58 INSERT--CREATING A NEW CUSTOM SEQUENCE OR STEP Advance to the 'PISTON SEQUENCER' window function (see Section A-2). Make sure CUSTOM SEQUENCE mode is selected and the cursor is positioned on the “Menu Function” and then advance to the next window function (see Section A-2) to access the piston sequencer editing functions.
- Page 59 Use the CURSOR button to position the INSERT:SEQ01 S01 cursor on a data field and the ROTARY 1 Gen DIAL to select a desired value. Blank positions indicate the specified Sequence and Step have no programmed contents. Enter values for the Seq#, Step#, capture memory level, division and piston number.
- Page 60 Using the CURSOR button/ROTARY DIAL, select a piston sequence number and step position number to be changed. Then, select and edit the desired capture memory level, division and piston number. Use the SET and MEMORY buttons to save the edited data.
- Page 61 SHOWING/PREVIEWING A PISTON SEQUENCE To enter the SHOW mode, press the EDIT:SEQ01 S01 CURSOR button to position the cursor on 1 Gen the editing function. Turn the ROTARY DIAL to select "SHOW" SHOW:SEQ01 S01 mode. 1 Gen Using the CURSOR button/ROTARY DIAL, first select a piston sequence number and then a step position to be viewed.
- Page 62 Then, turn the ROTARY DIAL to select a piston sequence number. To select a step position, press the CURSOR button to position the cursor on the step CS 001 ST 01 position number. Then, turn the ROTARY DIAL to select a starting step position. To begin the piston sequence at the selected step position, press the “+”...
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Page 63: Midi Functions
Note: You must also consult the owner’s manual that covers the external MIDI device(s) you are using for more details of their operation. 1. Standard MIDI Channel Assignments These are the Allen Organs’ standard MIDI channels settings: Q286/HII-86 Channel Organ Division Swell... -
Page 64: General Midi Sound Names Or Program Numbers
Turn the ROTARY DIAL to select either "Preset", "User" or "No" modes. Important! You must understand how to operate and when to use each of these modes before you change them! PRESET Mode: This mode causes the organ to send a program change number equal to the piston number that is pressed. - Page 65 General MIDI Sound Names With General MIDI mode selected, the 'PROG CHG' window will display: PROG CHG: USER DISPLAY:GEN MIDI Advance to the next window function then press a piston to view the sound names for any General MIDI device. The next window will display: MIDI PROG CHG When you press a General piston, the GeniSys™...
- Page 66 Program Numbers: With NUMBERS selected as the display mode, the 'MIDI PROG CHANGE' window function will display: GEN 1 BANK P:XXX With PRESET selected as the program change mode, press a General piston. The GeniSys™ Controller will display the same MIDI program change number as the associated piston pressed.
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Page 67: Assigning Midi Program Changes To Organ Pistons
Note: The Allen Organ uses MIDI Program Change Zero as a message for "MIDI OFF." Important! MIDI Program Change 1 corresponds to the General MIDI sound "Acoustic Grand Piano." Some MIDI devices do not use MIDI Program Change Zero as MIDI OFF. -
Page 68: Midi Bank Selecting
5. MIDI Bank Selecting Many MIDI devices permit access to a variety of sounds in addition to the General MIDI sounds. Normally these additional sounds are stored in groups called BANKS. A BANK in MIDI terminology means a group of voices or sounds. There are two levels of banks. One level offers two choices, High Bank and Low Bank. - Page 69 Selecting MIDI Bank Numbers: Bank Numbers are assignable in the same way that MIDI Program Numbers are (See Section C-3). You MUST have USER mode selected before assigning Bank numbers! Advance to the 'MIDI PROG CHANGE' window function (see Section A-2). MIDI PROG CHG For this example press the General piston #1.
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Page 70: Changing The Midi Base Channel
6. Changing the MIDI Base Channel This function allows you to change the setting of the MIDI Base Channel. The Base Channel is a reference point to establish the positioning of the other 15 MIDI channels on the organ. On Allen Organs, the Base Channel equals the Swell Division's channel of transmission (i.e., if the Base Channel = 1, then the Swell Channel = 1, if the Base Channel = 2, then the Swell Channel = 2, etc.). -
Page 71: Midi Sustain Kick Switch (Optional)
POLY-VOLUME — This is the normal expression mode setting where the expression data is distributed among the appropriate MIDI channels. POLY-VELOCITY — This setting should be selected if you are using a percussion-type voice from a sound module or an external MIDI keyboard. For example, if a digital piano sound were played from the organ keyboard through MIDI Channel 1, the piano could be made to sound more realistic. -
Page 72: Organ Local Off
OFF will not allow MIDI Sustain messages to be transmitted, ON will allow MIDI sustain messages to be transmitted on a given keyboard (manual) or MIDI channel. For example, when a PIANO voice in an external MIDI device (voice module) is selected and the MIDI sustain for that given MIDI channel (division) is turned ON, and the foot controlled sustain lever is actuated, the piano sound will slowly decay. -
Page 73: Transmission/Reception Of Individual Stop Data
10. Transmission/Reception of Individual Stop Data This function allows the organist to turn on/off the transmission and reception of individual stop data, known in MIDI terminology as "Non-Registered Parameters". In some cases individual stop data (on/off) from the organ may conflict with data from an external MIDI device. -
Page 74: Midi Guide
MIDI GUIDE 1. MIDI for Organists The term MIDI is an acronym for Musical Instrument Digital Interface. Since 1983, MIDI has been adopted by the music industry as a standard means of communication between digital musical devices enabling devices of different types and manufacturers to communicate. -
Page 75: Allen's Exclusive Midi System
If the sequencer allows multi-tracking, each vocal section’s part may be recorded on a different track, and then played back individually, or in any combination, for more flexibility. Multi-tracking can also be used in teaching and learning new organ works. The teacher may record each hand or pedal part on a different track, allowing the student to "mute"... -
Page 76: Midi Transmission Channels
Under normal circumstances, MIDI sound modules should be connected to the switched MIDI port, labeled MIDI OUT 2. Doing so allows the organist to disable the sending of MIDI keying data from the organ to the sound module. Devices such as MIDI sequencers should be connected to the unswitched MIDI port, labeled MIDI OUT 1, eliminating the necessity of having to draw the MIDI stop controls before recording a digital sequence. -
Page 77: General Midi Sound Set
4. GENERAL MIDI SOUND SET 1. Acoustic Grand Piano 44. Contrabass 86. Lead 6 (voice) 2. Bright Acoustic Piano 44. Contrabass 86. Lead 6 (voice) 3. Electric Grand Piano 45. Tremolo Strings 87. Lead 7 (fifths) 4. Honky-tonk Piano 46. Pizzicato Strings 88. -
Page 78: Appendix A: Midi Implementation Chart
APPENDIX A: MIDI IMPLEMENTATION CHART FUNCTION TRANSMITTED RECEIVED Basic Default 1 – 16 1 – 16 Channel Changed 1 – 16 1 – 16 Default Mode Messages Altered Note Number O (1 – 127) O (1 – 127) Velocity Note ON 9nH, v = 1 –... -
Page 79: Appendix B: Hymn Player Song List
APPENDIX B: HYMN PLAYER Song List A Mighty Fortress Doxology (w/Amen ending - 1 verse only) Joyful, Joyful We Adore Thee Savior, Like a Shepherd Lead Us Abide with Me Eternal Father, Strong to Save Just As I Am, without One Plea See Amid the Winter's Snow Ah! Holy Jesus Fairest Lord Jesus... -
Page 80: Appendix C: Gnu Public License Information
150 LOCUST ST. MACUNGIE, PA 18062 Please include your name, address, and phone number. All portions not covered by the GNU GPL are to be considered Copyright (C) 2008, Allen Organ Company LLC, all rights reserved. GNU GENERAL PUBLIC LICENSE Version 2, June 1991 Copyright (C) 1989, 1991 Free Software Foundation, Inc. - Page 81 GNU GENERAL PUBLIC LICENSE TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION 1. This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program"...
- Page 82 Accompany it with the information you received as to the offer to distribute corresponding source code. (This alternative is allowed only for noncommercial distribution and only if you received the program in object code or executable form with such an offer, in accord with Subsection b above.) The source code for a work means the preferred form of the work for making modifications to it.
- Page 83 11. If you wish to incorporate parts of the Program into other free programs whose distribution conditions are different, write to the author to ask for permission. For software which is copyrighted by the Free Software Foundation, write to the Free Software Foundation; we sometimes make exceptions for this. Our decision will be guided by the two goals of preserving the free status of all derivatives of our free software and of promoting the sharing and reuse of software generally.
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