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Manuals
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Rodgers Manuals
Recording Equipment
PR-300S
Owner's manual
Rodgers PR-300S Owner's Manual
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Also See for PR-300S
:
Owner's manual
(164 pages)
,
Owner's manual
(166 pages)
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Table Of Contents
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Contents
Table of Contents
Bookmarks
Table of Contents
Safety Instructions
Important Safety Instructions
Table of Contents
Top and Front Panel
Rear Panel
Control Functions
Basic Precautions
Power Supply
Placement
Memory Backup
Introduction
PR-300S Features
Easy to Use
Five Track Sequencer
Making the Connections
MIDI Cable Connections
Audio Cable Connections
AC Adaptor Connection
EXT/INT Switch
Using Disks
Inserting a Disk
Removing a Disk
Write Protecting Your Disks
Turning the Power on
Listening to a Song or Disk
Inserting the Disk
Selecting a Song
About the Demo Song Data
Starting Playback
Stopping Playback
Starting Playback Again from the Beginning
Adjusting the Volume
Starting Playback from the Middle of a Song
Transposing the Key of a Song
Adjusting the Tempo
Activating the Metronome
Using the Count-In Feature
When Started at the Beginning of the Fifth Measure
When Started in the Middle of the Fifth Measure
Activating and Muting Tracks
SMF Data and Track Assignments
Using the Repeat Play Function
To Clear a Marker
Playing Sounds of the PR-300S
Playing the Pr-300S GS Sound Module
Default MIDI Channel Settings
Setting MIDI Channels to INTERNAL or EXTERNAL
Selecting Sounds on the PR-300S
Selecting PR-300S Sounds with Program Changes
Saving Program Changes
Using Program Changes with Variation Select Messages
How Does Variation Select Work?
Capitol Tones and Variations
Sending Variation Select Messages with Program Changes
Sequencing with the PR-300S
Single Pass Sequencing
Saving a Sequence to Disk
To Playback Your Sequence
Multi-Track Sequencing
What Is Multi-Track Recording?
Preparing Your Rodgers Organ for Multi-Track Recording
Preparing the PR-300S for Multi-Track Sequencing
Deciding on Channels and Instruments
Sequencing the First Part
Recording Parts 2, 3 and 4
Merging Tracks
Adding an Organ Part
Layering Sounds of the Rodgers Organ
Layering Organ Sounds
When the Send Channel Can't be Changed
Other PR-300S Features
PR-300S Master Tune
PR-300S Tuning
PR-300S Sound Function
Selecting PR-300S Sounds
About Part 10
Volume, Pan, Reverb, Chorus and Expression
Changing the Volume of a Part
Changing the Pan of a Part
Changing the Reverb of a Part
Changing the Chorus of a Part
Changing the Expression Setting O a Part
Changing the Bond Range of a Part
Muting a Part
Executing the Settings for the Parts
Selecting Reverb
Selecting Chorus
Reverb
Chorus
Using a Pedal to Start and Stop the PR-300S
Changing the Volume Using an Expression Pedal
Connecting an Expression Pedal
Activating the Expression Pedal
To Change the Volume of PR-300S Parts
Recording Rhythm Parts
Selecting the Drum Set
Loop Recording
Recording Multiple Time Signatures
Using Chain Play
To Start Chain Play
Minus One Play
To Use the Minus One Function
To Adjust the Volume of the Minus One Part
Changing the Metronome Resolution and Tone
Using Markers
What Is a Marker?
Setting Marker Resolution
Setting a Marker at the Start of a Measure
Deleting a Marker
Ways to Use the Markers
Jumping to a Marker
Repeat Play and Record
Auto Punch-In Record Range
PR-300S Editing Functions
Pause Marks
Setting a Pause Mark
Deleting a Pause Mark
Recording Pickup Notes
Punch In/Out Recording
Enabling Punch In/Out
Automatic Punch In/Out
Punch In/Out Using the Button or Pedal
Tempo Record
Activating Tempo Record
Using Tempo Record
Disabling Tempo Record
Playing Without Tempo Changes
Synchronizing the PR-300S with Other Devices
Connecting the Pr-300S to an External Sequencer
Setting Pr-300S Synchronization
Setting Tempo Record
Sync Recording
PR-300S Editing Features
What the Buttons Do
Copy, Erase or Cut, then Paste
Pasting the Scratchpad Information into the Song
Listening to Information Stored in the Scratchpad
Track
Part
Editing Examples
To Merge Track 3 Data into Track 4
Quantize
Transposition
Creating Your Own Count-In Phrase
PR-300S Disk Functions
Saving a Song to Disk
Saving a Song to a Different Name
Copying a Song on the Disk
Copying All the Songs on a Disk
Song Delete
Formatting a Disk
About MIDI
The Four MIDI Connectors of the PR-300S
The PR-300S's Sequencer
What's a Sequencer?
The PR-300S's Sound Source
What's a Sound Source?
General MIDI System
Multi-Timbral Sound Source
About Starting MIDI Messages
MIDI Messages Used to Control the GS Sound Source
Note on Messages
Note off Messages
Pitch Bend Messages
Hold 1
Sostenuto
Reverb Amount
Chorus Amount
MIDI Diagram
PR-300S MIDI Switches
Switch Options
Auto/Int/In/Remote
In Prog
In Excl
A Word about ISM and Standard MIDI Files
Ism
Standard MIDI Files
Working with Standard MIDI Files
Data List
Song Dependent Settings
Song Independent Settings
Tone List
Drum Set List
Messages
Alphabetical List of Instruments
MIDI Implementation Chart
Omni on
Mono
Poly
System Realtime Messages
OGS Reset
Turn General System on
Turn General MIDI System off
Universal Realtime System Exclusive Messages
Data Transfer
Transmitted Data
Active Sensing
Data
Parameter Address Map
Address Block Map
Individual Parameter
System Parameters
Patch Parameters
Drum Setup Parameters
Bulk Dump
Useful Information
Decimal and Hexadecimal
Examples of Actual MIDI Messages
Checksum of Roland System Exclusive Messages
Specifications
Index
Service Information
PR-300S Program Change Guide
PR-300S Program Change Guide - Capitol Tones
PR-300S Variation and Sound Effect Chart
PR-300S Program Change Guide - Variation 127
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Pr-300S Features
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