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WILSON AUDIO WATCH Dog 2 series Owner's Manual

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Summary of Contents for WILSON AUDIO WATCH Dog 2 series

  • Page 2 The information in this manual is the sole property of Wilson Audio Specialties, Inc. Any repro- duction, in whole or in part, without the express written permission of Wilson Audio Specialties, Inc., is prohibited. No material contained herein may be transmitted in any form or by any means, electronic or...

  • Page 3: Table Of Contents

    Ta b l e O f C o n t e n t s Section 1.0 - WATCH Dog Introduction ......9 Design Considerations ............9 Applications ..............10 Enclosure Materials Technology ........10 Adhesives ..............11 Depth of Design ..............11 Section 1.1 - WATCH Package ........11 WATCH Center ..............11 WATCH Surround ............12 Conclusion ..............13...
  • Page 4 Ta b l e o f C o n t e n t s - C o n t i n u e d Section 4.2 - WATCH Dog Setup in a Music System ..33 Section 4.3 - Initial Setup Summary ........34 Section 5.0 - WATCH Dog Setup ........
  • Page 5 Ta b l e o f C o n t e n t s - C o n t i n u e d Section 9.0 - Care of the Finish ........73 Care of Your WATCH Dog ..........73 Section 10.0 - WATCH Dog Specifications ......79 Section 11.0 - Warranty Information ........79...

  • Page 9: Section 1.0 - Watch Dog Introduction

    Wilson Audio. That’s why, in the past decade, so many blockbuster hits have been mixed, composed, or recorded using Wilson Audio loudspeakers.

  • Page 10: Applications

    Applications One of Wilson Audio’s most important criteria in speaker development is that a speaker meets the accuracy and dynamic demands of studio monitoring, analytical hardware and software evaluation, and of course, critical music and theater sound- track listening.

  • Page 11: Adhesives

    W a t c h D o g I n t r o d u c t i o n - c o n t i n u e d Adhesives The engineers at Wilson have performed extensive research on the adhesives used to construct our enclosures.

  • Page 12: Watch Surround

    SLAMM systems and later applied to the rest of the Wilson Line. PDC allows for opti- mal tuning of a loudspeaker for various listening distances and heights and gives lis- teners much greater control over their sound. The WATCH Center was designed from the ground up as a center channel. It is not merely a standard speaker that was tipped onto its side.

  • Page 13: Conclusion

    Wilson Audio. The WATCH Dog combines Olympian structural, design, and finish considerations with superior sonic quality. It is this approach that distinguishes Wilson Audio products. As a part of a truly high-end multi-channel system, or in a music system, the WATCH products offer unparalleled performance, quality of build, and longevity.

  • Page 17: Section 2.0 - Room Reflections

    I n Yo u r R o o m Note: The following section presents conceptual and practical information on room acoustics. These concepts for two-channel audio become even more important when dealing with multi-channel audio or home theater. The presence of two or more speakers in a room only increases the amount of setup difficul- ties and speaker interactions.

  • Page 18: Standing Waves

    interrupted by curtains or drapes. Slap echo can be controlled entirely by the applica- tion of absorptive materials to hard surfaces, such as: • Sonex • Airduct board • Cork panels • Large ceiling to floor drapes • Carpeting to wall surfaces In many domestic listening environments, heavy stuffed furnishings are the pri- mary structural control to slap echo.

  • Page 19: Comb Filter Effect

    I n Yo u r R o o m - C o n t i n u e d • Sound staging - low frequency component of image shifted Standing waves are more difficult to correct than slap echo because they tend to occur at lower frequencies, whose wave lengths are long enough to be ineffectively controlled by absorbent materials such as Sonex.
  • Page 20 the reflected sounds arrive in phase. Because it is a function of wave length, the comb filter effect will notch out portions of the audio spectrum at regular octave-spaced intervals. The subjective effect of comb filter effects (such as is shown in Figure 3) is as follows: •...

  • Page 21: Section 3.0 - Resonance

    I n Yo u r R o o m - C o n t i n u e d duct panels applied to that part of the wall where the reflection occurs. Section 3.0 - Resonance Resonance in listening rooms is generally caused by two sources: •...
  • Page 22 its worst, the result is a grossly exaggerated fullness which tends to obscure detail and distort the natural tonal balance of the speaker system. Occasionally, however, a small-amplitude resonance can add a desirable warmth to the sound - an addition some listeners prefer.

  • Page 27: Section 4.0 - Initial Setup

    WATCH Dog subwoofer. They are well versed in Wilson Audio Setup Procedure (WASP) and the methods best used with our products to provide you with the most satisfying results. In this section you will find the necessary tools and information in the event dealer assistance is not avail- able.
  • Page 28 most natural. This location is where the speakers interact the least with the room. (We realize that the location of your WATCH speakers might not be very flexible.) We rec- ommend that you wait to spike your speakers until the final system setup is complet- ed in Section 6.
  • Page 29 I n i t i a l S e t u p - C o n t i n u e d ly one to two feet past the first piece of tape, you will begin to hear your voice lose focus and appear to reflect (echo) in front of you. This is caused by the return of the room’s boundary contribution;...

  • Page 30: Section 4.1 - Choosing A Listening Position

    WATCH System can fill most rooms with beautiful sound. However, we want to ensure that you enjoy the benefits of the group delay adjustment features that are built into all Wilson Audio products. Speaker Placement vs. Listening Position - Main Speakers The location of your listening position is as important as the careful setup placement of your speakers in your room.

  • Page 31: Center Channel

    Center channel phase delay correction will be made via the sliding tweeter module. Wilson recommends that the Center channel be positioned as centrally between the Left and Right speakers as possible. Using the Wilson Audio Setup Procedure, experiment with the fore to aft placement of the center channel. This process will help you find the location that offers the smoothest left, right and center channel integra- tion.

  • Page 32: Speaker Orientation

    Surround Channel Wilson Audio has done everything possible to eliminate the boundary interac- tions caused by mounting a speaker onto the wall. The mounting bracket allows for significant improvements in detail, speed, and clarity. The surround channels will per- form well in almost any location in which they are placed.

  • Page 33: Section 4.2 - Watch Dog Setup In A Music System

    Panel to additionally limit upper bass range. This is particularly important and useful when the WATCH Dog is placed in the corner. Since all Wilson Audio Speakers are phase and time coherent, it is very important to time align the WATCH Dog in the room using the Phase Control on the Control Panel.

  • Page 34: Section 4.3 - Initial Setup Summary

    it is best to position the WATCH Dog behind the plane of the main speakers. Placement in front of the main loudspeakers, or behind the listener, can potentially compromise the phase accuracy in two-channel music systems. This will result in a less coherent presentation of the spatial, dynamic, and tonal information.
  • Page 35 C h o o s i n g a L i s t e n i n g P o s i t i o n - c o n t i n u e d proper integration with the main loudspeakers.

  • Page 39: Section 5.0 - Watch Dog Setup

    W A T C H D o g S e t u p Section 5.0 - WATCH Dog Setup Preparation You will need the following items: • Supplied hardware kit • Tape measure • Known listening position • Electric screwdriver •...

  • Page 40: Section 5.1 - Connecting The Watch Dog - Home Theater

    Note: Be careful not to touch the driver element when you are moving your WATCH Dog! Section 5.1 - Connecting the WATCH Dog - Home Theater The WATCH Dog can be connected in a variety of ways depending on your sys- tem needs.

  • Page 41: Section 5.2 - Connecting The Dog -Two-Channel System

    Tuning,” to continue the setup of your subwoofer. Wilson Audio has engineered, in conjunction with Marsh Design, very flexible and high quality high and low pass crossover filters for the WATCH Dog. Setup and configuration of these filters is dis- Figure 5 cussed in Section 6 entitled “Control Panel Setup and Final Tuning of the WATCH...

  • Page 42: Utilizing The High Pass Filter

    configured more successfully without the use of the High Pass Filter. There is a normal bass roll-off that occurs naturally in your listening room. This effect acts like a six dB per octave low pass filter and rolls off the bass from your main speakers. By carefully using the WATCH Dog’s Low Pass filter controls, along with the Bass Equalization and Phase controls (discussed in Section 6), you can successfully integrate the main loud- speakers in your system with the WATCH Dog without the use of the High Pass Filter.
  • Page 43 W A T C H D o g S e t u p - C o n t i n u e d speakers. This can be desirable in systems where the main loudspeakers have limited bass dynamics or if the main power amplifier is low power. Make sure the WATCH Dog power is off during the connecting process.
  • Page 44 or 12 decibels per octave. The position of this switch will be set in its final position in the final tuning stages of the WATCH Dog. For now, set the switch to the 6 dB per octave position. Proceed to Section 6, “Control Panel Setup and Final Tuning,”...
  • Page 45 W A T C H D o g S e t u p - C o n t i n u e d...

  • Page 49: Section 6.0 - Control Panel Setup And Final Tuning

    In order to realize the full potential of your WATCH Dog, we recommend that you have a trained Wilson Audio Specialist install and perform the final adjustment and setup of your subwoofer. Your dealer will have personnel trained in the art of WATCH Dog setup.

  • Page 50: Section 6.1 - Notes From David A. Wilson On Using The Test Cd

    Section 6.1 - Notes From David A. Wilson on Using the Test CD Wilson Audio has provided a test CD to aid you in the setup of your WATCH Dog subwoofer. The following comments and recommendations refer most precisely to the use of the WATCH Dog subwoofer in a two-channel music system.

  • Page 51: Initial Placement Of The L & R Speakers

    C o n t r o l P a n e l S e t u p - C o n t i n u e d Initial placement of the L & R speakers If both the WATCH Dog and the main speakers are new to the system, we rec- ommend that the main speaker positions be carefully optimized for overall sound qual- ity before introducing the subwoofer.
  • Page 52 3. If you have either a spectrum analyzer or a sound pressure level (SPL) meter, you should measure and document the in-room response of your L & R loudspeakers, running full-range, without subwoofer contribution. This will give you a baseline measurement. While you can measure each channel individually, it is more expedient to measure both simultaneously using the (Mono) test signals.
  • Page 53 C o n t r o l P a n e l S e t u p - C o n t i n u e d Notes Regarding the Interpretation of Measurements: Use “slow” meter response ballistics to help average out the reading…...

  • Page 54: Introduction Of The Watch Dog Into Your System

    “Standby.” 6. Ensure that all system cabling is correct and secure. At this point in the set up process, the input switches should be configred properly, according to instructions elsewhere in this manual. It is now time to optimize Level, Phase and EQ settings.
  • Page 55 C o n t r o l P a n e l S e t u p - C o n t i n u e d 16. Using track 2 (pink noise), turn the L & R speakers up to 75 dBC; note the level setting.

  • Page 56: To Eq Or Not To Eq

    output is greatest. These two settings become your “semifinalists.” 21. Go to track 28 (drum and guitar music) and compare the sound of your two Phase “semifinalists.” Listen for cleaner LF attack and greater weight to select your “winner.” Note the winning setting. 22.
  • Page 57 C o n t r o l P a n e l S e t u p - C o n t i n u e d Using equalization (EQ) in order to optimize the performance of a loudspeaker is somewhat like a medicine that, while useful, has serious potential side effects. Carefully and minimally used, it can moderate some serious acoustical problems, with little or no down side.
  • Page 58 openings such as windows and doors (particularly near corners or at the middle of a long wall), or a small, non load-bearing wall which acts as a panel resonator bass trap. These anomalies would show up in the measurements which you have taken above.

  • Page 59: Section 6.2 - Break-In Period

    All audio equipment will sound its best after the components have been bro- ken-in for some period of use. Wilson Audio breaks in the woofer of your WATCH Dog for a 12 hour period. All drivers are then tested, calibrated, and matched for their acoustical properties.

  • Page 63: Section 7.0 - Watch Dog Spikes

    S p i k i n g t h e W A T C H D o g Section 7.0 - WATCH Dog Spikes The WATCH Dog comes with a set of heavy duty spikes that provide acoustical isolation as well as optimal height placement for your WATCH Dog. Brass disks that fit beneath the spikes are included for installations where spikes might damage the floor surface (such as wood floors).

  • Page 67: Section 8.0 - Watch Dog 12 Volt Triggers

    C o n t r o l l i n g t h e W A T C H D o g Section 8.0 - Twelve-Volt Trigger Controls Certain features of the WATCH Dog are controllable via a series of twelve-volt triggers.
  • Page 68 Toggling the switch to the remote position without a twelve volt trigger connected to that switch will potentially result in your WATCH Dog being improperly configured. The trigger switch defaults to the zero volt position with nothing connected. The trigger is designed be attached to two-state, relay switches which toggle between zero volts and twelve...
  • Page 69 C o n t r o l l i n g t h e W A T C H D o g - C o n t i n u e d the trigger switches to one state and the presence of twelve volts on the input, the other.

  • Page 73: Care Of Your Watch Dog

    C a r e o f t h e F i n i s h Section 9.0 - Care of Your WATCH Dog Your WATCH Dog subwoofer enclosure is hand-painted with WilsonGloss™ paint and hand-polished to a high luster. While the paint seems quite dry to the touch, final curing and complete hardening takes place over a period of several weeks.
  • Page 74 Several pieces of the Center channel are made of black “X” material. Where this material is not painted, it will require periodic polishing to maintain the semigloss finish. We recommend a silicone-based plastic polish (available at automotive supply stores).
  • Page 75 C a r e o f t h e F i n i s h - C o n t i n u e d...
  • Page 79 S p e c i f i c a t i o n s Port: Front Firing Frequency Response: 20-30/150Hz Adjustable Low Pass Filter: Level adjustable, switchable in/out; 12dB/octave or 18dB/octave High Pass Filter: Switchable in/out; 6dB/out; or 12dB/octave Phase: Continuously variable from 0-180 degrees EQ: Switchable in/out, +10dB boost to -10dB cut;...

  • Page 83: Limited Warranty

    Wilson Audio, an authorized Wilson Audio...
  • Page 84 Purchaser must pay for shipping to Wilson Audio, and Wilson Audio will pay for shipping of its choice to return the product to purchaser. A RETURNED PRODUCT MUST BE ACCOMPANIED BY A WRITTEN DESCRIPTION OF THE DEFECT.
  • Page 85 Wilson Audio by the dealer at dealer’s sole expense. Wilson Audio will pay return freight of its choice. A returned product must be accompanied by a written description of the defect.

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