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ENGLISH
10 KEY KEYPAD,
(H) and (-),
As you have most likely figured out by this point the Studio Logic Master Controller SL-
(ON) and (OFF)
161/SL-61 uses the keyboard itself in EDIT mode as the 10 KEY KEYPAD and data entry
source. The keys in the central octave, starting at the middle C, are assigned to specific
functions for data entry in EDIT mode and are clearly labeled as indicated in the diagram
below. While you are in the EDIT mode and using the numerical keypad the keyboard itself
does not transmit MIDI notes and performance information. You must exit the EDIT mode
to play notes from the keyboard.
SECTION 5.
Programming the Studio Logic SL-161/SL-61 Master Controller:
Creating musically useful Patches and how to do it.
Before we get into some programming examples and tips, the following information is
about the design architecture and how the Studio Logic SL-161/SL-61 Master Controller
operates.
DEFAULT SETTINGS
When your Master Controller is switched on for the first time it will transmit the following
default settings:
• ZONE #1 ON, Zone #2 OFF. The two zones are set to transmit on MIDI channels 1 and 2
respectively, their SPLIT is set to the full extension of all 61 keys and all switchable com-
mands are in the ON position.
• All ZONES set to SHAPE #1, VELOCITY = 4, TRANSPOSE = 0.
• VOLUME SETTINGS OF 127 if no VOLUME PEDAL is connected. If a VOLUME PEDAL is con-
nected whatever position the pedal is in will be transmitted.
• SUSTAIN OFF. (PEDAL is enabled but in the off position, CC 64 = O)
• PITCH BEND value = 0, MODULATION WHEEL value = 0
GENERAL RESET
To reset the unit to the above factory settings:
Power up the keyboard while holding down all three UP-DOWN-ENTER buttons, hold for a
few seconds then release all three buttons.
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GENERAL PROGRAMMING
INFORMATION
APPLICATIONS USES AND
USER TIPS
THE ZONES
THE BIG LAYER
THE SPLIT
ANOTHER SPLIT?
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• When the Master Controller is powered up it always transmits the contents of the program
memory.
• After programming any parameters, the contents of the memory is transmitted when exiting
EDIT mode.
• To transmit the contents of the memory while in play mode press the ENTER/EDIT button
twice.
• Exiting the EDIT mode automatically stores the newly changed parameters, if any, into the
memory.
• When powering down the unit all information in memory is retained and then transmitted
again upon power up.
• You can not enter the EDIT MODE if you are holding down keys or pressing the sustain pedal.
You must release all pedals and keys before entering into the edit mode.
• When re-entering the EDIT MODE it will be on the parameter setting and ZONE selection as
it was left when previously in the EDIT MODE.
• When EDIT MODE is selected, the keyboard does not sound. To test the programmed varia
tions and play the keyboard exit the EDIT MODE.
These suggestions are designed as a starting point to help stimulate your own creative usage
of these features for your own musical applications and needs.
The ZONES are the heart of the SL-161/SL-61 Master Controller. Creative use of the ZONE's para-
meters and the ZONES themselves gives the player new found flexibility and control over their
sounds and modules. We've already discussed how to operate the ZONES.
Now we apply them to musical applications. You can use the two (2) ZONES in a number of
different ways: Here are some options and possible applications using the features of this key-
board.
Set both ZONES to the same range of notes and assign each of them to two similar String pat-
ches or two similar Piano patches. Try also a Piano patche and a String patch. Experiment with
disabling some of the features on some of the ZONES such as, AFTERTOUCH or SUSTAIN. While
playing one section of a song, leave some of the layers turned off and then switch them on
during the "Chorus" by pressing their ZONE SWITCHES to build dynamics in the song. On your
module try setting and storing your PIANO patches to not respond to MIDI volume (CC#7) then
using a Volume Pedal on your Master Controller you can bring up the Strings behind the Piano
when needed.
Set ZONE #1 in your left hand for an Electric Piano or Pad sound and set ZONE #2 in the right
hand for a string or horn part. Use the TRANSPOSE feature to bring these ZONES into a useful
range if needed.
Try a Bass patch using one ZONE in the lowest two octaves of the keyboard, disable the
SUSTAIN PEDAL and TRANSPOSE up an octave to place it in the range of a bass guitar.Now
create a SPLIT in the middle to upper range with ZONE #2 set to a Breathy Synth or Comping
patch. You can play a bass line with your left hand and sustain chords with your right hand.
*Note On Splits: Always remember to use the TRANSPOSE feature to place your parts in pro-
per performance range no matter where on the 61 keys you may place a ZONES upper and lower
limits. Think of the whole keyboard as 61 keys or triggers available rather than the traditio-
nal note placement and tuning as on an Acoustic Piano.
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