Using The C 565Bee - Cd 9 Remote Control; Numeric Key Pad; Rpt A-B; Dim - NAD C565BEE Owner's Manual

The CD 9 remote control is provided with your C 565BEE Compact Disc Player
to enable you to operate playback functions from the comfort of your chair or
from virtually anywhere in the room. For reliable operation, there should be a
clear line-of-sight path from the remote control to the front of the CD player. If
the player does not respond to remote commands, it may be that this line-of-
sight path is obstructed by clothing, paper or furnishings.
Most of the buttons on the remote control handset have the same effect as the
corresponding buttons on the front panel of the player. In addition, the handset
is equipped with some extra buttons like the following function keys.

NUMERIC KEY PAD

Using the direct-entry numeric keypad (0 to 9) causes the C 565BEE to jump
directly to the beginning of a numbered track and commence play. Thus, to
play Track 5, simply press "5". To play Track 20, press "2" and "0".

RPT A-B

To repeat a sequence, implement the following procedures:
1 Press [RPT A-B] at your chosen starting point. "REPEAT A
illuminated in the VFD with "B" blinking.
2 Press [RPT A-B] again at your chosen end point. "REPEAT A
illuminated. The repeat sequence begins.
3 Press [RPT A-B] again to cancel the sequence.

DIM

Toggle to reduce, turn off and restore VFD brightness.
USING THE C 565BEE – CD 9 REMOTE CONTROL

PROGRAM AND CLEAR

Use [PROG] button to start, review, edit or exit programming mode. In
combination with [PROG] button, the [CLEAR] button allows the deletion of
a programmed track during program review or edit sequence.
the item about "PROGRAMMING" at the "USING THE C 565BEE – CD MODE"
section of the "OPERATION" page.

FILTER

The C 565BEE offers five unique digital filtering options dedicated to the
achievement of a better audio experience. These selectable filters allow
users the flexibility to choose key characteristics that affect frequency
response and time domain characteristics.
Before describing these five digital filters, please take time to read the
following brief definitions of some of the terminologies used in their
descriptions.
• Passband is the range of frequencies or wavelengths that can pass
through a filter without being attenuated.
• A stopband filter rejects frequencies within a band and letting through
frequencies outside it.
• Group delay is the transit time of a signal through a device versus
frequency.
• Rolloff is a term used to describe the steepness or slope of the filter
response in the transition region from the passband to the stopband.
B" is • Ripple refers to fluctuations in the passband or stopband of a filter's
frequency magnitude response curve. It is the periodic oscillation in
B" stay the passband near the inflection point of the filter (the point where the
passband meets the stopband).
The following is a brief description of each filter's characteristics. The
selection of filter number is basically a matter of personal choice; tailor
the audio conversion by selecting the filter number that will best suit your
desired listening experience.
Filter 1: Slow roll off filter that has low group delay, low ripple and wide
stopband characteristics.
Filter 2: Medium roll off filter that has high group delay, low ripple and
medium stopband characteristics.
Filter 3: Fast roll off filter that has lower group delay and wider stopband
characteristics.
Filter 4: Medium roll off filter that has higher group delay and narrower
stopband characteristics.
Filter 5: Medium roll off filter that has lower group delay and wider
stopband characteristics.
NOTE
The filter effect applies only to the analog output; it is not applicable to
the digital outputs.
OPERATION
Refer also to
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