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Shure Beta 98A Specification Sheet

Wired microphones
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BETA 98A Instrument Microphone

General Description

The Shure Beta 98A is a compact, high-output,
condenser microphone for professional sound
reinforcement and studio recording. An ex-
tremely uniform cardioid polar pattern provides
excellent gain before feedback and off-axis
rejection of unwanted noise. Its high sound
pressure level (SPL) capability makes it useful
for a variety of acoustic or amplified instruments
including drums, piano, reed, wind, and strings.
Variations
• Beta 98A/C includes microphone, 7.6 m
(25 ft) light-weight interconnect cable,
preamplifier, and RK282 shockmount swivel
adapter.
• Beta 98AD/C includes microphone, 4.6 m
(15 ft) heavy-duty interconnect cable,
preamplifier, and A98D microphone drum
mount.
Features
• Premier live performance microphone with
Shure quality, ruggedness, and reliability
• Uniform cardioid pick-up pattern for maximum
gain before feedback and superior rejection of
off-axis sound
• Tailored frequency response specifically
shaped for drums, percussion, reeds, and
horns
• Compact design reduces stage clutter
• Wide dynamic range for use in high SPL
environments
• Optional A98D mount is unobtrusive,
versatile, and easy to adjust
• Enamel-coated metal construction and
stainless steel inner grille resist wear and
abuse
TL1074 (Rev. 1)
©2010 Shure Incorporated
Model Beta 98A Wired Microphones
Performance Characteristics
• Exceptional low-frequency reproduction
• Extremely high SPL handling
• High output level
• No crossover distortion
Shockmount Swivel Adapter
Use the following procedures to mount the Beta
98A on the swivel adapter:
1. Connect the microphone to the adapter.
2. Thread the cable through the C-clamp and
slide the connector into the C-clamp until
snug.
3. To reduce wear on the cable, snap it into the
stress reliever clip leaving 5 to 7 cm (2 to 3
inches) of slack on the connector side.
BETA 98A MOUNTED WITH
SWIVEL ADAPTER
Applications and Placement
General Rules for Use
• Aim the microphone toward the desired sound source; angle unwanted sounds toward its null
point.
• Use the fewest amount of microphones as practical to increase the Potential Acoustic Gain and
prevent feedback.
• Follow the 3 to 1 Rule by spacing each microphone by at least three times the distance to its
source to reduce Phase Cancellation.
• Place microphones as far as possible from reflective surfaces to reduce Comb Filtering.
• When using directional microphones, work closely to the microphone for extra bass response to
take advantage of Proximity Effect.
• Avoid excessive handling to minimize pickup of mechanical noise and vibration.
• Do not cover any part of the microphone grille, as this will adversely affect microphone
performance.
• Add a windscreen when using the microphone outdoors.
Specification Sheet
Interconnecting Cable
The supplied cable connects the BETA 98A to
the preamplifier. If necessary, up to 23 m (75 ft)
of cable can be used between the microphone
and preamplifier without signal loss.
A98D Drum Mount
The Shure A98D mounts the Beta 98A on a
drum or cymbal stand. Reference the furnished
A98D guide to correctly mount the microphone.
BETA 98A MOUNTED WITH A98D
Printed in U.S.A.

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Summary of Contents for Shure Beta 98A

  • Page 1: General Description

    Shockmount Swivel Adapter A98D Drum Mount Use the following procedures to mount the Beta The Shure A98D mounts the Beta 98A on a 98A on the swivel adapter: drum or cymbal stand. Reference the furnished A98D guide to correctly mount the microphone.
  • Page 2: Furnished Accessories

    Furnished Accessories with the input load impedance of the preamplifier to which you connect the Zippered Carrying Bag 95A2314 microphone. Shure recommends a minimum input load impedance of 1000 In-Line Preamplifier (1 piece) RPM626 Ω. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.
  • Page 3 Beta 98A 61 cm (2 ft.) from sound source –10 50 100 1000 10000 20000 180° 180° 150° 150° 150° 150° 120° 120° 120° 120° 90° 90° 90° 90° –20 dB –20 dB –15 dB –15 dB 60° 60° 60°...