20 And Ol Leds; Channel Fader; Solo - Mackie ONYX 1220i Owner's Manual

12-channel premium analog mixer with firewire
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1
2
9
10
1
2
LINE
LINE
18
BAL/UNBAL
BAL/UNBAL
LINE
LINE
HI - Z
HI - Z
75Hz
18dB/OCT
19
20
48V
48V
30
30
U
U
U
21
20
40
20
40
20
GAIN
GAIN
U
60
U
60
U
-
20dB
40dB
-
20dB
40dB
-
20dB
+
+
SEND
SEND
SEND
22
PRE
PRE
POST
POST
EQ
U
EQ
U
24
HIGH
HIGH
12kHz
12kHz
-
-
-
15
15
15
15
15
+
+
1k
1k
25
FREQ
FREQ
100
8k
100
8k
100
U
U
26
MID
MID
-
15
15
-
15
15
-
15
+
+
U
U
28
LOW
LOW
80Hz
80Hz
-
-
-
15
15
15
15
15
+
+
AUX
AUX
29
1
1
MAX
MAX
O O
O O
O O
29
2
2
MAX
MAX
O O
O O
O O
PAN
PAN
30
L
R
L
R
L
31
MUTE
MUTE
MUTE
ALT 3/4
ALT 3/4
ALT 3/4
dB
dB
10
10
32
5
5
U
U
OL
OL
5
5
20
20
-
-
33
10
10
20
20
30
30
40
40
50
50
60
60
O O
O O
34

SOLO

SOLO
SOLO
1
2
3
4
CTRL - RM OUT
BAL/UNBAL
12
L
LINE IN 5-6
3
4
LINE
LINE
(MONO)
11
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
75Hz
18dB/OCT
48V
48V
30
30
U
U
40
20
40
GAIN
GAIN
GAIN
60
U
60
-
40dB
-
20dB
40dB
20dB
20dB
+
+
+
SEND
SEND
PRE
PRE
PRE
POST
POST
POST
U
EQ
U
EQ
U
HIGH
HIGH
HIGH
12kHz
12kHz
12kHz
-
15
15
15
-15
+15
+
+
1k
1k
27
FREQ
FREQ
U
8k
100
8k
MID
U
U
2.5kHz
-15
+15
MID
MID
15
-
15
15
+
+
U
U
U
LOW
LOW
LOW
80Hz
80Hz
-
15
15
15
-15
+15
+
+
AUX
AUX
AUX
1
1
MAX
MAX
MAX
O O
O O
2
2
MAX
MAX
MAX
O O
O O
PAN
PAN
PAN
R
L
R
L
R
MUTE
MUTE
ALT 3/4
ALT 3/4
dB
dB
dB
10
10
10
5
5
5
U
U
U
OL
OL
5
5
5
20
20
-
-
10
10
10
20
20
20
30
30
30
40
40
40
50
50
50
60
60
60
O O
O O
O O
SOLO
SOLO
3
4
5-6
32. –20 and OL LEDs
These LEDs indicate the channel's signal level after
the gain and EQ controls, but just before the channel's
MAIN OUT
level. So even if the level is turned down, you can see if
BAL/UNBAL
a signal is present, or if the channel is being overloaded.
The OL (overload) LED will come on when the chan-
R
L
R
LINE IN 7-8
LINE IN 9-10
LINE IN 11-12
nel's input signal is too high. This should be avoided, as
distortion will occur. If the OL LED comes on regularly,
L
L
L
check that the gain control [21] is set correctly for your
(MONO)
(MONO)
BAL/UNBAL
BAL/UNBAL
input device, and that the channel EQ is not set with too
R
R
R
much boost.
U
U
The –20 LED comes on when the channel signal
GAIN
GAIN
strength has reached that level.
-
-
-
20dB
20dB
20dB
20dB
+
+
SEND
SEND
PRE
PRE

33. CHANNEL FADER

POST
POST
EQ
EQ
EQ
U
U
This is the last control in a channel's signal path, and
HIGH
HIGH
12kHz
12kHz
-15
+15
-15
+15
it adjusts the level of each channel onto the main mix.
The "U" mark indicates unity gain, meaning no increase
U
U
or decrease of signal level. All the way up provides an
MID
MID
2.5kHz
2.5kHz
additional 10 dB, should you need to boost a section of
-15
+15
-15
+15
a song. If you find that the overall level is too quiet or
U
U
too loud with the level near unity, check that the gain
LOW
LOW
80Hz
80Hz
80Hz
control [21] is set correctly.
-15
+15
-15
+15
AUX
AUX
1
1
1
34. SOLO
MAX
MAX
O O
O O
Whenever a solo switch is engaged, you will only hear
2
2
2
the soloed channel(s) in the headphones and control
MAX
MAX
O O
O O
PAN
PAN
room. This gives you the opportunity to audition the
channels before they are added to the main mix or alt
L
R
L
R
3–4 mix. You can still hear, even when the fader is down.
Solo is also used to set the gain of each channel
correctly. When a channel is soloed, you can adjust the
MUTE
MUTE
channel gain [21] until your input source reaches the
ALT 3/4
ALT 3/4
level of the 0 dB LED of the right meter.
dB
dB
10
10
Solo signals reaching the headphones and
5
5
control room are not affected by the channel
U
U
OL
OL
OL
level or main level; therefore, turn down the
5
5
20
20
20
-
-
-
phones level [39] and control room level [38] first, as
10
10
soloed channels may be loud.
20
20
30
30
The rude solo light [41] will turn on as a reminder
40
40
50
50
60
60
that what you are listening to in the headphones and
O O
O O
control room is just the soloed channel(s).
For stereo channels, the mono sum of the left and
SOLO
SOLO
right is soloed.
7-8
9-10
Soloed channels are sent to the source mix, which
ultimately feeds your control room, phones, and meters.
Whenever solo is engaged, all source selections (main
mix, alt 3-4, tape, and FireWire) are defeated, to allow
the soloed signal to do just that—solo!
Owner's Manual
ALT 3 - 4 OUT
BAL/UNBAL
IN
L/3
R/4
L
(MONO)
BAL/UNBAL
R
PREMIUM ANALOG MIXER
w/ PERKINS EQ & FIREWIRE
CTRL ROOM/PHONES
U
SOURCE
GAIN
20dB
20dB
+
MAIN MIX
SEND
INPUT
TAPE
LINE
U
FW 1-2
HIGH
ALT 3 - 4
12kHz
FW 1-2
-15
+15
U
ASSIGN TO
MAIN MIX
MID
2.5kHz
-15
+15
O O
MAX
O O
MAX
CONTROL
PHONES
U
ROOM
LOW
80Hz
AUX MASTER
-15
+15
AUX
SEND
1
1
PRE
MAX
O O
15
O O
+
POST
RTN TO
AUX1
2
2
PRE
MAX
15
O O
O O
+
POST
PAN
L
R
MUTE
ALT 3/4
MIC
dB
10
5
U
OL
MAX
O O
5
20
-
LEVEL
10
DESTINATION
20
30
AUX
PHONES
40
1-2
50
60
O O
TALKBACK
SOLO
11-12
TALKBACK
TAPE
L
OUT
R
0dB=0dBu
L
R
20
CLIP
15
10
6
3
0
2
LEVEL
SET
4
7
10
20
30
RUDE
SOLO
RETURN
1
O O
+
10
2
10
O O
+
POWER
dB
10
5
U
5
10
20
30
40
50
60
O O
MAIN MIX
21

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