Yamaha Tyros5 Manual page 65

Type Name
This generates harmonies based on the scale specified by the KEY ROOT/TYPE value and the degree specified by the DEGREE value. The harmonies are not
ScaleDiatonic dependent on a chord. If there are many notes, the chord feeling intensifies, so it is suitable for use as duets, fixed at a third above. This setting is good for
modal church music or modal jazz.
This can reproduce harmonies for which semitone pitches are fixed 4th build or diminished sounds, for example. This setting is good, for example, in modal
Parallel
jazz scales (when you want to eliminate chordal feeling) or in progressive music.
Vocal Effect Type List
Type Name
ROMANTIC REV (Romantic Reverb)
80sPOP REV (80s'Pop Reverb)
ROOM
STAGE (Concert Stage)
PLATE
VCL DOUBLE (Vocal Doubler)
SPREAD (Stereo Spread)
DELAY
SHORT DELAY
R&R DELAY (Rock&Roll Delay)
CROSS DELAY
TEMPO DELAY
TEMPO CROSS (Tempo Cross Delay)
CHORUS (Chorus)
EQ HI-FI
EQ TEL
GRAMOPHONE
ROBOT
OVERDRIVEN
SCREAM&SHOUT
TEMPO FLANGE (Tempo Flanger)
TEMPO PHASER
TEMPO A.PAN (Tempo Auto Pan)
NO EFFECT
Harmony Assign Parameters
Parameter Value
TRANS.MODE
* These are effective only when Auto
Vocoder or Vocoder-Mono is
selected in Mode.
SESSION TABLE Normal
* These are effective only when Simple
a Chordal Type other than
R&R
Scale Diatonic or Parallel is
selected.
UrbanA
UrbanB
Blues7
UrbanC
KEY ROOT
* These are effective only When
Determines the root key for the transposition. Refer to the Reference Manual.
the Chordal Type parameter is
set to Scale Diatonic.
KEY TYPE
* These are effective only When
Determines the scale type for the transposition. Refer to the Reference Manual.
the Chordal Type parameter is
set to Scale Diatonic.
Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l'harmonie vocale
Long reverb for vocal part. Romantic image.
Long reverb for vocal part. 80's pop image.
Reverb simulating the acoustics of a room.
Reverb simulating the concert stage.
Reverb simulating a plate reverb unit.
Immediate delay with center focused feeling.
Immediate delay with spread feeling.
Produces simple delayed sounds: L,R, and C (center).
Produces short delayed sound with narrow image.
Produces slap back echo sound. Good for Rock&Roll music.
The feedback of the two delayed sounds is crossed.
Tempo-synchronized delay.
Tempo-synchronized cross delay.
Conventional chorus program with rich, warm chorusing.
Equalizer effect that boosts both high and low frequencies.
Equalizer effect that cuts both high and low frequencies.
Produces Lo-Fi sound with gramophone image.
Produces Lo-Fi sound with robotic image.
Produces overdriven sound. Good for rock and dance music.
Produces heavy distorted sound.
Tempo-synchronized flanger.
Tempo-synchronized phaser.
Tempo-synchronized auto pan.
No effect.
0 Assigns the harmony to the octave range centered around the pitch of the played note.
Assigns the harmony to the same octave range as the vocal (microphone) input.
-3 Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2 Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1 Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
1 Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
2 Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
3 Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
The chord designation is used as shown. This is for general use in conventional music genres.
Tends to add a simpler harmony. Use this when you need simple accompaniment.
Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock 'n' roll music.
Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a sophisticated, urban feel.
Tends to add harmony with a strong minor 7th. This is good for blues music.
Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for a sophisticated, urban feel.
Description
Description
Description
MSB LSB
1 0
1 16
2 0
3 0
4 0
5 16
5 17
5 0
5 1
5 18
8 0
21 0
22 0
66 0
76 16
76 0
94 0
94 16
98 0
98 16
107 0
108 0
121 0
0 0
Tyros5 Data List 65