MAIN OUTPUT LEVEL
Engaging this switch pads the balanced
XLR MAIN OUTPUTS by 30dB, so you can feed
the microphone input of, say, another mixer.
Perfect for sending a submix to another mic
level input in boardroom or conference room
applications.
You can safely plug this output into an input
that provides 48V phantom power.
1
⁄
" MAIN OUTPUTS
4
These
1
⁄
" jacks are balanced outputs ca-
4
pable of delivering 22dBu into a 600 ohm
balanced or unbalanced load. (Okay, we admit
it, that was a pretty technical sentence. See
the Glossary and Connections appendices if
you want to decode it.)
To learn how signals are routed to these
outputs:
.
To use these outputs to drive balanced in-
puts, connect
1
⁄
" TRS (Tip-Ring-Sleeve)
4
phone plugs like this:
RING
TIP
Tip = + (hot)
Ring = – (cold)
Sleeve = Ground
120 VAC 50/60 Hz 25W
315mA/250V SLO-BLO
CAUTION:
TO REDUCE THE RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
For most music recording and PA applica-
tions, unbalanced lines are perfectly
acceptable. To use these outputs to drive un-
balanced inputs, connect
phone plugs like this:
Tip = + (hot)
Sleeve = Ground
These unbalanced RCA connections tap the
MAIN OUTPUTS to make simultaneous record-
ing and PA work more convenient. Connect
these to your recorder's inputs. To learn how
signals are routed to these outputs: .
MONO OUT: If you want to feed a mono
⁄
"
1
4
signal to your tape deck or other device, simply
use an RCA Y-cord to combine these outputs
(Radio Shack
attempt this with any other outputs on the
MS1402-VLZ.
SLEEVE
SLEEVE
RING
TIP
RING
TIP
SLEEVE
PHANTOM
POWER
MICRO SERIES
1402-VLZ
LOW NOISE HIGH HEADROOM
14-CHANNEL MIC/LINE MIXER
MAIN
RIGHT
BALANCED
1
⁄
" TS (Tip-Sleeve)
4
SLEEVE
TIP
TAPE OUTPUT
#42-4235, for instance). Do not
®
SLEEVE
TIP
TM
TM
MAIN
CONTROL
LEFT
ROOM
BALANCED
BAL/UNBAL
R
+4
MIC
MAIN
OUTPUT
LEVEL
SLEEVE
TIP
TIP
SLEEVE
SLEEVE
TIP
L
CONCE
15