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CVP-209/207
CVP-209/207
OWNER'S MANUAL
OWNER'S MANUAL
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Summary of Contents

  • Page 1

    CVP-209/207 CVP-209/207 OWNER’S MANUAL OWNER’S MANUAL...

  • Page 2: Special Message Section

    SPECIFICATIONS SUBJECT TO CHANGE: information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

  • Page 3: Precautions

    fied Yamaha service personnel. Location • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfigu-...

  • Page 4

    If you experience any hearing loss or ringing in the ears, consult a physician. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use.

  • Page 5: About This Owner's Manual And Data List

    * Copying of the commercially available software is strictly prohibited except for your personal use. This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, styles files, MIDI files, WAVE data and sound recordings.

  • Page 6: Accessories

    Accessories I “50 greats for the Piano” Disk (and Music Book) I Recording disk Use this blank disk to save your performance. I Owner’s Manual This manual contains complete instructions for operating your Clavinova. I Data List This manual contains lists of voices, styles and parameters, etc. I Bench A bench may be included or optional, depending on your locale.

  • Page 7

    Yamaha recommends that you use a commercially- available dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the availability of proper head-cleaning disks. • Never insert anything but floppy disks into the disk drive.

  • Page 8: Maintenance

    The document is available as a PDF file (in English) at the following Internet address: Clavinova Home Page ... http://www.yamahaclavinova.com/ Yamaha Manual Library (Electronic Musical Instruments) ... http://www2.yamaha.co.jp/manual/english/ Maintenance Clean the instrument using a dry, soft cloth or slightly damp, soft cloth (wring well). CAUTION Do not use benzine, thinner, detergent, or chemical cloth for cleaning.

  • Page 9: Table Of Contents

    Table of Contents Introduction SPECIAL MESSAGE SECTION ... 2 PRECAUTIONS ... 3 About this Owner’s Manual and Data List ... 5 Accessories ... 6 Handling the Floppy Disk Drive (FDD) and Floppy Disk... 6 About the Display Messages... 8 Maintenance ... 8 Application Index ...

  • Page 10: Table Of Contents

    Saving and Recalling Custom Panel Setups — Registration Memory ... 85 Registering Panel Setups — Registration Memory... 85 Saving Your Registration Memory Setups ...86 Recalling a Registration Memory Setup ... 87 Editing Voices — Sound Creator ... 88 Operation ... 88 SOUND CREATOR Parameters (Natural/Regular Voices) ...

  • Page 11: Table Of Contents

    Showing the Clavinova Display on a TV — Video Out... 144 Setting the MIDI Parameters ... 145 Making Overall System Settings (Local Control, Clock, etc.) — System...145 Transmitting MIDI Data — Transmit ...146 Receiving MIDI Data — Receive ...147 Setting Root Note Channels — Root ...147 Setting Chord Channels —...

  • Page 12: Table Of Contents

    Application Index Use this index to find reference pages that may be helpful for your particular application and situation. Listening Listening to the internal songs ... page 75 Listening to disk songs ... “Playing Back Songs on Disk” on page 77 Listening to demo songs...

  • Page 13: Table Of Contents

    Using a microphone Connecting the microphone... ”Connecting the Microphone or Guitar (MIC./LINE IN jack)” on page 152 Adding automatic harmonies to your singing ... page 128 Settings Registering Panel Setups... page 85 Tuning the pitch/Selecting a scale ... page 135 Making detailed settings for playing back songs ...

  • Page 14

    What can you do with the Clavinova? SONG Playback previously recorded songs (page 21, 36, 74) Enjoy a wide variety of preset songs as well as songs on commercially available disks. METRONOME POWER START STOP MASTER VOLUME FADE IN OUT STYLE ACMP AUTO FILL IN...

  • Page 15

    The large LCD (together with the various panel buttons) provides comprehensive and easy- to-understand control of the Clavinova’s operations. BACK PIANO Set up the piano — instantly (page 56) You can call up all the optimum piano settings for the Clavinova with just a single button press —...

  • Page 16

    Setting Up the Clavinova Key cover I To open the key cover: Lift the cover slightly, then push and slide it open. I To close the key cover: Slide the cover toward you and gently lower the cover over the keys. CAUTION Be careful to avoid catching your fingers when opening or...

  • Page 17

    Turning the Power On and Off Connect the power cord. Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC outlet. In some areas, a plug adapter may be provided to match the pin configuration of the AC wall outlets in your area.

  • Page 18: Panel Controls And Terminals

    Panel Controls and Terminals 69 70 INPUT MIC. MIC. LINE PHONES VOLUME LINE IN METRONOME POWER START STOP MASTER VOLUME FADE IN OUT STYLE ACMP AUTO FILL IN BREAK OTS LINK POWER [ON / OFF] button (POWER)... P. 17 METRONOME [START / STOP] button (METRONOME) ...

  • Page 19

    Yamaha instruments and MIDI devices. Style File Format The Style File Format (SFF) is Yamaha’s original style file format, which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types. The Clavinova uses the SFF internally, reads optional SFF style disks, and creates SFF styles using the Style Creator feature.

  • Page 20

    Quick Guide ......Playing the Demos The Clavinova features an extensive variety of Demo songs, that showcase its rich, authentic voices and its dynamic rhythms and styles.

  • Page 21: Song Playback, Playback Of Songs

    Disks bearing this logo contain song data using the XG format, an extension of the GM standard that provides a wider variety of voices and more comprehensive sonic control. Disks bearing this logo contain song data for voices defined in Yamaha’s DOC format. Playback of Songs If you want to play back a disk song, insert an appropriate disk containing song data into the disk drive.

  • Page 22

    Song Playback Press the [A] button to call up the Song Open display. If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button. PRESET Press the [A] button to select the preset songs (Song Book) folder. Quick Guide FLOPPY DISK From the MAIN display (the...

  • Page 23

    Press one of the [A] to [J] buttons to select a song file. Press the SONG [START/STOP] button to start playback. START / STOP NEW SONG SYNC.START While the song is playing, try using the Mute function to turn certain instrument channels off or on — letting you craft dynamic arrangements on the fly! 1) Press the [CHANNEL ON/OFF] button.

  • Page 24

    Song Playback Finally, take the producer’s seat and try your hand at mixing. These Balance controls let you adjust the levels of the individual parts — the song, the style, your singing, and your playing. 1) Press the [BALANCE] button. 2) Press the [1 - 8 BALANCE Press the SONG [START/STOP] button to stop playback.

  • Page 25: Playing Voices, Playing A Voice

    Playing Voices The Clavinova features a stunning variety of over 800 dynamic, rich and realistic voices. Try playing some of these voices now and hear what they can do for your music. Here, you’ll learn how to select individual voices, combine two voices in a layer, and split two voices between your left and right hands. Playing a Voice Press the [F] button to call up the menu for selecting the MAIN voice.

  • Page 26: Playing Two Voices Simultaneously

    Playing Voices Select a voice. For this example, ”Orchestra” is selected. Play the voices. Naturally, you can play the voice yourself from the keyboard, but you can also have the Clavinova demonstrate the voice for you. Simply press the [8 from the display above, and a Demo of the voice plays automatically.

  • Page 27: Playing Different Voices With The Left And Right Hands

    Playing Different Voices with the Left and Right Hands Press the VOICE PART ON/OFF [LEFT] button to turn the LEFT part on. Press the [H] button to select the LEFT part. Select a voice group. Here, we’ll select the “STRINGS” group — so that you can play rich, orchestral chords with your left hand. VOICE PIANO &...

  • Page 28: Playing Styles, Playing A Style

    Playing Styles Playing Styles The Clavinova has a huge variety of musical “styles” that you can call upon to back up your own performance. They give you anything from a simple, yet effective piano backing or percussion accompaniment to a full band or orchestra. Style related buttons Playing a style Press the [D] button to call up the style group.

  • Page 29

    Turn ACMP on. The specified left-hand section of the keyboard becomes the “Auto Accompaniment” section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style. ACMP Auto Accompaniment section Turn SYNC.START on.

  • Page 30: Style Sections

    Playing Styles Embellish and enhance your melodies — with the automatic Harmony and Echo effects This powerful performance feature lets you automatically add harmony notes to the melodies you play with your right hand — based on the chords you play with your left. Tremolo, Echo, and other effects are available, too. 1 Turn HARMONY/ECHO on.

  • Page 31

    Press the [AUTO FILL IN] button to add a fill-in, if necessary. Fill-in patterns play automatically between each change in the Main sections. Press the [ENDING] button. This switches to the ending section. When the ending is finished, the style automatically stops. I Accompaniment Structure INTRO (page xx) INTRO (page 67)

  • Page 32: One Touch Setting

    Playing Styles Other Controls FADE IN/OUT The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs (page 66)when starting and stopping the style. FADE IN / OUT TAP TEMPO The style can be started at any tempo you desire by “tapping” out the tempo with the [TAP/TEMPO] button. For details, see page 52.

  • Page 33: Music Finder, Using The Music Finder

    Music Finder If you want to play in a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder can help you out. Simply select the song name from the Music Finder and the CVP-209/207 automatically makes all appropriate panel settings to let you play in that music style! Using the Music Finder Press the [MUSIC FINDER] button.

  • Page 34: Searching The Music Finder Records

    Music Finder Searching the Music Finder Records The Music Finder is also equipped with a convenient search function that lets you enter a song title or keyword — and instantly call up all the records that match your search criteria. Press the [MUSIC FINDER] button.

  • Page 35

    • In the example above, you specified a song title, but you can also look for relevant records by keyword or music genre — for example, Latin, 8-beat, etc. (page 71). Split Point Auto Accompaniment section Music Finder Music Finder data is compat- ible for both the CVP-209 and the CVP-207. Quick Guide...

  • Page 36: Playing And Practicing With The Songs, Playing Along With The Clavinova

    Playing and Practicing with the Songs Playing and Practicing with the Songs Song related buttons Playing Along with the Clavinova In this section, try using the Clavinova’s song playback features to cancel or mute the right-hand melody while you play the part yourself.

  • Page 37: Recording

    Recording The Clavinova lets you record, too — quickly and easily. Try out the Quick Recording feature now and capture your keyboard performance. 1 - 3 Select a voice for recording. Use the same operations as in “Playing a Voice” on pages 25, 26. Press the [REC] and [TOP] buttons simultaneously to select “New Song“...

  • Page 38: Mastering Your Favorite Songs

    Playing and Practicing with the Songs Mastering Your Favorite Songs The Clavinova has several very useful practice features that help learn and master recorded songs. Here, you’ll try out the Follow Lights function, and use the special guide lamps to help you play the right notes. 1 - 6 Use the same operations as in “Playing Along with the Clavinova”...

  • Page 39

    Basic Operations — Organizing Your Data The CVP-209/207 utilizes a variety of data types — including voices, accompaniment styles, songs and registration memory settings. Much of this data is already programmed and contained in the CVP-209/207; you can also create and edit your own data with some of the functions on the instrument.

  • Page 40

    Basic Operations — Organizing Your Data Example — Open/Save display for Voice Each Open/Save display consists of PRESET, USER, and FLOPPY DISK drive pages. PRESET drive The files that are pre- programmed and installed internally to the CVP-209/207 are kept here. Preset files can be loaded but cannot be re-written.

  • Page 41: Selecting Files And Folders

    Selecting Files and Folders Select a file shown in the display. In this example, we’ll select a voice file. First, press the VOICE [PIANO & HARPSI] button to call up the display containing the files. This display (“Open/Save” display) is typical of those used to call up and store files (voice files). The CVP-209/207 already contains a variety of voices in the PRESET section.

  • Page 42: File/folder-related Operations, Naming Files/folders

    Basic Operations — Organizing Your Data File/Folder-related Operations Naming Files/Folders You can assign names to files and folders. Any file/folder in the USER and FLOPPY DISK sections can be named or renamed. Execute the following steps when there is data in the User drive. If there are Preset files/folders you wish to rename, copy them beforehand (page 44) and use them as User files/folders.

  • Page 43: Moving Files/folders

    Moving Files/Folders You can move files and folders as desired, for organizing your data. Any file/folder in the USER and FLOPPY DISK sections can be moved, using the cut-and-paste operation described below. Press the [2 ] (CUT) button (page 39). The CUT display appears.

  • Page 44: Deleting Files/folders

    Basic Operations — Organizing Your Data Copying Files/Folders You can also copy files and folders as desired, for organizing your data. Any file/folder in the PRESET, USER and FLOPPY DISK sections can be copied, using the copy-and-paste operation described below. Press the [3 ] (COPY) button (page 39).

  • Page 45: Saving Files, Organizing Files By Creating A New Folder, Displaying Upper Level Pages

    (Voice, Style, Song, Regis- tration, etc.) are stored together. The files of commercially available DOC software and Yamaha Disklavier software, and their edited files on the CVP-209/207, can be stored in the USER page, but can- not be copied to another floppy disk.

  • Page 46

    Basic Operations — Organizing Your Data Entering Characters The instructions that follow show you how to enter characters in naming your files and folders. The method is much the same as inputting names and numbers to your cell phone. Move the cursor to the desired position by using the [DATA ENTRY] dial. Press the appropriate button, [2 Several different characters are assigned to each button, and the characters change each time you press the button.

  • Page 47: Using The [data Entry] Dial

    Changing the Icon You can also change the icon that appears at the left of the file name. Call up the ICON SELECT display by pressing the [1 ] (ICON) button from the character input display (page 46). Select the desired icon by using the [A] - [J] buttons, or by using the ] - [5 ] buttons, then enter...

  • Page 48

    Basic Operations — Organizing Your Data Direct Access — Instant Selection of Displays METRONOME MIC. SIGNAL OVER POWER START STOP VOCAL HARMONY TALK EFFECT SONG EXTRA TRACKS TRACK 2 STYLE MASTER VOLUME START STOP FADE IN OUT TEMPO TAP TEMPO RESET STYLE ACMP...

  • Page 49

    Direct Access Chart Operation: [DIRECT ACCESS] button + button listed below STYLE [ACMP] [BREAK] [INTRO] MAIN [A] MAIN [B] MAIN [C] MAIN [D] [ENDING] [AUTO FILL IN] [OTS LINK] [SYNC. STOP] [SYNC. START] [START/STOP] SONG [TRACK1] [TRACK2] [EXTRA TRACKS] [REPEAT] [GUIDE] [REC] [TOP]...

  • Page 50: Help Messages

    Basic Operations — Organizing Your Data Help Messages The Help messages give you explanations and descriptions of all the main functions and features of the CVP-209/207. METRONOME MIC. SIGNAL OVER POWER START STOP VOCAL HARMONY TALK EFFECT SONG EXTRA TRACKS TRACK 2 TRACK 1 STYLE...

  • Page 51: Using The Metronome, Adjusting The Tempo, Recording

    Using the Metronome The metronome provides a click sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific tempo sounds. METRONOME START STOP METRONOME MIC. SIGNAL OVER POWER START STOP VOCAL HARMONY TALK EFFECT VH TYPE SELECT...

  • Page 52: Tap Tempo, Recording

    Basic Operations — Organizing Your Data Tap Tempo This useful feature lets you tap out the tempo for a song or an accompaniment style. Simply tap the [TAP TEMPO] button at the desired speed, and the tempo of the song or the accompaniment style changes to match your tapping.

  • Page 53

    Playing the Demos The CVP-209/207 is an extraordinarily versatile and sophisticated instrument, featuring a wide variety of dynamic Reference voices and rhythms, plus a wealth of advanced functions. Three different types of Demo songs have been specially prepared showcasing the stunning sound and features of the CVP-209/207. METRONOME POWER MIC.

  • Page 54

    Playing the Demos For the Function demos, an introduction screen appears in the display and the Demo starts playing. This example shows the Voices in the FUNCTION demo. Select the desired word or item by using the [DATA ENTRY] dial, then press the [ENTER] button or number buttons ( [1 Relevant explanations are shown in the display.

  • Page 55: Voices, Selecting A Voice, Recording

    (page 149). XG is a major enhancement of the GM System level 1 for- mat, and was developed by Yamaha specially to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure com- patibility of data well into the future.

  • Page 56

    — even along with the accompaniment style — and not have to worry about notes cutting off. They also take full advantage of Yamaha’s advanced sampling technology such as Stereo Sampling, Dynamic Sampling, Sustain Sampling, and Key-off Sampling.

  • Page 57

    Layer/Left — Playing Several Sounds Simultaneously The CVP-209/207 lets you set three voices for simultaneous play: MAIN, LAYER, and LEFT. By effectively combining these three, you can create richly textured, multi-instrument setups for your performance. METRONOME MIC. SIGNAL OVER POWER START STOP VOCAL HARMONY TALK...

  • Page 58

    Voices Left — Setting Separate Voices for the Left and Right Sections of the Keyboard Set the LEFT to ON. Press this button again to set it to OFF. LAYER LEFT EXIT Press this to return to the MAIN display. Applying Voice Effects This section of the panel lets you add a variety of effects to the voices you play on the keyboard.

  • Page 59: Using The Pedals

    The settings assigned to this pedal may differ depending on the selected voice. I Foot Controller/Footswitch An optional Yamaha foot controller (FC7) or footswitch (FC4 or FC5) can be connected to the AUX PEDAL jack and used to control various functions assigned in the FUNCTION page (page 139).

  • Page 60: Playing A Style, Recording

    Styles The CVP-209/207 features styles (accompaniment patterns) in a variety of different musical genres including pops, jazz, Latin and dance. To use it, all you have to do is play the chords with your left hand as you perform and the selected Accompaniment Style (style) matching your music will automatically play along, instantly following the chords you play.

  • Page 61

    When the [ACMP] button is set to on, you can play/indicate chords from the auto accompaniment section of the keyboard. (Depending on the settings, this may be the range of the Left voice, or the entire keyboard.) STYLE ACMP AUTO FILLIN BREAK INTRO OTS LINK...

  • Page 62

    Styles Select a style (page 60). STYLE ACMP AUTO FILLIN BREAK OTS LINK Set to off. Play along with the rhythm playback. The Tempo can be adjusted using the TEMPO [ If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.

  • Page 63: Chord Fingerings

    Chord Fingerings The style playback can be controlled by the chords you play in the keys to the left of the split point. There are 7 types of fingerings as described below. Go to the CHORD FINGERING page (page 139), and select the Chord Fingerings. The page shows how to play chords with your left hand.

  • Page 64

    Styles Chord Types Recognized in the Fingered Mode (Example for “C” chords) Csus4 Caug CM7aug CmM7 CmM7 Cm7 5 Chord Name [Abbreviation] Major [M] Ninth [9] Sixth [6] Sixth ninth [6 Major seventh [M7] Major seventh ninth [M7 Major seventh add sharp eleventh [M7 Flatted fifth [ 5] Major seventh flatted fifth [M7 Suspended fourth [sus4]...

  • Page 65

    Arranging the Style Pattern The CVP-209/207 features various types of Auto Accompaniment Sections that allow you to vary the arrangement of the Style. They are: Intro, Main, Break and Ending. By switching among them as you play, you can easily produce the dynamic elements of a professional-sounding arrangement in your performance.

  • Page 66

    Styles This switches to the ending section. When the ending is finished, the Style stops automatically. You can have the ending gradually slow down (ritardando) by pressing the same [ENDING/rit.] button again while the ending is playing back. STYLE ACMP AUTO FILLIN BREAK OTS LINK...

  • Page 67

    Selecting Intro and Ending Types (INTRO/ENDING) Select a Intro Select a Ending Playing Fill-in patterns automatically when changing accompaniment sections — Auto Fill In STYLE ACMP AUTO FILLIN BREAK INTRO OTS LINK Play the style and switch among the accompaniment sections as they play (page 30, 31).

  • Page 68

    Styles Appropriate Panel Setting for the Selected Style The convenient One Touch Setting function makes it easy for you to select voices and effects that are appropriate to the style you’re playing. Each preset style has four pre-programmed panel setups that you can select by pressing a single button. METRONOME MIC.

  • Page 69: Registering The Panel Controls In One Touch Setting (one Touch Setting)

    Automatically Changing One Touch Settings with the Sections — OTS Link The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A - D). AUTO FILLIN OTS LINK To cancel the OTS Link function, press the [OTS LINK] button again.

  • Page 70

    Styles Calling Up Ideal Setups for Your Music — Music Finder The Music Finder feature lets you instantly call up the appropriate settings for the instrument — including voice, style, and One Touch Settings — simply by selecting the desired song title. If you want to play a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder function will help you out.

  • Page 71

    Searching the Ideal Setups — Music Finder Search You can search the record by music title or keywords. The results appears in the display. Press the [I] (SEARCH 1) button or [J] (SEARCH 2) button in the MUSIC FINDER display. I [A] MUSIC I [B] KEYWORD different keywords simultaneously by inserting a separator (comma) between each.

  • Page 72

    Styles Editing Records — Music Finder Record Edit From this display, you can call up existing records and edit them to suit your preferences. You can even use this to create your own Music Finder records. Press the (RECORD EDIT) button in the MUSIC FINDER display.

  • Page 73

    I [1ML] TEMPO Determines the tempo for the selected style. When changing the style with the [C] button, the tempo is automatically changed to that of the changed style. I [3ML]~[5ML] GENRE Indicates and changes the genre to which the selected record is assigned. The available range includes all preset genres as well as any you’ve entered yourself.

  • Page 74: Compatible Song Types, Practicing

    Disks having this logo mark feature song data compatible with Yamaha’s DOC (Disk Orchestra Collection) format. Disks having this logo mark feature song data compatible with Yamaha’s original MIDI file format.

  • Page 75: Playing The Internal Songs

    Song Playback Playing the Internal Songs -2 Open a folder and select a song to be played back. The song starts. START / STOP SYNC.START NEW SONG Adjust the tempo by using the TEMPO [ (page 51) or the [TAP TEMPO] button. You can even change the playback speed by tapping out the tempo —...

  • Page 76

    Song Playback Simultaneously Playing a Song and an Accompaniment Style When playing back a song and an accompaniment style at the same time, channels 9 - 16 of the song data are replaced with accompaniment style channels — allowing you to use the auto accompaniment styles and features in place of the accompaniment parts of the song.

  • Page 77: Playing Back Songs On Disk, Other Playback-related Operations

    Playing Back Songs on Disk Insert the disk into the drive. The method for playing back is the same as in the “Playing the Internal Songs” instructions (page 75), except that you should select FLOPPY DISK page in the SONG display. Other Playback-related Operations I Repeat / Rewind / Fast forward During playback, you can have the song return to the top and play back again...

  • Page 78

    Song Playback Muting Specific Parts — Track1/Track2/Extra Tracks This feature lets you mute certain parts of the song (Track1, Track2, Extra Tracks), and play back only those parts you want to hear. For example, if you want to practice the melody of a song, you can mute just the right-hand part and play that part yourself.

  • Page 79

    Using the Practice Functions —Guide These fun features make it easy to learn new music. The key guide lamps indicate the notes you should play, when you should play them, and how long you should hold them down. Also, when you sing and play along with a song using a connected microphone, the Clavinova automatically adjusts the timing of the song to match your vocal performance.

  • Page 80

    Song Playback Practicing Music with the Guide Functions Select the desired practice function from the SONG SETTING page in the FUNCTION display (page 137). Selects the specific practice function. Turns the key guide lamps on/off. Determines the timing by which the key guide lamps light.

  • Page 81

    Displaying Music Notation — Score With this feature, you can have the notation automatically shown on the display as the song plays. This can be used with your own recordings as well as the internal Demo songs. Select the desired song (page 75, 77).

  • Page 82

    Song Playback Detailed Settings for Notation I [1LM] LEFT CH/[2LM] RIGHT CH This determines the Left channel (channel for the left-hand part) and Right channel (channel for the right-hand part). This setting returns to AUTO when a different song is selected. AUTO ...The channels for the right- and left-hand parts are assigned automatically —...

  • Page 83

    I [6LM] NOTE NAME When [NOTE NAME] is set to ON, the note name and solfeggio name (do, re, mi, etc.) are indicated. ABC ... Note names are indicated as letters (C, D, E, F, G, A, B). Fixed Do ... Note names are indicated in solfeggio and differ depending on the selected language (page 50). English...

  • Page 84: Displaying The Lyrics

    Song Playback Displaying the Lyrics This function lets you display the lyrics while the song is playing back — making it easy to sing along with your performance or song playback. Select the desired song (page 75, 77). START / STOP SYNC.START NEW SONG Start the song.

  • Page 85

    Saving and Recalling Custom Panel Setups — Registration Memory Registration Memory is a powerful feature that lets you set up the Clavinova just as you want — selecting specific voices, styles, effect settings etc. — and save your custom panel setup for future recall. Then, when you need those settings, simply press the appropriate REGISTRATION MEMORY button.

  • Page 86: Saving Your Registration Memory Setups

    Saving and Recalling Custom Panel Setups — Registration Memory Saving Your Registration Memory Setups The settings registered to the REGISTRATION MEMORY [1]-[8] buttons are saved as a single file. BANK 01 Save the settings you’ve made to the Registration Memory buttons as a single Registration bank file (page 45).

  • Page 87: Recalling A Registration Memory Setup

    Recalling a Registration Memory Setup You can recall all of the panel settings you’ve made — or only those you specifically want or need. For example, if you de-select “STYLE” in the REGISTRATION MEMORY display, you can keep the currently selected style even when you change the Registration Memory preset.

  • Page 88

    Editing Voices — Sound Creator The CVP-209/207 has a Sound Creator feature that allows you to create your own voices by editing some parameters of the existing voices. Once you’ve created a voice, you can save it as a USER voice for future recall. METRONOME MIC.

  • Page 89

    SOUND CREATOR Parameters (Natural/Regular Voices) PIANO Determines the parameters unique to piano sounds, such as tuning curve or sustain sampling. This page is available only when the Natural piano voice is selected. COMMON Determines the common settings such as voice volume or octave. SOUND Determines the timbre/EG (Envelope Generator)/vibrato of the voice (Regular voice only).

  • Page 90

    Editing the voice — Sound Creator PIANO (Natural Piano Voice has been selected) The explanations here apply to step #3 on page 88. Determines the tuning curve, especially for piano voices. Select “FLAT” if you feel the tuning curve of the piano voice does not quite match that of other instruments voices.

  • Page 91

    I FILTER FILTER settings determine the overall timbre of the sound by boosting or cutting a certain frequency range. • BRIGHTNESS Determines the cutoff frequency or effective frequency range of the filter (see diagram). Higher values result in a brighter sound. •...

  • Page 92

    Editing the voice — Sound Creator EFFECT/EQ The explanations here apply to step #3 on page 88. Determines the effect type (Reverb/ Chorus/DSP). When a regular voice is selected, the DSP type and Variation are set in two separate menus. For information on the effect structure, see page 126;...

  • Page 93: Organ Flutes, Operation

    Determines the DSP effect type to be applied to the Organ Flutes voice. Normally this will be one of the fifteen (CVP-209), or seven (CVP-207) available Rotary Speaker effects. If any other type of effect is selected the Rotary SP Speed ([C]) button in the FOOTAGE/VOL/ATTACK display will not control rotary speaker speed.

  • Page 94

    Recording Your Performances and Creating Songs — Song Creator With these powerful yet easy-to-use song creating features, you can record your own keyboard performances and store them for future recall. Several different recording methods are available: Quick Recording (page 95), which lets you record easily and quickly;...

  • Page 95

    Quick Recording This is the easiest recording method — perfect for quickly recording and playing back a piano song you’re practicing, so you can check your progress. I When creating a new song: START / STOP NEW SONG SYNC.START Select the voice and accompaniment style you want to use in the song. If you want to record to the Layer/Left voices, make sure to set the [LAYER]/[LEFT] buttons to ON.

  • Page 96

    Recording Your Performances and Creating Songs— Song Creator Multi Recording This lets you record a song with several different instrument sounds on up to sixteen channels, and create the sound of a full band or orchestra. The structure of the channels and parts are shown in the chart below. Parts Channels Available parts...

  • Page 97

    Recording Your Performances and Creating Songs— Song Creator Select the part you want to assign to the channel to be recorded. This determines which of the keyboard-played parts (Main/Layer/Left) and the accompaniment style parts (RHYTHM 1/2, BASS, etc.) are recorded to the recording channels selected in step #2.

  • Page 98: Operation

    Recording Your Performances and Creating Songs— Song Creator Recording Individual Notes — Step Record This method lets you create a song by entering notes one by one, without having to perform them in real time. This is also convenient for recording the chords and the melody separately. Operation Select an existing song (page 75, 77) to which you want to add parts or re-record.

  • Page 99

    First, select the desired voice. To enter the note, first specify the length and loudness in this display, then enter the pitch by actually playing the note on the keyboard. Moves the cursor position up and down. Returns the cursor to the beginning of the song (the first note of the first measure).

  • Page 100

    Recording Your Performances and Creating Songs— Song Creator Recording Melodies — Step Record (Note) In this section, we’ll show you how to use Step Recording by guiding you through this actual music example, shown at right. The operations here apply to step 6 on page 99. -1 Select this note.

  • Page 101

    Recording Chord Changes for the Auto Accompaniment — Step Record (Chord) The Chord Step recording feature makes it possible to record auto accompaniment chord changes one at a time with precise timing. Since the changes don’t have to be played in real time, you can easily create complex, tight chord changes —...

  • Page 102

    Recording Your Performances and Creating Songs— Song Creator Press the MAIN [B] button to specify the section and enter the chord indicated at right. MAIN I Play back the newly created chord progression Use the [C] ( ) button to move the cursor to the beginning of the song, and press the SONG [START/STOP] button to hear the newly entered notes.

  • Page 103

    Select the Recording Options: Starting, Stopping, Punching In/Out — Rec Mode From this display you can set up how recording is started and stopped for either Quick Recording or Multi Recording. To call up these settings, select the REC MODE display by using the [BACK][NEXT] button, after performing operation steps 1–3 on page 98.

  • Page 104: Editing A Recorded Song

    Recording Your Performances and Creating Songs— Song Creator Editing a Recorded Song Whether you’ve recorded a song using Quick Recording, Multi Recording, or Step Recording, you can use the editing features to change the song data. Editing Channel-related Parameters — Channel Calling up the operations here apply to step 4 on page 98.

  • Page 105

    Delete This lets you delete recorded data in the specified channel. Use these to select the desired edit operation. Deletes all data in the selected channel. After the operation is completed, this button changes to [UNDO], letting you restore the original data.

  • Page 106

    Recording Your Performances and Creating Songs— Song Creator Channel Transpose This allows you to transpose the recorded data of individual channels up or down by a maximum of two octaves in semitone increments. Use these to select the desired edit operation. Executes the Channel Transpose operation.

  • Page 107

    Editing Note Events — 1 - 16 From this display, you can edit individual note events (see below). Calling up operations here apply to step 4 on page 98. Use the [BACK]/[NEXT] buttons to call up the display below. Use these to move the cursor up/down and select the desired event.

  • Page 108

    Recording Your Performances and Creating Songs— Song Creator Editing Chord Events — CHD From this display, you can edit the chord events you’ve recorded to the song. Calling up operations here apply to step 4 on page 98. Use the [BACK]/[NEXT] buttons to call up the display below. With the exception of the [F] (EXPAND) button, the operations here are the same as those in Editing Note Events (page 107).

  • Page 109: Inputting And Editing Lyrics

    Inputting and Editing Lyrics This convenient function lets you enter the song name and the lyrics for the song. It also lets you change or correct already existing lyrics. For more information on lyric events, see the chart below. Calling up operations here apply to step 4 on page 98.

  • Page 110

    Creating Accompaniment Styles — Style Creator This powerful feature lets you create your own original styles, which can then be used for auto accompaniment — just as with the preset styles. DIGITAL RECORDING STYLE ACMP AUTO FILLIN OTS LINK About Creating Accompaniment Styles The chart at right shows the basic parts (or “channels”) that make up each section of an accompaniment style.

  • Page 111: Style File Format

    Style File Format The Style File Format (SFF) combines all of Yamaha’s auto accompaniment know-how into a single unified format. By using the edit functions, you can take full advantage of the SFF format and freely create your own styles.

  • Page 112: 12 Cvp-209/207

    Creating Accompaniment Styles — Style Creator Realtime Recording — Basic You can use the Realtime Recording features to create your own accompaniment style — either from scratch or based on the preset accompaniment data. The operations here apply to step 4 on page 111. Select the desired channel for recording by simultaneously holding down the [F] (REC CH) button and pressing the appropriate [1 Before recording to one of the non-rhythm channels (BASS - PHR 2), make sure to delete the existing data...

  • Page 113: Step Recording

    Other Parameters in the BASIC Display [I] (SAVE) button Calls up the Style display for saving the accompaniment style data. ] (Section) buttons Determines the section to be recorded. ] (Pattern Length) buttons Determines the length of the selected section’s pattern in measures (1 - 32). The Fill In/Break section is fixed at a length of one measure.

  • Page 114

    Creating Accompaniment Styles — Style Creator Assembling an Accompaniment Style —Assembly This convenient function lets you combine accompaniment elements — such as rhythm, bass, and chord patterns — from existing styles, and use them to create your own original accompaniment styles. The operations here apply to step 4 on page 111.

  • Page 115: Edit The Created Accompaniment Style

    Edit the Created Accompaniment Style Change the Rhythmic Feel — Groove and Dynamics These versatile features give you a wide variety of tools for changing the rhythmic feel of your created accompaniment style. The operations here apply to step 4 on page 111. I Groove Use these to select the desired edit operation.

  • Page 116

    Creating Accompaniment Styles — Style Creator I Dynamics Use these to select the desired edit operation. Executes the Dynamics operation. After the operation is completed, this button changes to [UNDO], letting you restore the original data if you’re not satisfied with the Dynamics results.

  • Page 117: Editing The Channel Data

    Editing the Channel Data In this display, there are five different channel-related edit functions, including Quantize, for editing the recorded accompaniment style data. The operations here apply to step 4 on page 111. See the explanations below. I Quantize Refer to page 104. I Velocity Change Boosts or cuts the velocity of all notes in the specified channel (selected with the [1 buttons), according to the specified percentage (selected with the [4...

  • Page 118

    Creating Accompaniment Styles — Style Creator Making Style File Format Settings —Parameter This display provides a variety of style controls— such as determining how the pitch and sound of the recorded style change when playing the chords in the left-hand range of the keyboard. For details about the relationship between the parameters, refer to “Style File Format”...

  • Page 119

    • NTT (Note Transposition Table) This sets the note transposition table for the source pattern. Six transposition types are available. Bypass No transposition. Melody Suitable for melody line transposition. Use this for melody channels such as Phrase 1 and Phrase 2. Chord Suitable for chord transposition.

  • Page 120

    Adjust the Volume Balance and Changing Voices — Mixing Console Set up just like a real mixing console, this display gives you comprehensive control over the sound. METRONOME MIC. SIGNAL OVER POWER START STOP VOCAL HARMONY TALK SONG EXTRA TRACKS TRACK 2 STYLE MASTER VOLUME...

  • Page 121

    Setting the Level Balance and Voice — Volume/Voice The operations for this page apply to step 2 of the procedure on page 120. Use these to select the VOICE, PANPOT, or VOLUME parameter rows. Each press of this button switches among the various parts/ channels.

  • Page 122

    Adjust the Volume Balance and Changing Voices — Mixing Console Changing the Tone of the Voice — Filter The operations for this page apply to step 2 of the procedure on page 120. DIGITAL STUDIO SOUND CREATOR DIGITAL RECORDING MIXING BALANCE CONSOLE PART...

  • Page 123

    Effect Block list on page 124. When the BLOCK parameter is set to REVERB1, CHORUS1, or DSP 3-7 (CVP-209)/ DSP 3-5 (CVP-207), press this to call up the display from which you can change the detailed settings for the effects.

  • Page 124

    In addition to reverb and chorus effects, this section features a variety of special effects, including distortion. When “MIC” is selected (CVP-207 only), you can apply various effects to your own voice, via the connected microphone. This lets you apply various effects to your own voice, via the connected microphone.

  • Page 125

    Adjusting the Sound to Match the Performance Environment — EQ Usually an equalizer is used to correct the sound output from amps or speakers to match the special character of the room. The sound is divided into several frequency bands, allowing you to correct the sound by raising or lowering the level for each band.

  • Page 126: Effect Structure

    Insertion applies the selected effect to one specific part. Reverb, Chorus and DSP 2 are System effects, and DSP 3 - 7 (CVP-209)/DSP 3 - 5 (CVP-207) are Insertion effects. The DSP 1 effect, on the other hand, can be configured for either System or Insertion routing.

  • Page 127

    Adjust the Volume Balance and Changing Voices — Mixing Console For Regular Voices (CVP-207) Unused DSP blocks are automatically assigned to the active parts. MAIN VOICE DSP3 Rev Send Cho Send DSP Send LAYER VOICE DSP4 Rev Send Cho Send...

  • Page 128: Selecting A Vocal Harmony Type

    Using a Microphone — MIC. This extraordinarily powerful feature uses advanced voice-processing technology to automatically produce vocal harmony based on a single lead vocal. Four distinct harmony modes as well as an extensive selection of preset harmony types are provided. In addition to straightforward harmony, the CVP-209/207 also lets you change the apparent gender of the harmony and/or lead vocal sound.

  • Page 129

    Select a Vocal Harmony type. Select a Vocal Harmony parameter (see below). Press the [EXIT] button to return to the previous display. Vocal Harmony Parameter List Chordal Type/Vocoder Type Determines how the harmony notes are applied. Harmony Gender Type Can be set to “Off” or “Auto”. When “Auto”, the gender of the harmony sound is changed automatically. Lead Gender Type Determines whether and how the gender of the lead vocal sound (i.e., the direct microphone sound) will be changed.

  • Page 130

    Using a Microphone — MIC. Making Settings for the Vocal Harmony and Microphone — MICROPHONE SETTING Operation Press the [MIC. SETTING] button. Press the [EXIT] button to return to the previous display. Adjusting the Vocal Harmony Settings and Microphone Effects — OVERALL SETTING The explanations here apply to step 2 above.

  • Page 131

    I COMPRESSOR This effect holds down the output when the input signal from the microphone exceeds a specified level. This is useful when recording a signal with widely varying dynamics. It effectively “compresses” the signal, making soft parts louder and loud parts softer. SW...

  • Page 132

    Using a Microphone — MIC. Setting the Microphone Volume and Related Effects — TALK SETTING Determines the settings when the [TALK] button is on. The explanations here apply to step 2 on page 130. VOLUME/PAN/REVERB DEPTH/CHORUS DEPTH/TOTAL VOLUME ATTENUATOR This determines the volume of the microphone sound.

  • Page 133

    Making Global and Other Important Settings — Function The Function mode gives you access to various advanced functions related to the instrument as a whole. These sophisticated functions let you customize the Clavinova to your own musical needs and preferences. METRONOME MIC.

  • Page 134

    Making Global and Other Important Settings — Function Making Settings for the Pedals and Keyboard — Controller I Pedal (page 139) These settings determine how the connected pedals (including foot controllers and footswitches) are used. They can be assigned to a variety of functions, letting you control operations with your feet —...

  • Page 135

    Fine Tuning the Pitch/Selecting a Scale — Master Tune/Scale Tune The explanations here apply to step #3 of the procedure on page 133. Tuning the Overall Pitch — Master Tune Determines the overall pitch of the CVP-209/ 207, from 414.8 - 466.8 Hz. Press the 4 or 5 [LM] buttons simultaneously to instantly reset the value to the factory setting of 440.0 Hz.

  • Page 136

    Making Global and Other Important Settings — Function Scale I Equal Temperament The pitch range of each octave is divided equally into twelve parts, with each half-step evenly spaced in pitch. This is the most commonly used tuning in music today. I Pure Major/Pure Minor These tunings preserve the pure mathematical intervals of each scale, especially for triad chords (root, third, fifth).

  • Page 137

    Setting Song-related Parameters — Song Settings The explanations here apply to step #3 of the procedure on page 133. Determines the Guide method. Turns guide lamps ON or OFF. Determines the timing for the guide lamps. JUST ... The guide lamps light precisely at the moment you should play.

  • Page 138

    Making Global and Other Important Settings — Function Setting Auto Accompaniment-related Parameters — Style Setting, Split Point, and Chord Fingering The explanations here apply to step #3 of the procedure on page 133. Setting Auto Accompaniment-related Parameters — Style Setting and Split Point This applies to the OTS Link function, in which One Touch Settings are automatically called up with changes in the section.

  • Page 139: Making Settings For The Pedals

    Setting the Fingering Method — Chord Fingering This determines how the notes you play on the keyboard indicate or play the chords of the accompaniment. To learn how to play certain chords, use the convenient Chord Tutor function (see note below). Determines the fingering type (page 62).

  • Page 140

    You can specify how far down you should press on the right pedal until the damper effect (page 59) starts working. This can be set for certain kinds of pedals, such as the AUX pedal (YAMAHA FC7) or the CVP-209/207’s damper pedal.

  • Page 141

    Changing the Touch Sensitivity and Transpose — Keyboard/Panel Keyboard Touch The Touch feature lets you control the volume of the voices by your playing strength. These settings allow you to customize the keyboard’s touch response (sensitivity) to your personal playing preferences. Determines the Touch sensitivity setting (refer to the...

  • Page 142: Setting The Registration Sequence, Freeze, And Voice Set

    Making Global and Other Important Settings — Function Setting the Registration Sequence, Freeze, and Voice Set The explanations here apply to step #3 of the procedure on page 133. Specifying the Order for Calling Up Registration Memory Presets — Registration Sequence You can save your custom panel settings to the Registration Memory presets, and call them up by pressing the appropriate REGISTRATION MEMORY buttons [1] - [8].

  • Page 143

    Changing the Automatically Selected Voice Settings — Voice Set When changing voices (selecting a voice file), the settings best matching the voice — the same as those set in the Sound Creator — are always and automatically called up. From this page, you can set the on/off status for each part. For example, each of the preset voices has its own LEFT PEDAL setting;...

  • Page 144

    Making Global and Other Important Settings — Function About the Harmony Types When a normal Harmony type (“Standard Duet” through “Strum”) is selected Chords played to the left of the split point control the harmony. When “Multi Assign” is selected Multi Assign automatically assigns notes played simultaneously on the right-hand section of the keyboard to separate parts (voices).

  • Page 145: Setting The Midi Parameters

    Setting the MIDI Parameters In this section, you can make MIDI-related settings for the instrument. These settings can be stored all together from the USER display, for future recall. For general information and details about MIDI, see “What is MIDI?” (page 156). The explanations here apply to step #3 of the procedure on page 133.

  • Page 146

    Making Global and Other Important Settings — Function Clock, Transmit Clock, Receive Transpose, Start/Stop I Clock Determines whether the CVP-209/207 is controlled by its own internal clock or a MIDI clock signal received from an external device. “INTERNAL” is the normal Clock setting when the CVP-209/207 is being used alone. If you are using the CVP-209/207 with an external sequencer, MIDI computer, or other MIDI device, and you want the CVP- 209/207 to be synchronized to the external device, set this function to “EXTERNAL.”...

  • Page 147

    Receiving MIDI Data — Receive This determines which parts will receive MIDI data and over which MIDI channel the data will be received. Determines the channel for changing receive settings. The dots corresponding to each channel (1 - 32) flash briefly whenever any data is received on the channel(s).

  • Page 148

    Making Global and Other Important Settings — Function Other Settings — Utility The explanations here apply to step #3 of the procedure on page 133. Making Settings for Fade In/Out, Metronome, Parameter Lock, and Tap — CONFIG 1 Fade In Time, Fade Out Time, Fade Out Hold Time These determine how long it takes for the accompaniment style and song to fade in or fade out.

  • Page 149

    Parameter Lock This function is used to “lock” the specified parameters so that they can only be changed directly via the panel controls — in other words, instead of via Registration Memory, One Touch Setting, Music Finder, or song and sequence data. Selects the desired parameter for locking/ unlocking.

  • Page 150

    Making Global and Other Important Settings — Function Copying and Formatting Disks — Disk Turns the Song Auto Open function on or off. When this is set to “ON,” the Clavinova automatically calls up the first disk song when a disk is inserted.

  • Page 151

    Entering Your Name and Language Preference — Owner Determines the language used for the display messages. Once you change this setting, all messages will be shown in the selected language. Restoring the Factory-programmed Settings of the CVP-209/207 — System Reset This operation lets you restore the CVP-209/207 to its original factory settings.

  • Page 152

    Using Your Clavinova with Other Devices CAUTION Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.

  • Page 153

    345 Connecting Audio & Video Devices You can connect the Clavinova to a wide range of audio equipment by using the AUX IN and AUX OUT jacks, which are located at the bottom left of the instrument. Connect as shown in the illustrations below using standard audio cables.

  • Page 154

    To transfer data via the computer’s serial port and the Clavinova’s TO HOST terminal, you need to install a specified MIDI driver (Yamaha CBX driver for Windows). You can download this driver from the XG Library on the Yamaha Web site:...

  • Page 155

    Using the TO HOST terminal Connect the serial port of the personal computer (RS- 232C terminal or RS-422 terminal) to the TO HOST terminal of the CVP-209/207. For the connection cable, use the appropriate cable below (sold separately) that matches the personal computer type. If your system does not work properly with the connections and settings listed above, your software may require different settings.

  • Page 156

    Using Your Clavinova with Other Devices Using the USB terminal on your computer with a USB/MIDI interface (UX256/UX96, etc.) Connect the UX256/UX96 and the computer with a USB cable. Install the included UX256/UX96 driver to the computer, and connect the UX256/UX96 to the CVP-209/ 207 with a MIDI cable.

  • Page 157

    The “controller” and “tone generator” in the illustration above are equivalent to the piano in our acoustic example. Here, the player’s performance on the keyboard is captured as MIDI song data (see illustration below). In order to record the audio performance on an acoustic piano, special recording equipment is needed.

  • Page 158

    Using Your Clavinova with Other Devices MIDI channels MIDI performance data is assigned to one of sixteen MIDI channels. Using these channels, 1 - 16, the performance data for sixteen different instrument parts can be simultaneously sent over one MIDI cable. Think of the MIDI channels as TV channels.

  • Page 159: Sequence Format

    • The CVP-209/207 is capable of displaying lyrics when an XF file containing lyric data is played. I Style File The Style File Format – SFF – is Yamaha’s original style file format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types.

  • Page 160

    Level1, as is most commercially available software. I XG XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specifically to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure compatibility of data well into the future.

  • Page 161

    CVP-209/207: Keyboard Stand Assembly CAUTION Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. Be sure to use the correct screw size, as indicated below.

  • Page 162

    CVP-209/207: Keyboard Stand Assembly Installing the pedal box. 1 Remove the plastic cover 2 Untie and straighten out the from the rear legs. 3 Pass the pedal cord 4 Make sure that the pedal box lays flat, with no gap between itself and the floor, then affix the pedal box using two screws.

  • Page 163

    Troubleshooting Problem • The Clavinova does not turn on; there is no power. • A click or pop is heard when the power is turned on or off. • Noise is heard from the Clavinova’s speakers. • The display is too bright or too dark to read. •...

  • Page 164

    Troubleshooting Problem • Auto accompaniment chords are recognized regardless of the split point or where chords are played on the keyboard. • Certain notes sound at the wrong pitch. • Some channels do not properly play back when playing back song data. •...

  • Page 165

    88 Preset +10 User 59 Preset +10 User Single Finger, Fingered, Fingered On Bass, Multi Finger, AI Fingered, : available CVP-207 AWM Dynamic Stereo Sampling 88 keys (A-1 - C7) 375 voices + 480 XG voices + 26 Drum Kits...

  • Page 166

    (with the Music Stand) Weight * Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

  • Page 167

    Index Numerics 1 - 16 ... 107 [1LM] - [8LM] buttons ... 18, 39–46 3BAND EQ (3-BAND EQUALIZER) ... 130 [A] - [J] buttons... 18, 41 Accessories ... 6 Accompaniment Guide ... 79 Accompaniment style parts... 96 [ACMP] button ... 18, 61 Adjust the Volume Balance and Changing Voices ...

  • Page 168

    Index Drum ... 56 [DSP] button ... 18, 58, 126 Dynamics ... 116 ECHO ... 59, 143 EDIT ... 113 Edit the Created Accompaniment Style ... 115 Editing a Recorded Song... 104 Editing Channel-related Parameters ... 104 Editing Chord Events ... 108 Editing Note Events ...

  • Page 169

    MAIN PICTURE ... 151 Maintaining Panel Settings ... 142 Maintenance ... 8 Making Global and Other Important Settings... 133 Making Overall System Settings (Local Control, Clock, etc.) ... 145 Making Settings for Fade In/Out, Metronome, Parameter Lock, and Tap ... 148 Making Settings for the Display, Speaker System, and Voice Number Indication ...

  • Page 170

    Index QUANTIZE ... 82 Quantize ... 104, 117 Quantize Size... 104 Quick Recording ... 95 Quick Start ... 137 Realtime Recording ... 112 Realtime Recording Characteristics... 110 [REC] button... 18, 94 Rec Mode... 103 Recalling a Registration Memory Setup... 87 Recalling the Registered Settings...

  • Page 171

    Tap Count ... 149 [TAP TEMPO] button... 18, 52 TEMPO [ ] buttons ... 18, 51 TEMPO FROM ... 71 Tempo Indications — MAIN Display ... 52 TEMPO TO ... 71 [TO HOST] terminal... 15, 19, 154, 155 [TOP] button ... 18, 77 [TRACK 1 (R)] button...

  • Page 172

    Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product or any other...

  • Page 173

    * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT.

  • Page 175

    For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd.

  • Page 176

    Clavinova Web site (English only) http://www.yamahaclavinova.com/ Yamaha Manual Library (English version only) http://www2.yamaha.co.jp/manual/english/ M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2001 Yamaha Corporation ??????? ???AP???.?-03C0 Printed in Indonesia...

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