Rear Panel/Side - Behringer V-AMP PRO User Manual

If an effect has been selected via
overall sound can be set using this EFFECTS control. If
you select the "Compressor" effect, you can use the
EFFECTS control to adjust the compression intensity.
Turning the control to the left until all the LEDs are off
disables the effect. This is known as an effects bypass.
By pressing the TAP key, you can set a second
effects parameter using the EFFECTS control (see
tab 6.1).
The MASTER control determines the overall volume of
your device.
This is, besides the AUX LEVEL control of the
V-AMP 2, the only "conventional" and non-
programmable control. All the other controls are
encoder-type rotary controls whose settings can
be stored in a preset.
The INPUT socket is the 1/4" connector for your guitar.
Please use a standard 1/4" TS connector.
The LINE IN (V-AMP PRO only) switch determines which
signal source is processed by the V-AMP PRO, either
(switch not pressed) the signal applied at the high-
impedance INPUT connector, for example, your guitar, or
(switch pressed) the line signal connected to the PRE DSP
INSERT (LINE IN, ).
The stereo PHONES connector allows you to monitor the
audio signal with standard headphones (e.g. BEHRINGER
HP series).
Your V-AMPIRE/V-AMP PRO/V-AMP 2 automatically
activates studio mode 1 (S1) when connecting
headphones. In this mode the digital speaker
simulations are activated. With the headphones
plugged in, you are able to select any other
configuration, e.g. for monitoring purposes (see
also chapter 3).
If you did not choose a speaker simulation with the
current setting and connect headphones, the device
will automatically switch to a speaker simulation.
This will increase the listener's sound impression.
Please refer to table 5.2 for detailed information on
the various speaker/amp combinations. However,
you can intentionally change or deactivate the
simulation when using headphones by selecting
"-" in the CABINETS mode (see

2.2 Rear panel/side

Both V-AMPIRE and V-AMP PRO feature a serial insert
path for external effects, such as a Wah-Wah pedal.
Connect the SEND/LINE OUT connector to the input of
your effects device. The SEND/LINE OUT output is taken
directly pre-digital processor (PRE DSP), which means you
can use this connector also to record a "dry" direct signal
without any effect added. Connect the RETURN/LINE IN
connector to the output of your external effects device.
When using the serial insert path, please do not
set the effects device to 100% effects signal ("wet");
otherwise, the direct signal will be missing.
Press the LINE IN key to route the signal applied
at the RETURN/LINE IN to the V-AMP PRO. This function
is useful, for example, to monitor a "dry" guitar
signal with the V-AMP PRO before adding any
effects.
As soon as the VAMPIRE's LINE IN (Return) is
connected, the signal is automatically routed to the
DSP. The input signal from the front will then be
interrupted.
The ANALOG LINE OUTPUTS provide the stereo signal
without analog speaker simulation applied (V-AMPIRE and
V-AMPIRE/V-AMP PRO/V-AMP 2
, its part of the V-AMP PRO only). Use these connectors, for example, to
connect an external amp on stage.
The balanced LINE OUTs of the V-AMP 2 provide a stereo
signal, e.g. for recording applications.
You may use balanced or unbalanced plugs with
the LINE OUTs.
Connect the POST DSP INSERT RETURN (IN) pair of
stereo 1/4" connectors to the outputs of your external
stereo effects device and use this path to return the signal
sent out from the POST DSP SEND (OUT) outputs
The GROUND LIFT switch disconnects (switch pressed)
the ground connection at the DI OUT outputs
effectively eliminate hum noise resulting from ground loops.
The DI OUT output provides the balanced stereo signal of
your V-AMPIRE/V-AMP PRO. Connect this output to two
balanced microphone inputs on your mixing console. With
configuration modes L1 and L2 the maximum level reduction
is -10 dBu so that you can directly connect them to the mic
inputs of your mixing console.
The POST DSP SEND (OUT) stereo output (V-AMP PRO
only) allows you to connect the inputs of an external stereo
effects device. The signal provided here is the same as
the signal present at the digital outputs. Unlike the SEND/
LINE OUT output
corresponding RETURN (IN) connectors
the ANALOG LINE OUTPUTS
The S/PDIF output provides the digital output signal of your
V-AMP PRO.
The AES/EBU output (XLR connector) delivers the digital
signal of your V-AMP PRO in an AES/EBU format, provided
that AES/EBU has been selected as digital output format
(please refer to the 2nd note under
The coax-type S/PDIF and balanced AES/EBU output
are using the same output transformer and must
therefore not be used at the same time. To change
between the S/PDIF and AES/EBU formats please
select the digital out menu (see
The WORDCLOCK BNC connector is used to connect
equipment for the external synchronization of your V-AMP
PRO. This high-impedance connector has no internal
terminating resistor (75 Ohms).
C).
This is the MIDI OUT/THRU connector. It is configured as
MIDI OUT but can be set to act as a MIDI THRU connector
(see
Use the MIDI IN to connect a foot controller, for example,
the BEHRINGER MIDI FOOT CONTROLLER FCB1010 (see
chapter 8.3 for details).
SERIAL NUMBER.
FUSE HOLDER/VOLTAGE SELECTOR (V-AMPIRE/
V-AMP PRO only). Before connecting the unit to the mains,
make sure that the voltage setting matches your local
voltage. A blown fuse should only be replaced by a fuse
of the same type and rating. On some units, the fuse holder
can be switched to one of two positions, i.e. 230 V and
120 V. When operating the unit outside Europe at 120 V, a
higher fuse rating is required (see chapter 8
"INSTALLATION").
The mains connection is on an IEC receptacle (V-AMPIRE/
V-AMP PRO only). An appropriate power cord is included.
V-AMP 2: Connect the enclosed power supply unit via the
AC IN socket. If it is connected to the mains, your V-AMP 2
will switch on automatically.
Connect the stereo connector of your FS112V footswitch
(included) to the FOOTSWITCH socket (V-AMPIRE/V-AMP
2 only). This will enable you to recall the presets from one
2. CONTROL ELEMENTS
this signal is post-DSP. If the two
provide an identical signal.
E).
).
A).
.
to
are not used,
7