Sound Your Best - Adobe AUDITION 1.5 User Manual

Adobe music mixer user manual
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6
What's New in Adobe Audition 1.5

Sound your best

With high fidelity, 32-bit internal processing, Adobe Audition supports up to 32-bit files
and sample rates up to 10 MHz. Powerful effects, restoration, and pitch correction tools
let you create the exact sound you're after.
Correct off-pitch performances and create pitch-based effects. Use
Pitch correction tool
automatic mode for quick results, or manual mode for precise control. (See "Using the
Pitch Correction effect (Edit View only)" on page 146.)
Visually isolate, select, and modify sounds in frequency and
Frequency space editing
time using the Marquee Selection tool. (See "Selecting audio frequencies in Spectral View"
on page 88.)
Quickly and easily restore digital recordings of
Automatic elimination of clicks and pops
vinyl source material, wireless mics, DV cameras, and other production audio. (See "Using
the Auto Click/Pop Eliminator effect (Edit View only)" on page 125.)
Apply high-quality reverb that conserves processing resources, while
Studio reverb
offering extensive controls. (See "Using the Studio Reverb effect" on page 153.)
Get up to speed quickly by using any of the 20 sample sessions
New sample sessions
included with Adobe Audition. Modify the samples to create your own music. (See "About
mixing multitrack sessions" on page 161.)
Use more than 500 new music loops—for a total of more than
New royalty-free loops
5,000—in a variety of styles including 70's disco, classic rhumba, and wedding and event.
(See "About loops" on page 197.)
Quickly and easily extract the vocal portions of a track to create either
Vocal extraction
a cappella or karaoke-ready tracks, while preserving the stereo image. (See "Using the
Center Channel Extractor effect" on page 141.)
Rescale control points on pan, volume, and effects envelopes to
Flexible envelope scaling
quickly modify a clip in a multitrack mix. Scale all points simultaneously while
maintaining relative or absolute relationships between points. (See "Automating mixes
with clip envelopes" on page 188.)

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