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● Fingered chords that are recognized
Chord Name/[Abbreviation]
Major [M]
Add ninth [(9)]
Sixth [6]
Sixth ninth [6(9)]
Major seventh [M7]
Major seventh ninth [M7(9)]
Major seventh add sharp eleventh [M7(#11)]
Flatted fifth [(b5)]
Major seventh flatted fifth [M7b5]
Suspended fourth [sus4]
Augmented [aug]
Major seventh augmented [M7aug]
Minor [m]
Minor add ninth [m(9)]
Minor sixth [m6]
Minor seventh [m7]
Minor seventh ninth [m7(9)]
Minor seventh add eleventh [m7(11)]
Minor major seventh [mM7]
Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
Diminished [dim]
Diminished seventh [dim7]
Seventh [7]
Seventh flatted ninth [7(b9)]
Seventh add flatted thirteenth [7(b13)]
Seventh ninth [7(9)]
Seventh add sharp eleventh [7(#11)]
Seventh add thirteenth [7(13)]
Seventh sharp ninth [7(#9)]
Seventh flatted fifth [7b5]
Seventh augmented [7aug]
Seventh suspended fourth [7sus4]
Suspended second [sus2]
Normal Voicing
Chord (C)
C
1 - 3 - 5
(
)
9
1 - 2 - 3 - 5
C
C
1 - (3) - 5 - 6
6
(
9
)
1 - 2 - 3 - (5) - 6
C
6
C
1 - 3 - (5) - 7 or
M7
1 - (3) - 5 - 7
(
9
)
1 - 2 - 3 - (5) - 7
C
M7
(
#11
1 - (2) - 3 - #4 - 5 - 7 or
C
M7
1 - 2 - 3 - #4 - (5) - 7
(
b5
1 - 3 - b5
C
(
b5
1 - 3 - b5 - 7
C
M7
C
1 - 4 - 5
sus4
1 - 3 - #5
C
aug
1 - (3) - #5 - 7
C
M7aug
1 - b3 - 5
C
m
(
)
9
1 - 2 - b3 - 5
C
m
1 - b3 - 5 - 6
C
m6
1 - b3 - (5) - b7
C
m7
(
)
9
1 - 2 - b3 - (5) - b7
C
m7
(
11
1 - (2) - b3 - 4 - 5 - (b7)
C
m7
1 - b3 - (5) - 7
C
mM7
(
1 - 2 - b3 - (5) - 7
C
mM7
(
b5
1 - b3 - b5 - b7
C
m7
(
b5
1 - b3 - b5 - 7
C
mM7
1 - b3 - b5
C
dim
1 - b3 - b5 - 6
C
dim7
1 - 3 - (5) - b7 or
C
7
1 - (3) - 5 - b7
(
b9
1 - b2 - 3 - (5) - b7
C
7
(
b13
1 - 3 - 5 - b6 - b7
C
7
(
9
)
1 - 2 - 3 - (5) - b7
C
7
(
#11
1 - (2) - 3 - #4 - 5 - b7 or
C
7
1 - 2 - 3 - #4 - (5) - b7
(
13
1 - 3 - (5) - 6 - b7
C
7
(
#9
1 - #2 - 3 - (5) - b7
C
7
1 - 3 - b5 - b7
C
7b5
1 - 3 - #5 - b7
C
7aug
1 - 4 - (5) - b7
C
7sus4
C
1 - 2 - 5
sus2
* These chords are not shown in the Dictionary function.
NOTE
Display
• Notes in parentheses can be omit-
ted.
C
• Playing two same root keys in the
C
9
adjacent octaves produces accom-
paniment based only on the root.
C
6
• A perfect fifth (1 + 5) produces
accompaniment based only on the
C
6 9
*
root and fifth which can be used
with both major and minor chords.
C
M7
• The chord fingerings listed are all
in "root" position, but other inver-
C
M7 9
*
sions can be used — with the fol-
lowing exceptions:
)
M7 #11
C
*
m7, m7 b 5, 6, m6, sus4, aug,
dim7, 7 b 5, 6(9), sus2.
)
• Inversion of the 7sus4 and m7(11)
b5
C
*
chords are not recognized if the
)
M7 b5
C
*
notes shown in parentheses are
omitted.
C
sus4
• The auto accompaniment will
sometimes not change when related
C
aug
chords are played in sequence (e.g.
some minor chords followed by the
C
*
M7aug
minor seventh).
C
m
• Two-note fingerings will produce a
chord based on the previously
C
m9
played chord.
• It may occur that the chord name
C
m6
indication shown in the MAIN dis-
play may not match that of the song
C
m7
data, even though the actual note/
m7 9
C
chord is the same. For example, a
C # chord may actually be indicated
)
m7 11
C
*
as D b .
C
mM7
)
9
C
mM7 9
*
)
m7 b5
C
)
mM7 b5
C
*
C
dim
C
dim7
C
7
)
7 b9
C
)
7 b13
C
C
7 9
)
7 #11
C
)
C
7 13
)
7 #9
C
7 b5
C
*
C
7aug
C
7sus4
C
*
sus2
PSR-K1 Owner's Manual
Style Functions
49
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