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Using Auto Accompaniment
NORMAL
This is the default FINGERED accompaniment mode. The NORMAL
mode lets you finger your own chords on the left-hand section of the
keyboard (i.e. all keys to the left of and including the split-point key —
normally 54) while the PSR-620 supplies appropriately orchestrated
rhythm, bass, and chord accompaniment in the selected style.
The FINGERED mode will accept the chord types listed below (notes in
parentheses may be omitted).
Example for "C" chords
C
C
6
b5
Cm
Cm add
7
9
#11
C
9
C
7
7
Chord Name/[Abbreviation]
Major [M]
Major sixth [6]
Major seventh [M7]
Major seventh sharp eleventh [M7#11]
Major add ninth [Madd9]
Major ninth [M9]
Major sixth add ninth [6 9]
Augmented [aug]
Minor [m]
Minor sixth [m6]
Minor seventh [m7]
Minor seventh flatted fifth [m7b5]
Minor add ninth [madd9]
Minor ninth [m9]
Minor eleventh [m11]
Minor major seventh [mM7]
Minor major ninth [mM9]
Diminished [dim]
Diminished seventh [dim7]
Seventh [7]
Seventh suspended fourth [7sus4]
Seventh flatted fifth [7b5]
Seventh ninth [7 9]
Seventh sharp eleventh [7#11]
Seventh thirteenth [7 13]
Seventh flatted ninth [7b9]
Seventh flatted thirteenth [7b13]
Seventh sharp ninth [7#9]
Major seventh augmented [M7aug]
Seventh augmented [7aug]
Suspended fourth [sus4]
One plus two plus five [1+2+5]
32
#11
CM
CM
CMadd
7
7
Cm
Cm
CmM
9
11
7
C
13
b9
b13
C
C
7
7
7
Normal Voicing
1-3-5
1-(3)-5-6
1-3-(5)-7
1-(2)-3-#4-(5)-7
1-2-3-5
1-2-3-(5)-7
1-2-3-(5)-6
1-3-#5
1-b3-5
1-b3-5-6
1-b3-(5)-b7
1-b3-b5-b7
1-2-b3-5
1-2-b3-(5)-b7
1-(2)-b3-4-5-(b7)
1-b3-(5)-7
1-2-b3-(5)-7
1-b3-b5
1-b3-b5-6
1-3-(5)-b7
1-4-5-b7
1-3-b5-b7
1-2-3-(5)-b7
1-2-3-#4-(5)-b7 or
1-(2)-3-#4-5-b7
1-3-(5)-6-b7 or
2-3-5-6-b7
1-b2-3-(5)-b7
1-3-5-b6-b7
(1)-#2-3-(5)-b7
1-3-#5-7
(1)-3-#5-b7
1-4-5
1-2-5
CM
C
9
Caug
9
9
6
Cdim
CmM
Cdim
9
#9
C
CM aug
C aug
7
7
Chord (C)
Display
C
C
C6
C6
CM7
CM7
CM7#11
CM7(#11)
CMadd9
CM(9)
CM9
CM7(9)
C6 9
C6(9)
Caug
Caug
Cm
Cm
Cm6
Cm6
Cm7
Cm7
Cm7b5
Cm7b5
Cmadd9
Cm(9)
Cm9
Cm7(9)
Cm11
Cm7(11)
CmM7
CmM7
CmM9
CmM7(9)
Cdim
Cdim
Cdim7
Cdim7
C7
C7
C7sus4
C7sus4
C7b5
C7b5
C7 9
C7(9)
C7#11
C7(#11)
C7 13
C7(13)
C7b9
C7(b9)
C7b13
C7(b13)
C7#9
C7(#9)
CM7aug
CM7aug
C7aug
C7aug
Csus4
Csus4
C1+2+5
C
Cm
Cm
6
C sus
C
4
7
7
7
Csus
C
7
4
1+2+5
• If you play any three adjacent
keys (including black keys), the
chord sound will be cancelled
and only the rhythm instruments
will continue playing (CHORD
CANCEL function).
• An octave (1+8) produces ac-
companiment based only on the
root.
• A perfect fifth (1+5) produces
accompaniment based only on
the root and fifth which can be
used with many major and minor
chords.
• The chord fingerings listed are all
in "root" position, but other inver-
sions can be used — with the
following exceptions:
* 6 chords are only recognized
in root position. All other inver-
sions are interpreted as m7.
* 6 9 chords are only recognized
in root position. All other inver-
sions are interpreted as m11.
* m6 chords are only recognized
in root position. All other inver-
sions are interpreted as m7 b 5.
* 1+2+5 chords are only recog-
nized in root position. All other
inversions are interpreted as
sus4.
* With aug and dim7 chords the
lowest note played is assumed
to be the root.
* With 7 # 11 and 7 b 5 chords the
lowest note played is assumed
to be the root or b 7.
Cm
7
b5
C
7
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