Midi Settings; Basic Operation - Yamaha Clavinova CVP-401 Owner's Manual

Yamaha clavinova owner's manual
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MIDI Settings

MIDI Settings
In this section, you can make MIDI-related settings for
the instrument. The instrument gives you a set of ten
pre-programmed templates that let you instantly and
easily reconfigure the instrument to match your particu-
lar MIDI application or external device. Also, you can
edit the pre-programmed templates and save up to ten
of your original templates to the USER display. You can
then save all these original templates as a single file to
USB storage devices, in the MIDI SETUP selection dis-
play (called up by pressing [FUNCTION] → [J] UTILITY
→ TAB [ ® ] SYSTEM RESET).

Basic Operation

1
Call up the operation (MIDI template selection)
display.
Function
[I] MIDI
2
To use the pre-programmed templates or to edit
them
Press the TAB [√] button to select the PRESET dis-
play. Press one of the [A]–[J] buttons to select a MIDI
template.
To use the templates already saved to the USER
display or to edit them
Press the TAB [®] button to select the USER display.
Press one of the [A]–[J] buttons to select a MIDI tem-
plate.
3
To edit a template, press the [8†
ton to call up the MIDI display for editing.
The individual parameters settings are shown for the
selected template. Here you can edit each parameter.
196
CVP-405/403/401 Owner's Manual
4
SYSTEM display
TRANSMIT display
RECEIVE display
BASS display
CHORD DETECT
display
5
6
† ] (EDIT) but-
Use the TAB [√]/[®] buttons to call up the rele-
vant setting display.
MIDI System Settings (page 198)
MIDI Transmission Settings
(page 198)
MIDI Reception Settings (page 199)
Settings for the bass note of chord
for Style playback via MIDI recep-
tion data (page 199)
Settings for the chord type for Style
playback via MIDI reception data
page 200
(
)
When you've finished editing, press the [EXIT]
button to return to the MIDI template selection
display (PRESET or USER).
Select the USER tab display to save the data by
using the TAB [√][®] buttons (page 70).

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