Vox Valvetronix ToneLab SE Owner's Manual
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Vox Valvetronix ToneLab SE Owner's Manual

Vox valvetronix tonelab se owner's manual
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  • Page 1 Owner's Manual...
  • Page 2 Precautions Location Using the unit in the following locations can result in a malfunction. • In direct sunlight • Locations of extreme temperature or humidity • Excessively dusty or dirty locations • Locations of excessive vibration • Close to magnetic fields Power supply Please connect the designated AC/AC power supply to an AC outlet of the correct voltage.
  • Page 3 CE mark for European Harmonized Standards CE mark which is attached to our company’s products of AC mains operated apparatus until Decem- ber 31, 1996 means it conforms to EMC Directive (89/336/EEC) and CE mark Directive (93/68/EEC). And, CE mark which is attached after January 1, 1997 means it conforms to EMC Directive (89/336/ EEC), CE mark Directive (93/68/EEC) and Low Voltage Directive (73/23/EEC).

  • Page 4: Quick Start

    Quick Start UIDE FOR THOSE WHO WANT TO EAD THE ep, we know. You’d rather be playing guitar than reading this manual. Who wouldn’t? I know I would so here’s a “Quick Start” to get you up and run- ning without delay (pun intended) First we’ll get started by trying out ToneLabSEs programs and then we’ll explain how to use the various controls and knobs to create your own sounds.
  • Page 5 ▼ buttons to select “Ln” (LINE). If you’ve connected ToneLabSE to your guitar amp, set this to “AP” (AMP). 7. Turn up the volume controls of your amp or mixer, and ToneLabSE’s rear panel LEVEL knob (11.3) to adjust the volume. NOTE: You won’t hear sound for several seconds while the valve (a.k.a.

  • Page 6: Switching Effects On/Off

    WITCHING EFFECTS ON 13. The model select buttons will be lit (ON) or dark (OFF) to indicate the on/off state of each effect. If you press a button that is dark or turn the model selec- tor, the effect will turn on and the model select button will blink. If you press a button that is blinking, the effect will turn off and the button will go dark.
  • Page 7 15. ToneLabSE provides a PEDAL effect that is placed before the amp, and MOD- ULATION, DELAY, and REVERB effects that are placed after the cabinet. For example if you want use the PEDAL effect TREBLE BOOST, turn the PEDAL selector to select TREBLE BOOST. The PEDAL parameter LED of the edit section will blink, indicating the parameter line (the region listing the parameter names).

  • Page 8: Table Of Contents

    Table of Contents Quick Start... iv Setup... iv Listen to the Programs... v Switching effects on/off ... vi Create your own Sounds ... vi Introduction ... 1 Main Features ...1 Valve Reactor Technology...2 An overview of ToneLabSE ...4 Signal Route ...4 Modes ...4 Amp and effect settings (Edit)...4 Realtime expression and control pedals...4...
  • Page 9 Program Select mode ...16 Selecting a program...16 Effect On/Off mode ...16 Switching effects on/off...17 A/B Channel Hold ...17 Activating or deactivating the Key Lock function...18 Activating the Key Lock function...18 Deactivating the Key Lock function...18 Creating and Storing your own Programs... 19 Creating your own Program ...19 Changing the connection order of the effects (CHAIN)...21 Naming a program ...21...
  • Page 10 Program Change (GLOBAL “PCHG OUT”) ...60 Control Change (GLOBAL “CCHG I/O”) ...60 Parameter Change (GLOBAL “SYEX OUT”) ...61 Backing up and Restoring Program Data (GLOBAL “DUMP CUR,” DUMP ALL”).62 Backing Up ...62 Restoring ...63 Restoring the Factory Preset Programs... 64 Troubleshooting ...

  • Page 11: Introduction

    Introduction ELCOME BOARD any thanks for adding the VOX Valvetronix ToneLabSE to your sonic arsenal. We’re sure it’ll give you countless hours of great guitar tones that will feel as good as they sound! To maximize your chances of enjoying a long and happy relationship with your ToneLabSE, please read this manual at least once, and (as they say), “use...

  • Page 12: Valve Reactor Technology

    • ToneLabSE Sound Editor is an editor/librarian software that lets you visually edit ToneLabSE’s numerous parameters, and save and manage programs. To obtain the “ToneLabSE Sound Editor,” please contact the VOX distributor in your country or download the latest version from: “http://www.voxamps.co.uk”...
  • Page 13 - as opposed to the usual “close but defi- nitely no cigar” norm of digital modeling. And just so you know, this patented in USA power amp technology is unique to VOX Valvetronix. VOX VALVE REACTOR...

  • Page 14: An Overview Of Tonelabse

    N OVERVIEW OF Let’s talk about how ToneLabSE is structured. IGNAL OUTE When you plug into ToneLabSE the signal passes through the following stages. You might want to glance at the explanations in “A Guitarist’s Guided Panel Tour” (p.5) while you read this section. A ch INSERT PEDAL...

  • Page 15: A Guitarist's Guided Panel Tour

    A Guitarist’s Guided Panel Tour Here we’re going to learn about the buttons and other controls on ToneLabSE’s top and rear panel. HINT: The inside back cover of this manual folds out to reveal a big picture of ToneLabSE’s top panel, rear panel, and display. Leave this folded out as you con- tinue reading so you’ll be able to see the panel diagram while you read about each section.
  • Page 16 1.5 AMP MODEL selector This lets you select from sixteen types of classic amp models, including the legendary VOX AC30TBX. (For details, see p.23.) When you turn the AMP MODEL selector, the AMP MODEL select button will blink, and you can use value knobs 1–6 to adjust its parameters.

  • Page 17: Edit Section

    1.9 REVERB selector This selects one of eleven reverb effect models. When you turn the REVERB selector, the REVERB select button will blink, and you can use value knobs 1– 6 to adjust the parameters of the reverb effect. (For details on each effect, refer to p.48–.) NOTE: The parameters will be initialized when you switch effect types.

  • Page 18: Chain/Global/Rename/Write/Exit/Display Section

    HAIN LOBAL ENAME This area displays the name of the program, and the name and value of the parameter you are editing in the amp or effect section. Use RENAME to edit the name of the program, and WRITE to save the program. CHAIN lets you change the connection order of the modulation, delay, and reverb effects.

  • Page 19: Control Setup Section

    3.8 Name display Displays program names, effect names, or parameter names. 3.9 Valve icon Indicates the number and type of power valve – a.k.a. “vacuum tube” – used in the original amp that is being modeled. 3.10 Value display Indicates the value of the parameter you are editing. If the displayed parameter value matches the original value (i.e., the value saved in the program), the ORIG (original value) icon will appear.

  • Page 20: Fx On/Off Switch

    In Effect On/Off mode, these switches individually switch the Pedal, Modula- tion, Delay, and Reverb effects on/off. 6.3 A/B ch channel select pedal, Channel LEDs Use this to change channels within the currently selected program. The chan- nel LEDs located above the pedal will light accordingly (green when channel A is selected, red when channel B is selected).

  • Page 21: Rear Panel

    EAR PANEL OWER SUPPLY 10.1 ~AC9V Connect the included AC/AC power supply here. 10.2 STANDBY button Turns the power on/off. NPUTS AND UTPUTS 11.1 INPUT jack Connect your guitar to this jack. 11.2 INSERT jacks (SEND, RETURN) You can connect an external effect processor or stompbox to these jacks. Connect SEND to the input of your external effect device.

  • Page 23: Setup

    Setup NOTE: You must turn off the power of all your equipment before you make connec- tions. If you ignore this warning, you may damage your speaker system or experi- ence malfunctions! UTPUT SETTINGS Here’s how to specify whether you’re connecting ToneLabSE to a guitar amp or to a mixer/recorder.

  • Page 24: Using Tonelabse With A Mixer Or Recorder

    6. If you’ve connected ToneLabSE to a mixer/recorder, press the GLOBAL switch to access the OUT SEL menu, and use value knob 6 or the ▲ , ▼ buttons to select “Ln” (LINE). If you’ve connected ToneLabSE to a guitar amp, select “AP” (AMP). 7.

  • Page 25: Using Tonelabse With A Guitar Amp(S)

    SING WITH A GUITAR AMP XAMPLE OF CONNECTION TO A GUITAR AMP • If you are connecting ToneLabSE to one or more guitar amps, connect the OUT- PUT L/MONO and R jacks to the input jack of your guitar amp(s). If desired, you can also connect an external effect processor;...

  • Page 26: Playing Tonelabse

    Playing ToneLabSE ROGRAM ELECT MODE ToneLabSE has 96 programs (24 banks x 4 programs), and every one of these programs can be totally rewritten or “custom tweaked” to your heart’s content. With the factory settings, banks 1–8 contain a total of 32 preset programs. (Banks 9–16 and 17–24 contain the same preset programs as banks 1–8.) In order to select programs, you need to be in Program Select mode.

  • Page 27: Switching Effects On/Off

    WITCHING EFFECTS ON As an example, here’s how you can switch the pedal and insert effects on/off for the current program. 1. If the Effect ON/OFF pedal LED is dark, you’re in Program Select mode. Press the Effect ON/OFF pedal to change to Effect On/Off mode. Program LEDs 1–4 indicate the on/off status of the pedal, modulation, delay, and reverb effects.

  • Page 28: Activating Or Deactivating The Key Lock Function

    CTIVATING OR DEACTIVATING THE Here’s how you can use the Key Lock function to disable ToneLabSE’s buttons, selectors, and knobs so they can’t be accidentally changed during a live perfor- mance. NOTE: While the Key Lock function is activated, you won’t be able to operate any controls except for the switches, pedals and the EXIT button.

  • Page 29: Creating And Storing Your Own Programs

    Creating and Storing your own Programs There are two ways you can do this; by “tweaking an existing program” or by “start- ing from scratch.” REATING YOUR OWN If you want to tweak an existing program, select one that’s close to the sound you want.
  • Page 30 6. Use the CABINET model selector to choose the cabinet you want. HINT: For recommended combinations of amp type and cabinet type, refer to p.34. 7. Press the PRES-NR button and adjust NR SENS (value knob 4) appropriately. Higher values of noise reduction (0.2, 0.4, ... 10.0) will produce a correspond- ingly greater effect.

  • Page 31: Changing The Connection Order Of The Effects (Chain)

    HINT: If you’ve used the PEDAL selector to select VOX WAH, the MANUAL param- eter will automatically be assigned to expression pedal 1 (EXP 1), letting you use the pedal as a wah pedal. HANGING THE CONNECTION ORDER OF THE EFFECTS...

  • Page 32: Storing A Program

    TORING A PROGRAM When your tweaking has resulted in a sound you’re happy with, store (write) it! 1. Press the WRITE button (3.6). The name display (3.8) shows “*WRITE*” and the bank display (5.1) and pro- gram LEDs 1–4 will blink. 2.

  • Page 33: Explanations Of The Amp, Cabinet And Effect Types

    Explanations of the Amp, Cabinet and Effect Types his section explains ToneLabSE’s sixteen amp models, sixteen pedal effects, eleven cabinet models, modulation, delay, and reverb effects. A. AMP M ODELS Which amps did we painstakingly model for our seductive selection of 16? Believe me when I say it wasn’t easy ‘cos, as I’m sure you know, there’s a plethora of great sound- ing amps out there.
  • Page 34 model. This time though, the “neutral” position is when the control is all the way off (turned fully counterclockwise). The two models this applies to are BLACK 2x12 and TWEED 1x12. IMPORTANT NOTE: As you’ll discover when you read their descriptions, in the case of the AC15, AC15TB, AC30 and AC30TB models, we’ve utilized the PRESENCE control to mimic the TOP CUT control - whether it was present on the original or not.
  • Page 35 This 1x12", 15 Watt, valve driven, dual chan- nel combo was unleashed on the market in 1958 and was the first ever VOX ampli- fier. The reason for it being named the AC15 is simple: AC stands for Amplifier Combination, while 15 indicates the Wattage.
  • Page 36 2 x EL84s in the power amp. 3. AC30 As already stated, the VOX AC15 was a huge hit with the British guitar bands of the late ’50s. However, as the popularity of the AC15 using bands grew, so did...
  • Page 37 Even though the AC30 was a runaway success, several artists expressed a desire for the amp to have more tonal flexibility and a pinch of extra gain too. VOX reacted quickly and came up with some clever extra tone circuitry that featured an additional ECC83 valve and was called “Top Boost.”* When “Top Boost”...
  • Page 38 Original’s valve compliment: 5 x ECC83s & 1 x ECC82 in the preamp, 1 x GZ34 rectifier, 4 x EL84s in the power amp. 5. UK BLUES Our UK BLUES model is based on the “High Treble” channel of an extremely rare, hand- wired head made in jolly old England in the early ’60s.
  • Page 39 Original’s valve compliment: 3 x ECC83s in the preamp, 4 x EL34s in the power amp. 8. UK ’90 This model is based on the “lead” channel of a 100 Watt, dual channel head that is capable of so much preamp distortion it houses a Gain control that goes all the way up to a Nigel Tufnel approved “20, dunnit!”...
  • Page 40 remains focused and well defined at even the most extreme gain settings. These attributes have made this head a favourite with several of the world’s leading play- ers, and its versatility make it ideal for a wide variety of purposes and styles. Original’s tube compliment: 4 x 12AX7s in the preamp, 4 x 6L6s in the power amp.
  • Page 41 TONAL HINT: BLACK 2x12 is the perfect partner for ACOUSTIC (Acoustic Guitar Simulator) in the Pedal section. 15. TWEED 1 12 (TWD 1X12) The original we modelled here was born in Fullerton, California, in 1958, and clad in “tweed” - hence its name! Just like the AC15, this 18 Watt, 1x12, all-tube combo is the very essence of simplicity.

  • Page 42: Cabinet Models

    B. CABINET M ODELS Now let’s look at the CABINET models: CABINET AND SPEAKER ACCURACY There’s not much point in having incredibly accurate amp models if the speaker cabinet models on offer aren’t of the same exacting standards. As you may know, in real life, the output stage of a tube amp works in close harmony with the varying impedance curve of the speaker(s) it is driving.
  • Page 43 first, cabinet to use this technology. It also uses some special cabinet acoustic design technology that is also a first for VOX and 4x12s in general. Use it as a valid tonal option with any model, but especially the amp head models. We think you will like it! 9.

  • Page 44: What Goes With What

    RECTO BOUTIQUE OD BOUTIQUE CLN Please Note! The VOX AD412 is so new that there is no historical connection with any of the modelled amps yet (as of September 2003). SOME RECOMMENDATIONS As some of the manufacturers of the original amps that we modelled also used similar amps with different speaker configurations to make other models, so...

  • Page 45: Pedal Effects

    NOTE: Product names appearing in this manual are trademarks of their respective own- ers, which are not associated or affiliated with VOX in any way. (except for VOX of course!!) Names and descriptions of these products are provided only for the purpose of identifying specific products that were studied by VOX in the course of developing this product.

  • Page 46: Auto Wah

    The lazy man’s Wah pedal! Only kidding...this quirky but useful effect allows you to create an automatic “Wah” effect that varies with your picking dynamics (i.e. how hard or soft you hit the strings). As in VOX WAH, you can select either V847 or V848 as the wah type.
  • Page 47 [3] “ATTACK” 1.0...10.0 [5] “TYPE” 847, 848 [6] “ORDER” PrE(PRE), PoS(POST) 5. U-VIBE Modelled on the famous Univox Uni-Vibe - a phase/vibrato effect that was designed to simulate a rotating speaker and produces a wonderfully seductive and “watery” tone. Interestingly enough, the guy responsible for this great pedal is also responsible for the birth of the remarkable Valve Reactor Technology used in the power amp of your ToneLabSE.
  • Page 48 9. TREBLE BOOST (TREB BST) This pedal effect is modelled after a built-in treble booster that was designed with the VOX VBM-1 specifically in mind. It is a great way of adding “teeth” to an over- driven sound. 10. TUBE OD This model is based on an overdrive pedal that’s housed in a garish, “seasick green”...

  • Page 49: Mod (Modulation) Effects

    14. ORANGE DIST This models a classic distortion unit manufactured in Japan and packaged in an orange box. 15. FUZZ Retro, rude “n” raw...get the picture!? The name says it all. 16. OCTAFUZZ This models a legendary fuzz unit that adds a pitch one octave above the original. To get the best results, be sure to use your front pickup.
  • Page 50 1. CLASSIC CHORUS (CL CHORUS) M =1,3) M This models a chorus unit that has two modes (chorus and vibrato), and is best- known for being built into a guitar amp. There’s no parameter to switch between chorus and vibrato, but you can use the SPEED and DEPTH knobs to create either of these sounds, giving you an even broader range of possibilities than the original unit! The output vibrato mode allows you to create vibrato (pitch modula- tion) by outputting just the effect sound.
  • Page 51 [6] “MIX” 0.0–10.0 CONTROL pedal 4. BI CHORUS M 1 (M =P1, P2, P3) TEREO This is a chorus model unique to ToneLabSE. It provides two chorus units, CHO- RUS 1 and CHORUS 2, and lets you connect the two units not only in series or in parallel, but also to synchronize or de-synchronize the two LFOs.
  • Page 52 [5] “MODE” S1, S2, P1, P2, NOTE: If P2 or P3 is selected, the speed is adjusted by the SPEED 1 knob. 6. TEXTREM S TEREO This models the popular tremolo circuit that’s built into the BLACK 2x12 model. The SPREAD setting lets you produce a panning effect that spreads to left and right.
  • Page 53 CONTROL pedal: ROT SPD: 8. PITCH SHIFTER (PITCH) M This is a pitch shifter with a range of two octaves up or down, rivaling sophisticated rack-mounted signal processors. PITCH SHIFTER TIPS: If you assign the PITCH knob to an expression pedal, you can use the pedal to control the pitch change.
  • Page 54 10. FILTRON S TEREO This is an envelope controlled filter – a filter that opens and closes according to the guitar input. By assigning the MANUAL knob to the expression pedal you can simulate Korg’s TRAVELER pedal. (In this case, set the DEPTH knob to 0.) [1] “ATTACK”...

  • Page 55: Delay Effects

    E. DELAY EFFECTS Here you can make settings for a delay effect inserted after the cabinet. You can choose one of eleven types. (*): This indicates a parameter that you can control from the expression pedal. DELAY TIME FEEDBACK TONE DUCKING TIME FEEDBACK TONE...
  • Page 56 2. MULTI HEAD (MULTI HD) M This is a model of a tape echo unit boasting three playback heads. The echo from each head has its own feedback loop, letting you create warm and complex “multi- tap” echo effects. [1] “TIME” 1–2000 [ms] Sets the delay time.
  • Page 57 [1] “TIME” 26–2000 [ms] * Sets the delay time. [2] “FEEDBACK” 0.0–10.0 [3] “TONE” 1.0–10.0 [5] “SENS” 0.0–10.0 [6] “MIX” 0.0–10.0 6. STEREO DELAY (ST DL) S This is Korg’s 24-bit digital delay, the DL8000R. With the exception of the sampling frequency and wave control of the DELAY TIME, the circuit is essentially identical.

  • Page 58: Reverb Effects

    10. HOLD DELAY (HOLD DLY) M If you assign “HOLD DLY” to the CONTROL pedal, you’ll be able to hold the delay sound. [1] “TIME” 1–8000 [ms] Sets the delay time. [2] “FEEDBACK” 0.0–10.0 [3] “TONE” 1.0–10.0 [6] “MIX” 0.0–10.0 CONTROL pedal: HOLD DLY: 11.
  • Page 59 2. SPRING 2 M This models a spring reverb that produces a higher-density reverberation. 3. PLATE 1 M This models a type of reverb unit that works by vibrating a metal plate instead of a spring. It is adjusted to a fairly short reverb time. This reverberation is character- ized by a rapid attack, and is suitable for percussive playing.
  • Page 60 11. GATE M This is a versatile gated reverb, ideal for percussive playing. By setting SHAPE to 2 and MIX to 10 (i.e., effect only) you can create a reverse-playback type of sound. [1] “TIME” 5–500 [ms] Sets the gate time. [2] “LODAMP”...

  • Page 61: Tuner (Bypass, Mute)

    Tuner (Bypass, Mute) For your convenience, ToneLabSE contains an automatic chromatic tuner. The fre- quency of the middle “A” reference pitch can be adjusted (calibrated) over a range of 438 Hz–445 Hz. UNING PROCEDURE 1. Press and hold the FX ON/OFF (TUNER) button for about 0.5 seconds.

  • Page 62: Calibrating The Tuner

    ALIBRATING THE TUNER When you switch ToneLabSE on, the built-in tuner is automatically calibrated to A=440 Hz (a.k.a. “concert pitch”). If desired, you can recalibrate the tuner in the range of A = 438 Hz–445 Hz. • While the tuner is active, the value display (3.10) shows the frequency of the ref- erence pitch.

  • Page 63: Using The Expression Pedals

    “--OFF--”. (However, “A/*****”, “D/INPUT”, and “R/INPUT” are exceptions.) HINT: If you’ve set the PEDAL effect type to “VOX WAH,” the “P/MANUAL” (wah position) will automatically be assigned to expression 1. If you then set the PEDAL effect to a different type without making any further settings, the Target, Min, and Max settings will automatically return to their former settings.

  • Page 64: Setting The Expression Target

    “--OFF--”. (However, “A/*****”, “D/INPUT”, and “R/INPUT” are exceptions.) HINT: If you’ve set the PEDAL effect type to “VOX WAH,” the “P/MANUAL” (wah position) will automatically be assigned to expression 1. If you then set the PEDAL effect to a different type without making any further settings, the target setting will also automatically return to the former setting.

  • Page 65: Expression Pedal Control Initialization Settings

    NOTE: Nothing will be controlled if the target effect is “OFF.” The expression pedal target is indicated as follows. “*/###### *: Target category, ######: Target parameter • Examples “--OFF--” --- OFF “VOLUME” “P/DIRECT” --- (*: P (pedal)) “M/SPEED” --- (*: M (modulation)) SPEED of a modulation effect “D/INPUT”...

  • Page 66: Control Switch Settings

    “EXP1INIT” lets you specify whether the control data for expression pedal 1 (i.e., the position of the pedal) will be maintained when you switch programs. (“EXP2INIT” does the same for expression pedal 2.) Use the ▲, ▼ buttons to change the setting. If this is turned “OFF”;...

  • Page 67: Effect Control

    be applied to the parameter at a “factor” (i.e., multiple) of 1/6, 1/4, 1/3, 1/2, 2/3, 3/4, 1, 4/3, 3/2, 2, 3, or 4, according to the setting of the FACTOR parameter (value knob 2). NOTE: The maximum spacing of your taps can be no more than ten seconds. NOTE: If you’ve assigned a parameter other than MOD TAP or DLY TAP, the FAC- TOR setting does nothing.

  • Page 68: Expression Pedal 2

    ERROR, and will then indicate EXP1 MIN. Repeat the procedure from step 3. NOTE: If you are still unable to adjust the sensitivity after repeated attempts, it is possible that ToneLabSE has malfunctioned. Please contact your dealer or Vox authorized service center.

  • Page 69: Control Via Midi

    Control via MIDI IDI stands for Musical Instrument Digital Interface, and is a world-wide standard for exchanging various types of musical data between electronic musical instruments and computers. When MIDI cables are used to con- nect two or more MIDI devices, performance data can be exchanged between the devices, even if they were made by different manufacturers.

  • Page 70: Setting The Midi Channel (Global "Midi Ch")

    MIDI C ETTING THE In order to exchange data with an external MIDI device, ToneLabSE’s MIDI chan- nel must match the MIDI channel of your external MIDI device. Here’s how to set the MIDI channel. 1. Press the GLOBAL button (3.4). 2.

  • Page 71: Parameter Change (Global "Syex Out")

    1. Press the GLOBAL button (3.4). 2. Press the √ √ √ √ , ® ® ® ® buttons (3.2) to make the name display (3.8) read “CCHG I/O.” 3. Specify whether all control change messages will be transmitted or received. Use value knob 6 (2.2) or the ▲, ▼...

  • Page 72: Backing Up And Restoring Program Data (Global "Dump Cur," Dump All").62

    1. Press the GLOBAL button (3.4). 2. Press the √ √ √ √ , ® ® ® ® buttons (3.2) to make the name display (3.8) read “SYEX OUT.” 3. Specify whether parameter change messages will be transmitted. Use value knob 3 (2.2) or the ▲, ▼...

  • Page 73: Restoring

    “DUMP ALL” (Dump all data): All of the ToneLabSE’s data will be dumped. 5. Put the receiving device in a mode in which it can record the data dump. NOTE: For details, refer to the owner’s manual of the device that will receive the data dump.

  • Page 74: Restoring The Factory Preset Programs

    Restoring the Factory Preset Programs ere’s how you can restore ToneLabSE’s programs and all its other settings to the state in which it was shipped from the factory. NOTE: Executing this procedure will erase all the programs you created and saved in ToneLabSE, and will load the factory-set programs.

  • Page 75: Troubleshooting

    Troubleshooting f you suspect a malfunction, please check the following points first. If this does not resolve the problem, please contact your dealer or Vox authorized service center. 1. The amp isn’t powering up when the STANDBY switch is “on”...
  • Page 76 4. You’re using the ACOUSTIC pedal effect and getting nasty high frequency distortion. • Could the Drive setting be excessively high? • Are you using a very high output humbucking pickup? Either turn down the volume of your guitar, the Amp GAIN or Treble setting for the pedal.

  • Page 77: Specifications

    Specifications NUMBER OF AMP TYPES: 16 NUMBER OF CABINET TYPES: 11 NUMBER OF EFFECTS PEDAL TYPES: 16 MODULATION TYPES: 11 DELAY TYPES: 11 REVERB TYPES: 11 NOISE REDUCTION: 1 NUMBER OF PROGRAMS: 96 (24 BANKS x 4 CHANNELS) AUDIO INPUTS INPUT x 1 INSERT RETURN x1 AUDIO OUTPUTS...

  • Page 78: Program List

    INSERT Bch-AMP 1-1 DIARY TUBE OD TWEED 4x10 UK '80S 1-2 S-R-V TUBE OD BLACK 2x12 UK 68P 1-3 SATCH VOX WAH UK '90S UK '90S 1-4 JIMIROTO U-VIBE BLACK 2x12 UK 68P 2-1 TELEBEND COMP TWEED 1x12 TWEED 4x10...

  • Page 79: Index

    DUMP CUR 62 Program Change 60 Program Select mode valve cover 10 Valve Reactor 2 VOL PDL 61 RECTO 29 VOX AC15 (AC15) 33 RELOAD? 64 VOX AC30 (AC30) 33 RENAME 21 VOX AD412 (AD412) Restoring 63 Restoring the Factory...
  • Page 80 TOP PANEL: REAR PANEL: 10.1 10.2 11.1 11.2 11.4 11.3 11.5 1.7 1.8 4.1 4.2 12.1 12.2 3.10 3.1 3.3...
  • Page 81 2003 VOX AM...
  • Page 82 2003 VOX AMPLIFICATION LTD. Printed in China...

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