Behringer Xenyx QX1002USB Quick Start Manual page 12

22 XENYX QX1202USB/QX1002USB
XENYX QX1202USB/QX1002USB Getting started
Step 3: Getting
(EN) (EN) To correctly set the gains of the channels, fi rst
set the LEVEL controls of the input channels to their
started
center positions (0 dB). Then use the GAIN controls
to increase the input amplifi cation until signal peaks
show 0 dB on the level meter.
Paso 3: Puesta en
(ES)
When recording to digital recorders, the recorder's
marcha
peak meter should not go into overload. While
analog recorders can be overloaded to some extent,
creating only a certain amount of distortion (which
Etape 3 : Mise en
(FR)
is common and often desirable), digital recorders
oeuvre
distort quickly when overloaded. In addition,
digital distortion is not only undesirable, but also
renders your recording completely useless. The peak
Schritt 3: Erste
(DE) meters of your XENYX display the level virtually
independent of frequency. A recording level of 0 dB
Schritte
is recommended for all signal types.
(ES) Para ajustar el nivel debe posicionar el regulador
(PT) Passo 3: Primeiros
LEVEL de los canales de entrada en la posición
central (0 dB) y aumentar mediante el regulador
Passos
GAIN la amplifi cación de entrada a 0 dB.
En la grabación con grabadores digitales, los
medidores punta del grabador no deben superar
los 0 dB. Esto se debe a que, al contrario que en
la grabación analógica, ya las más pequeñas
sobrealimentaciones (que también surgen de
forma muy repentina) conducen a desagradables
distorsiones digitales. Los medidores punta
de su XENYX muestran el nivel más o menos
independientemente de la frecuencia. Se
recomienda un nivel de grabación de 0 dB para todos
los tipos de señal.
(FR) Reglage : Pour régler le niveau des
signaux, placez la commande de niveau LEVEL
de chaque canal en position neutre 0 dB et
ajustez l'amplifi cation d'entrée sur 0 dB via le
potentiomètre GAIN.
Pour l'enregistrement en numérique, l'affi cheur
de crêtes de votre enregistreur ne doit pas excéder
0 dB. En eff et, contrairement aux magnétos
analogiques, les enregistreurs numériques génèrent
des distorsions très désagréables dès le moindre
dépassement, même minime, du maximum
numérique. Les indicateurs de crêtes de votre XENYX
affi chent le niveau de façon quasiment indé-
pendante de la fréquence. Nous vous conseillons
un niveau d'enregistrement de 0 dB quel que soit
le signal.
(DE) Aussteuerung: Zum Einpegeln sollten Sie den
LEVEL-Regler der Eingangskanäle in Mittelstellung
(0 dB) bringen und mit dem GAIN-Regler die
Eingangsverstärkung auf 0 dB anheben.
Bei der Aufnahme mit Digitalrekordern sollten die
Peak-Meter des Rekorders 0 dB nicht übersteigen.
Das hat den Grund, dass im Gegensatz zur
Analogaufnahme bereits kleinste Übersteuerungen
(die auch sehr plötzlich auftreten) zu
unangenehmen, digitalen Verzerrungen führen. Die
Peak-Meter Ihres XENYX zeigen den Pegel nahezu
frequenzunabhängig an. Empfehlenswert ist ein
Aufnahmepegel von 0 dB für alle Signalarten.
(PT) Modulação: Para a regulação do nível deverá
colocar o regulador LEVEL dos canais de entrada
na posição central (0 dB) e com o regulador GAIN
aumentar a amplifi cação de entrada para 0 dB.
Aquando da gravação com gravadores digitais,
os medidores de peak do gravador não
devem ultrapassar os 0 dB. O motivo é que,
contrariamente à gravação analógica, as mais
ínfi mas sobremodulações (que também surgem
muito repentinamente) podem originar distorções
digitais desagradáveis. Os medidores do peak
do seu XENYX indicam o nível de forma mais ou
menos independente da frequência. Recomenda-se
um nível de gravação de 0 dB para todos os tipos
de sinais.
23 Quick Start Guide
Presets List
Reverb Early Refl ections / Delay
00 Small Chamber 40
01 Mid Chamber 41
02 Big Chamber 42
03 Theater 43
04 Small Room 1 44
05 Small Room 2 45
06 Mid Room 1 46
07 Mid Room 2 47
08 Large Room 48
09 Small Hall 49
10 Concert Hall 50
11 Mid Hall 51
12 Big Hall 52
13 Ambient Hall 53
14 Church 54
15 Short Plate Modulation
55
16 Mid Plate
56
17 Long Plate
57
18 Gold Plate
58
19 Vint250Verb 1
59
20 Vint250Verb 2
60
21 Mid Spring
61
22 Long Spring
62
23 Gated Reverb Short
63
24 Gated Reverb Mid
64
25 Gated Reverb Long
65
26 Gated Alive
66
27 Reverse Short
67
28 Reverse Mid
68
29 Reverse Long
69
Early Refl ections / Delay
30 Short Ambience 70
31 Mid Ambience 71
32 Live Ambience 72
33 Big Ambience 73
34 Stadium 74
35 Early Refl ections 1 75
36 Early Refl ections 2 76
37 Early Refl ections 3 77
38 Early Refl ections 4 78
39 Slap Delay
Multi
Short Delay 1 79 Delay + Chorus 1
Short Delay 2 80 Delay + Chorus 2
Mid Delay 1 81 Delay + Chorus 3
Mid Delay 2 82 Delay + Flanger 1
Mid Delay 3 83 Delay + Flanger 2
Long Delay 1 84 Delay + Pitch 1
Long Delay 2 85 Delay + Pitch 2
Long Delay 3 86 Delay + Reverb 1
Stereo Delay 87 Delay + Reverb 2
Ping-Pong Delay 88 Delay + Reverb 3
Short Echo 89 Chorus + Reverb 1
Mid Echo 1 90 Chorus + Reverb 2
Mid Echo 2 91 Flanger + Reverb 1
Long Echo 1 92 Flanger + Reverb 2
Long Echo 2 93 Detune + Reverb
Special FX
Soft Chorus 94 LFO Filter 1
Warm Chorus 95 LFO Filter 2
Phat Chorus 96 Talkbox 1
Classic Flanger 97 Talkbox 2
Warm Flanger 98 Overdrive
Stereo Flanger 99 Distortion
Classic Phaser
Warm Phaser
Heavy Phaser
Stereo Phaser
Slow Tremolo
Fast Tremolo
Panner 1
Panner 2
Detune 1
Detune 2
Minor Third Up
Major Third Up
Fifth Up
Fourth Down
Octave Down
Minor Chord
Major Chord
Jazzy