MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6 MASTER SECTION LEFT/MONO LEFT LEFT AUX OUT AUX RET CR OUT MIX OUT RIGHT RIGHT RIGHT MONO OUT LINE IN LINE IN GAIN GAIN CLIP CLIP M A X I M U M D Y N A M I C R A N G E 2T IN...
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Safety Instructions/Consignes de sécurité/Sicherheitsvorkehrungen/Instrucciones de seguridad WARNING: To reduce the risk of fire or electric shock, do not expose this unit to ATTENTION: Pour éviter tout risque d’électrocution ou d’incendie, ne pas rain or moisture. To reduce the hazard of electrical shock, do not remove cover or exposer cet appareil à...
In these pages, you’ll find a detailed description of the features of the MDR6 mixer, as well as a description of its front and rear panels, step-by-step instructions for its setup and use, and full specifications. You’ll also find a war- ranty card enclosed—please don’t forget to fill it out and mail it in so that you can receive online technical support...
CHANNEL 5/6 CHANNEL 5/6 PHONES The Samson MDR6, six channel mixer, is a comprehensive, all-in-one solution for live sound, recording, fixed installation and post production applications. Here are some of its main features: • Six channels – Two Mic/Line plus two Stereo inputs with mic pre’s.
M A X I M U M D Y N A M I C R A N G E POWER DESIGNED AND ENGINEERED IN THE UNITED STATES BY SAMSON TECHNOLOGIES CAUTION CAUTION: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT REMOVE BOTTOM COVER...
MID FREQUENCY – Controls the mid band of the Channel Equalizer, +/- 15 dB at 2.5KHz. 22 POWER – Indicates the MDR6 is powered up. LOW FREQUENCY – Controls the low band of the Channel 23 OUTPUT METER - Five segment display with VU Equalizer, +/- 15 dB at 80Hz.
The following section details each part of the MDR6’s MONO INPUT CHANNELS including the GAIN control, 3- BAND EQ, AUX send, RECORD, PAN and LEVEL controls. The input channels one through four on the MDR6 feature high quality, discrete transistor pre-amp providing transparency and extended dynamic range. The com- bination connector accepts a standard XLR mic cable for microphone level signals, or a standard 1/4"...
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PAN (Mono Inputs Only) The MDR6’s PAN control is used to place or position the mono signal into the stereo main Left and Right MIX bus. You can create a stereo image by panning some input signals to the left and others to the right.
Auxiliary Return The MDR6 has a stereo auxiliary return, which can be accessed via the pair of 1/4-inch phone jacks located on the top panel. The Auxiliary Return can be used to connect any stereo line level signal, but they are primarily used to connect the output of external effects processors.
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Controls and Functions MASTER SECTION C/ROOM + PHONES The C/ROOM + PHONES control is used to set the level sent to the control room outputs, and also to the headphone jack. M A X I M U M D Y N A M I C R A N G E +48V - Phantom Power LED 2T IN...
Line Level Input - Stereo Input Channels The MDR6’s stereo channels have a stereo LINE input with the Left Input located in the center of the Combie connector and a separate 1/4-inch connector for the Right Input. You can connect the outputs from stereo devices such as synthesizers, drum machines, effects processors or any stereo line-level sig- nal.
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MDR6 Input and Output Connections EXTERNAL OUTPUT JACKS The MDR6 features several output connectors allowing you to interface a variety of external devices. A stereo recording device such as a cassette recorder can be connected to the 2 Track jacks, and additional power ampli- fiers can be connected to the CONTROL ROOM and MAIN output jacks.
5. Set the Left and Right MIX faders in the MDR6’s master section to the "0" position. 6. While speaking into the mic (or playing the instrument), adjust the channel Fader control so that the "0" LED of the MAIN section peak level meter lights occasionally.
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PEAK DISK AUX RETURN 2. In order to get the most gain from your monitor mix, use an external graphic equalizer like a Samson E31i to cut out any frequencies that cause feedback. USING AN EXTERNAL EFFECT If you want to use an external device for effects processing, MASTER SECTION you can easily connect the unit using the MDR6 AUX bus.
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When you are working with the mixer configured to HDM, the MDR6 engages the RECORD bus and a special 2- Track listening mode. When engaged, the HDM allows you to assign any of the channels to the RECORD bus.
Using The HDM (Continued) Overdubbing Using HDM Now that you have recorded a basic rhythm track you can overdub additional tracks using MDR6’s HDM. For this example, we’ll overdub a vocal track using a microphone. Follow the steps below. 1. Connect the output from your computer sound card to the MDR6’s 2-Track In and then connect the MDR6’s 2-Track Output to the input of the sound card.
MDR6 Wiring Guide CONNECTING THE MDR6 The are several ways to interface the MDR6 to support a variety of applications. The MDR6 features balanced inputs and outputs, so connecting balanced and unbalanced signals is possible. Unbalanced 1/4” Connector Signal Signal...
MDR6 Specifications Frequency Response (Trim @ Min, unity gain ± 3 dB) Mic to Main 5 Hz - 54 kHz Line to Main 5 Hz - 54 kHz Aux Return to Main 5 Hz - 98 kHz Line to Aux Send 5 Hz - 57 kHz T.H.D.