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Functions
for Playing-
>
i
Effect
—
Hold
this
button
down
and
press the
key
to
which
you
want
to transpose.
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The sound
remains even
after
the key
is
released.
(This applies to
Arpeggio
as well.)
Changes
the pitch
ranges.
Changes
the
speed of
Arpeggio.
A
Low
Frequency
Oscillator
that generates vibrato
and
growl
effects.
Digitally
controlled Oscillator that
determines
the
pitch.
It
also
generates three
waveforms
that
are
the
sound
source
of the synthesizer.
Turns on and
off
the
Arpeggio
function.
Changes
the
move-
ment
of the patterns.
The
filter
that cuts or
emphasizes harmonics
and
consequently determines
the
tone
color.
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The
amplifier that controls the
amplitude,
resulting
in
changing
the
volume.
It
generates the control voltage
which
is
applied to the
VGA
and
VCF,
controlling the
harmonics and
the
volume.
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This changes the
depth
of
the
Chorus
effect.
X
ON/OFF
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DELAY
TRIG
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TIME
MODE
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VOLUME
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DCO
VCF
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P
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—
LFO
TRIG
OCTAVE
TRANSPOSE
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DOWN
UP
BENDER
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1
The
manually operated button
for the
LFO.
(It
works
when
the
TRIGGER
MODE
switch, situated
in
the
LFO,
is
set
to
MANUAL.)
To
alter
the range
of the
keyboard.
(1
octave
up and down.)
A
manually operated
lever
which
controls the pitch of the
DCO
and
the
Cutoff
Frequency
of
the
VCF.
This control
sets
the
maximum
effect of
the
BENDER.
This controls
the
rate
of
the
LFO.
To
select
the pulse
width
controlling
signal.
This
emphasizes
the Cutoff
Point
(creating
unusual
sounds).
This
selects
the
signal
which
controls the
VCA.
(It
decides
whether
to
change
the
volume
by
using
Envelope
signal
or
Gate
signal.
)
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(AUTO)
In
this
mode
it
delays
the vibrato (growl)
effects
by
the
set
amount.
(MANUAL)
While
the
LFO
TRIGGER
button
is
being pressed,
the
DELAY
TIME
determines the
time
required for the
LFO
signal
to
become
maximum.
The
LFO
operates either
manually
or
automatically
depending
on which
position
this
switch
is
set
to.
(MANUAL, AUTO)
It
adjusts
the
depth
of the
vibrato
effect.
You
can
select
the
output
waveform
of the
DCO.
(Each
of
them
can be
switched on and
off
indi-
vidually.)
This determines the
polarity
of the
Envelope.
(Negative
polarity
is
for
special effect.)
This
adjusts the
level
of
the
Envelope
signal
which
con-
trols
the
Cutoff
Point of
the
VCF.
This controls the time,
needed
for
the voltage
to
reach
its
maximum
level
after
the
key
is
pressed.
This
determines
the time
needed
for
the voltage
to reach
the Sustain
level.
This
is
the
volume
of
another
sound
source,
NOISE.
As you
raise
the
knob,
low
fre-
quency
is
cut.
(The
sound
is
getting
brighter.)
This
adjusts the
depth
of
the
growl/wah
effects.
As you
lower the
Knob,
the
difference of the
tone
colors
between
different
notes
becomes
larger.
(MANUAL)
The
pulse
width
is
adjusted.
(LFO,ENV)
The
intensity
of the
modu-
lation
is
controlled.
As you
lower
the
knob,
high
frequency harmonics
are
cut
off.
(The
sound
is
getting
softer.)
This
determines
the Sustain
level
to
which
the
voltage
falls
at
the
end
of the
Decay
time.
This
sets
the
time
required
for
the
sound
to
finally
fades
out
after
the key
is
released.
^
Functions
for
Playing
J
i.
Functions
for
Sound
Creating-
J
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