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^eggio
Samples
17
When
using
Arpeggio
as
an
accompaniment,
adopt
a
pattem
that
is
completed
within
one
measure.
Select the appropriate range
and -mode
according
to
the
number
of
notes
in
the chord,
and
beats
in
the
bar.
^
The
SAMPLE SCORES
show
the
examples
of
when
you
press
each note
of
the
chord
simul-
taneously-.
If
there
is
a
time gap
in
pressing
each
note, the scores
will
not be the same.
EThree
note
Arpeggio
(1
oct.
UP/DOWN)
OCT
3
OCT
DOWN
[HThree
note
Arpeggio
(2
oct.
UP)
1
OCT
UP
3
OCT
DOWN
5^
HThree
note
Arpeggio
(3
oct.
UP/DOWN)
OCT
UP
:i
OCT
DOWN
a
Four note Arpeggio
(1
oct.
UP/DOWN)
OCT
UP
;)
OCT
DOWN
[D
Four note Arpeggio
(2
oct.
UP)
1
OCT
UP
3
OCT
DOWN
^->
ffj#g^
[6!
Five
note Arpeggio
(1
oct.
UP/DOWN)
I
OCT
UP
OCT
DOWN
^ p
-»
^^
^
H
Arpeggio
with
a
Bass
note
(1
e
Press
one
Bass note
with
the
left
hand and
three notes of
the
chord
with
the
right
hand.
OCT
UP
UE^
3
OCT
DOWN
w
wm
^
m
Arpeggio
with
a
Bass
note
(2)
•
Press
one
Bass note
with
the
left
hand and
three notes
of the
chord
with the
right
hand.
1
OCT
UP
2
OCT
3
OCT
DOWN
m
~^
d
Special
use
of
Arpeggio
Mode
(Bass Pattern
1
OCT
3
OCT
DOWN
5S|^^l
^0
M
Special
use
of
Arpeggio
Mode
(Trennolo
1,
II)
Tremolo
I
•
Play
a single
note
and
adjust the
speed of
tremolo with
the
RATE
control.
Lower
the
Sustain Level
and
shorten the
Decay Time.
Organ
like
sound
is
obtained
by
adjusting
ENV.
1
OCT
UP
fS^
f^^jUfUppfl^ftfiflfi
3
OCT
DOWN
Tremolo
II
•
Tremolo
with
xylophone
like
octave sound.
I
OCT
UP
-J
OCT
DOWN
\g
H
M
B
M
m
zzj
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