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Related Manuals for Arturia JUP-8V
Summary of Contents for Arturia JUP-8V
- Page 1 USER MANUAL ARTURIA – Jup-8 V – USER MANUAL...
- Page 2 Dennis Hurwitz Daniel Saban Clif Johnston Carlos Tejeda, Koshdukai Scot Todd-Coate Joop van der Linden © ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Jup-8 V – USER MANUAL...
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Page 3: Table Of Contents
Unisson ..................................30 3.2.10.6 Maximum polyphony ............................30 The Preset Browser ..........................31 3.3.1 Searching presets ........................... 32 3.3.2 Using tags as a filter ........................32 3.3.3 The Preset Info section ........................33 ARTURIA – Jup-8 V – USER MANUAL... - Page 4 The edit section of the sequencerOutputs ..................55 Galaxy ..............................56 Voice Effects ............................57 4.4.1 Chorus / Flanger ..........................57 4.4.2 Distortion ............................58 4.4.3 Parametric EQ ..........................59 4.4.4 Phaser ............................. 60 4.4.5 Ring Mod............................61 ARTURIA – Jup-8 V – USER MANUAL...
- Page 5 Patch Effects ............................62 4.5.1 Chorus/Flanger ..........................62 4.5.2 Stereo Analog Delay ........................63 4.5.3 Reverb............................. 64 4.5.4 Dual Phaser ............................. 64 END USER LICENSE AGREEMENT ..................66 ARTURIA – Jup-8 V – USER MANUAL...
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Page 6: Introduction
INTRODUCTION Arturia would like to thank you for purchasing our synthesizer model: the Jup-8 V. We are confident it will prove to be an extremely valuable addition to your music production studio. If you’ve purchased our products before, you know we pride ourselves in faithfully recreating the sound and feel of the original instruments, down to the smallest detail. - Page 7 These were the 101 Synthesizer, the 102 Expander, the 103 Mixer (including a simple reverb), the 104 Sequencer, and the 109 Monitor Speakers. These units fit together to produce a system that sounded really interesting. ARTURIA – Jup-8 V – USER MANUAL...
- Page 8 In 1982, Roland released an upgraded Jupiter-8, the JP8A. It upgraded the Jupiter-8 with a number of enhancements including an improved DAC with a higher resolution of the auto- ARTURIA – Jup-8 V – USER MANUAL...
- Page 9 “computerised bass machine”, the little silver box and its companion, the TR606 “Drumatix”, were intended for use as replacements for a bass guitarist and a drummer. The TB303 had a very characteristic filter, and a built-in sequencer. ARTURIA – Jup-8 V – USER MANUAL...
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Page 10: A Unique Synthesizer, Why
The Jupiter-8 is often considered the biggest and fattest of the Roland Jupiter family. The Jupiter-8 offers eight analog voices. The sound of the Jupiter-8 is often referred to as fat and crispy clear at the same time. The Fast envelopes make it ARTURIA – Jup-8 V – USER MANUAL... -
Page 11: The Arturia Jup-8 V
As a matter of fact, every single setting can be saved and recalled in a heartbeat. This allows perfect integration with your project and saves a lot of time compared to the original Jupiter-8. ARTURIA – Jup-8 V – USER MANUAL... -
Page 12: Arturia's Secret Ingredient: Tae
’s software algorithms result in spot-on emulation of analog hardware. This is ® why JUP-8 V offers an unparalleled quality of sound, as do all of Arturia’s virtual synthesizers. combines three major advances in the domain of synthesis: ®... -
Page 13: A Better Reproduction Of Analog Oscillator Waveforms
® software. Below is the analysis of a waveform from one of the five original instruments Arturia’s software emulates, followed by one made by TAE®. They are both equally deformed by the low-pass and high-pass filtering. -
Page 14: Direct Filter Circuit Modeling
But you’ll notice there are two lines on the graph: Those are the superimposed frequency domain plots for both one of Arturia's virtual instruments and the hardware filter being emulated. They are practically indistinguishable, both on the graph and to the human ear. - Page 15 So here’s the bottom line: when you bring together a bunch of music lovers who also have a deep understanding of the characteristics of electronic circuits, you wind up with Arturia. And Arturia now offers you our most impressive software model yet, the JUP-8 V.
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Page 16: Activation And First Start
In order to proceed, go to this web page and follow the instructions: http://www.arturia.com/register Note: If you don’t have an Arturia account yet, you will need to create one. The process is quick, but it does require that you can access your email address during the registration process. - Page 17 You will then see the Audio MIDI settings window. This works in the same way on both Windows and Mac OS X, although the names of the devices available to you will depend on the hardware you are using. ARTURIA – Jup-8 V – USER MANUAL...
- Page 18 48kHz which is perfectly fine. Higher sample rates use more CPU power so unless you have a good reason to ARTURIA – Jup-8 V – USER MANUAL...
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Page 19: Audio And Midi Settings: Mac Os X
Cubase, Logic, Pro Tools and so on. You can load it as a plug- in instrument and its interface and settings work the same way as in standalone mode, with a couple of differences. ARTURIA – Jup-8 V – USER MANUAL... - Page 20 You can use more than one instance of JUP-8 V in a DAW project. In standalone mode you can only use one at once. You can route JUP-8 V’s audio outputs more creatively inside your DAW using the DAW’s own audio routing system. ARTURIA – Jup-8 V – USER MANUAL...
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Page 21: User Interface
In this chapter we will give an overview of the features available to you with JUP-8 V. As with every Arturia product, we have gone to great lengths to make the use of this software instrument as simple and as much fun as possible, while also striving to make sure you never run out of new things to do with it as your knowledge expands. -
Page 22: Save Preset As
Both types are stored in the .jupx format. After selecting this option, the default path to these files will appear in the window, but you can navigate to whichever folder you are using. ARTURIA – Jup-8 V – USER MANUAL... -
Page 23: Export Preset
The controls work the same at any zoom level but the smaller ones can be harder to see at the smaller magnification values. ARTURIA – Jup-8 V – USER MANUAL... -
Page 24: Audio Settings
The Preset browser is invoked by clicking the toolbar button that has four vertical lines. See section 3.3 of the manual for full details on this. The Filter, name field and left / right arrows in the toolbar all assist with preset selection. ARTURIA – Jup-8 V – USER MANUAL... -
Page 25: Midi Learn Assignment
A typical example might be to map a real expression pedal to the virtual volume pedal, or buttons on a controller to the effect switches so you can change the sound from your hardware keyboard. ARTURIA – Jup-8 V – USER MANUAL... -
Page 26: Assigning / Unassigning Controls
There’s a popup window that displays which two things are being linked and a button to unassign the two from each other. VCO-2 fine tune knob selected and assigned ARTURIA – Jup-8 V – USER MANUAL... -
Page 27: Min / Max Value Sliders
Certain MIDI Continuous Controller (MIDI CC) numbers are reserved and cannot be reassigned to other controls. These are: PitchBend AfterTouch Ctrl Sustain On/Off (CC #64) Ctrl Mod Wheel (CC #1) Ctrl All Notes Off (CC #123) ARTURIA – Jup-8 V – USER MANUAL... -
Page 28: Midi Controller Configuration
It will also display the current value of a parameter without editing it: just hover the cursor over the related control and the value will appear as pictured below. ARTURIA – Jup-8 V – USER MANUAL... -
Page 29: Midi Channel Setting
Jup-8 V is in monophonic mode. In “Low” mode we will hear the lowest note, in “High” mode the highest note, and in “Last” mode the last note played on the keyboard. ARTURIA – Jup-8 V – USER MANUAL... -
Page 30: Unisson
CPU being used. Setting the number too low can create situation where the voices cut off and create unnatural sustains. The key is to find a balance that you and your computer can both live with. ARTURIA – Jup-8 V – USER MANUAL... -
Page 31: The Preset Browser
To access the search view, click on the browser button (the icon looks a bit like books on a library shelf). ARTURIA – Jup-8 V – USER MANUAL... -
Page 32: Searching Presets
The tag fields can be shown or hidden by using the small down arrow buttons in their title fields. Results columns can be sorted by clicking the same arrow button in their own section. ARTURIA – Jup-8 V – USER MANUAL... -
Page 33: The Preset Info Section
However, if you want to alter the information for a Factory preset you must first use the Save As command to re-save it as a User preset. After this the Info section will gain Edit and Delete buttons at the bottom of the window. ARTURIA – Jup-8 V – USER MANUAL... -
Page 34: Preset Selection: Other Methods
“Love” in the main search area, the results of that search will appear here. Similarly, if you previously selected a Type in the Search field you would see the results of that search in this area instead. ARTURIA – Jup-8 V – USER MANUAL... -
Page 35: Selecting A Preset By Its Type
The left and right arrows in the toolbar cycle up and down through the preset list: either the full list, or the filtered list that resulted from the use of one or more search terms. ARTURIA – Jup-8 V – USER MANUAL... -
Page 36: Playlists
Once you have found the right preset, click and drag it onto the playlist name. Click and drag from the Search Results list onto one of the playlists ARTURIA – Jup-8 V – USER MANUAL... -
Page 37: Re-Order The Presets
VCO2 can produce sine, saw tooth, variable pulse or noise signals. A mixer to mix the 2 VCO’s A non resonant high pass 6 dB/oct filter A resonant low pass 12/24 dB/oct filter ARTURIA – Jup-8 V – USER MANUAL... -
Page 38: Overview Of The (Advanced) Modulations Section
VCO) as well as creation of dynamic modulations of other parameters such as the cut-off frequency of the VCF or on the width of the square waveform of the VCO's. ARTURIA – Jup-8 V – USER MANUAL... -
Page 39: The Keyboard Module
VCF and the VCA. These combinations allow you to create a wide variety of new sounds. Additionally, you will be able to connect two effects “Patches” that are situated at the audio output of the synthesizer. The interface of the effects ARTURIA – Jup-8 V – USER MANUAL... -
Page 40: The Different Modules In Details
These can be activated in the “LFO-MODULATION” section (monophonic modulation by the LFO) or the “CROSS MOD” (polyphonic modulation using the frequency of oscillator 2 on oscillator 1). ARTURIA – Jup-8 V – USER MANUAL... - Page 41 FINE TUNE: Knob to fine tune pitch with the range of plus or minus one half tone. SHAPE: Switch for the four waveforms: o Sine o Saw Tooth o Variable Pulse o White noise ARTURIA – Jup-8 V – USER MANUAL...
- Page 42 (this signifies that it is not tuned to the same tonality!) Here are some of the representations of the different waveforms used by the oscillators of the Jup-8 V: Saw tooth Square Triangle ARTURIA – Jup-8 V – USER MANUAL...
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Page 43: Vco 1
4.1.3.1 A non-resonant 6 dB/octave high-pass filter The high-pass filter eliminates the frequencies while letting high frequencies go through. The sound will become thinner. It is very useful to remove bass frequencies of a pad sound for example. ARTURIA – Jup-8 V – USER MANUAL... -
Page 44: A Resonant 12 Or 24 Db/Octave Low-Pass Filter
When in “circular” control mode, simply click on the knob and drag the mouse pointer out into a broader arc for a more precise setting. ARTURIA – Jup-8 V – USER MANUAL... - Page 45 (value 1.00). The cutoff frequency of the filter can be modulated by one of the two ADSR envelopes (see the following chapter). It can also be modulated by the LFO. The VCF ARTURIA – Jup-8 V – USER MANUAL...
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Page 46: The Amplifier (Vca)
VCA amplitude. When playing the keyboard, the envelopes will trigger and modify the way to sound will be heard. The ADSR envelope of the filter The ADSR envelope consists of 4 different parameters: ARTURIA – Jup-8 V – USER MANUAL... -
Page 47: The Lfo
RATE Knob to set the speed of the LFO DELAY TIME Knob to set the delay time before the LFO becomes active WAVEFORM Switch the LFO’s waveform: o Sine o Saw tooth o Square o Random The LFO ARTURIA – Jup-8 V – USER MANUAL... -
Page 48: The Vco Modulator
ON / OFF switch (“VCO 2”) o ON / OFF switch (“VCF”) VCO level: Slider to set the intensity of the BEND modulation affecting the VCO (From 0 To +24 semi-tones / – 24 semi-tones). ARTURIA – Jup-8 V – USER MANUAL... -
Page 49: The Pitch Bend Wheel And Lfo Mod Button
LFO (« MOD «) are situated to the left side of the virtual keyboard. PITCH: This wheel controls the pitch bend of the two oscillators LFO MOD: Push Button to control LFO modulation The Pitch Bend wheel and the LFO mod button ARTURIA – Jup-8 V – USER MANUAL... -
Page 50: The Master Tune Section
The rate of the arpeggiator can be set on the left side of the LFO section (next to the general volume and LOWER / UPPER balance potentiometers). In the same area, you can also affect the MIDI synchronization for the arpeggiator rate (“EXT” position). ARTURIA – Jup-8 V – USER MANUAL... -
Page 51: The Keyboard Assign Section ("Assign Mode")
In DUAL and WHOLE modes, the HOLD function simultaneously affects both parts. Only the volume envelope will be used by the hold function. That allows you to bring life to the sound while keeping the envelope free for the filter. ARTURIA – Jup-8 V – USER MANUAL... -
Page 52: Play Mode Section The Play Modes Selection ("Key Mode")
VCF or the width of the VCO square waveform. Click on the “Modulations” tab, then, click on the “Sequencer” button to bring up the interface. ARTURIA – Jup-8 V – USER MANUAL... -
Page 53: The Transport
VCF low pass filter. This unit is comparable to the one that is located on the very famous TB303. The possibility to edit the attack time was added to the original unit to allow more flexibility. ARTURIA – Jup-8 V – USER MANUAL... -
Page 54: Edit The Sequence
LINK: Link the selected step with the following step, « Legato »). GLIDE: Place an effect of portamento between the selected step and the following step. ACCENT: Place an accent effect on the selected step. ARTURIA – Jup-8 V – USER MANUAL... -
Page 55: The Edit Section Of The Sequenceroutputs
Q: Quantification of the modulation settings by semitones. This parameter is essential to regulate the levels of each step for the creation of a melodic sequence RETRIG: Automatically place a «trig» envelope on all the steps. The connection section ARTURIA – Jup-8 V – USER MANUAL... -
Page 56: Galaxy
VCF Res: Resonance of the low pass filter VCA: Volume of the VCA A reset setting of the movements for the three LFO's by a played note is available by using the “RETRIG” button. The Galaxy module ARTURIA – Jup-8 V – USER MANUAL... -
Page 57: Voice Effects
KEY FOLLOW VELOCITY AFTERTOUCH ENVELOPE 1 ENVELOPE 2 GALAXY Y GALAXY X LFO SEQUENCER ARTURIA – Jup-8 V – USER MANUAL... -
Page 58: Distortion
KEY FOLLOW VELOCITY AFTERTOUCH ENVELOPE 1 ENVELOPE 2 GALAXY Y GALAXY X LFO SEQUENCER The “BYPASS” button deactivates the distortion effect. ARTURIA – Jup-8 V – USER MANUAL... -
Page 59: Parametric Eq
GAIN (G): Knob to set the gain for the band of the high frequencies DRY/WET: Knob to set the balance between the original signal and the output of the effect OUTPUT: Knob for the PARAM EQ‘s output volume. ARTURIA – Jup-8 V – USER MANUAL... -
Page 60: Phaser
OUTPUT: Knob for the volume of the output of the phaser. The “MOD” display allows accessing the modulation connections for each of the parameters of the PHASER as well as the choice of the sources of modulation: KEY FOLLOW VELOCITY ARTURIA – Jup-8 V – USER MANUAL... -
Page 61: Ring Mod
KEY FOLLOW VELOCITY AFTERTOUCH ENVELOPE 1 ENVELOPE 2 GALAXY Y GALAXY X LFO SEQUENCER The “BYPASS” button allows deactivating the RING MOD effect. ARTURIA – Jup-8 V – USER MANUAL... -
Page 62: Patch Effects
DRY/WET: Knob to set the balance between the original signal and the output of the effect OUTPUT: Knob to set the output volume of the chorus The “BYPASS” button allows deactivating the “CHORUS/ FLANGER” effect. ARTURIA – Jup-8 V – USER MANUAL... -
Page 63: Stereo Analog Delay
The “BYPASS” button allows deactivating the delay effect The “SYNC” button allows synchronize the delay to MIDI The “LINK” button allows linking of the left and right channel of the delay. Stereo Delay ARTURIA – Jup-8 V – USER MANUAL... -
Page 64: Reverb
SWEEP SYNC: Button allows activating the synchronization of the two modulation frequencies. INVERT: Button allows inverting the phase of the modulation frequencies BYPASS: Button allows deactivating the “DUAL PHASER” effect. ARTURIA – Jup-8 V – USER MANUAL... - Page 65 Dual Phaser ARTURIA – Jup-8 V – USER MANUAL...
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Page 66: End User License Agreement
1.4 If you do not approve these terms and conditions, please return the complete Product (including all written matter, packaging and similar material) to the dealer from whom it was originally bought within 14 (fourteen) days after the day of purchase. For purchases from the Arturia Online Store, please contact... - Page 67 The Licensee must register the Product to Arturia to get access to client support, and to activate his Product. (An internet connection is required to register and activate the...
- Page 68 The provided samples, instruments and presets can be used for commercial or non-commercial music and audio Productions without the prior permission from Arturia under the terms of this Agreement. The usage of this Product (in particular samples, instruments and presets) for the creation of a sound library or as a sound library for any kind of synthesizer, virtual instrument, sample library, sample-based Product or other musical instrument is strictly prohibited.
- Page 69 Licensee in this case. This warranty gives the Licensee specific legal rights, and the Licensee may also have other rights which vary from state to state. ARTURIA – Jup-8 V – USER MANUAL...