Electro-Voice N478 Specifications

General Product Description
The N/D478's acoustic response presents optimal performance in both a
live sound or studio environment.The new "vocally optimized bass" or
VOB ™ technology provides the instrumentalist with reduced resonant
distortion at low frequencies. Critical damping of the low frequency
resonant peak has resulted in a microphone that replaces the "muddiness"
found in competitive models with greater warmth and increased clarity.
The result is a exceptional performing instrument microphone with clean,
clear, consistent sound that "cuts through the mix."
• VOB ™ technology provides tailored bass response for controlled
"proximity effect" and exceptional sound clarity
• Excellent choice for micing acoustical or electrical instruments
whether in a live sound or studio environment
• Neodymium based magnet provides greater sensitivity and signal
to noise ratio
• Cardioid pattern for superior feedback rejection and acoustic isolation
• Warm Grip ™ handle for comfortable feel and lower handling noise
Operation
The low frequency response of the N/D478 microphone varies with the
distance from the sound source. Known as "proximity effect," maximum
bass response is produced in "close-up" use with the microphone 1/4 inch
from the sound source. Normal bass response is experienced with working
distances greater than 24 inches.Working close to the microphone will
produce a more robust sound. Close up positioning of the microphone
will also reduce the potential for feedback from the sound reinforcement
system.When close-miced, the bass-boost provides an increase in overall
microphone output level.The mixer gain may be proportionately reduced,
resulting in a reduction of the system's sensitivity to feedback caused by
sound entering the microphone from the loudspeakers.
Microphone Use and Placement
Please note that micing techniques are a matter of personal preference.
These are merely guidelines to assist in the placement of the microphone to gain optimal performance.
Usage
Electric Guitar and Bass Guitar Amplifier
Tom-Toms
Snare Drum
Cymbals
High-Hat
Brass
Acoustic Guitar
Instrumental Microphone
Optimal Placement
Place microphone approximately 1-2" from and at a 90° degree angle to the speaker cone.
To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move mic
from center of cone to either edge.
On double headed Toms place mic over the top of drum 1-3" and at a 45° angle to the drum
surface and 1-2" in from the drum edge. On single headed Toms use above method or place
mic inside Tom from underneath at a 90° angle from the center of head, 3-5", away.
Place mic 1-3" above the heads, 1-2" in from the rim. Aim each mic at the top heads angled
down about 45°. If the drum rings, tape deadening material to the head or use damping rings.
For more "snare" sound place a 2nd mic underneath aimed up at the bottom of head.
Place microphone one to two feet above the top of cymbals.
Place 5 inches above outside edge at a 45° down angle.
6-24" away, and on axis with the bell of the instrument.
Place mic 6-12" from where finger board joins the body.
N/D478
N / D Y M
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MICROPHONES
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