Electro-Voice N468 Specifications

General Product Description
Designed specifically for horns, drums, acoustical and electric guitars, the
N/D468 provides a smooth, natural sound, capturing the excitement of
the instrument.The supercardioid pattern provides superior rejection and
acoustic isolation in any application. An innovative EV design harnesses
the increased power of a neodymium based magnet design, allowing a
large-diameter voice coil (up to 50% larger than other mics) for
dynamic, efficient microphone performance. N/DYM
and clarity to "cut through the mix."Whatever your instrument
application the N/D468 is sure to be a top performer.
• Designed specifically for musical instruments
Flexible mechanical design for optimum positioning
• Supercardioid pattern for exceptional acoustic isolation and
feedback rejection
• Accurate response, even in high sound pressure levels (SPL)
• Rugged steel construction for exceptional durability
Operation
The low frequency response of the N/D468 microphone varies with the
distance from the sound source. Known as "proximity effect," maximum
bass response is produced in "close-up" use with the microphone
1/4 inch from the sound source. Normal bass response is experienced
with working distances greater than 24 inches.Working close to the
microphone will produce a more robust sound. Close up positioning of
the microphone will also reduce the potential for feedback from the
sound reinforcement system.When close-miced, the bass-boost provides
an increase in overall microphone output level.The mixer gain may be
proportionately reduced, resulting in a reduction of the system's
sensitivity to feedback caused by sound entering the microphone from
the loudspeakers.
Microphone Use and Placement
Please note that micing techniques are a matter of personal preference.
These are merely guidelines to assist in the placement of the microphone to gain optimal performance.
Usage
Electric Guitar and Bass Guitar Amplifier
Tom-Toms
Snare Drum
Cymbals
High-Hat
Brass
Acoustic Guitar
Instrumental Microphone
® offers the power
Optimal Placement
Place microphone approximately 1-2" from and at a 90° degree angle to the speaker cone.
To reduce boominess, move the microphone off axis to the cone from 90° to 45°, or move mic
from center of cone to either edge.
On double headed Toms place mic over the top of drum 1-3" and at a 45° angle to the drum
surface and 1-2" in from the drum edge. On single headed Toms use above method or place
mic inside Tom from underneath at a 90° angle from the center of head, 3-5", away.
Place mic 1-3" above the heads, 1-2" in from the rim. Aim each mic at the top heads angled
down about 45°. If the drum rings, tape deadening material to the head or use damping rings.
For more "snare" sound place a 2nd mic underneath aimed up at the bottom of head.
Place microphone one to two feet above the top of cymbals.
Place 5 inches above outside edge at a 45° down angle.
6-24" away, and on axis with the bell of the instrument.
Place mic 6-12" from where finger board joins the body.
N/D468
N / D Y M
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MICROPHONES
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