Mackie SRM450v3 Owner's Manual page 6

Hookup Diagrams continued...
In this example, an SRM1850 subwoofer and additional SRM450v3 loudspeaker have been added
to the mix, giving our sound system some extra beef. It is a perfect setup for a small club.
Here, the L/R outputs of a ProFX8 mixer are connected directly to the channel A and B inputs of a single
SRM1850 subwoofer. Set the gain to "U".
The channel A and B high pass outputs of the SRM1850 subwoofer are connected directly to the channel
1 inputs of each SRM450v3 loudspeaker. Be sure that the gain knob on each is set to "line". Select the
VAR high pass mode on the SRM1850 and turn the adjacent knob to120 Hz for a matched system.
SRMv3 loudspeakers are also perfect for use as stage monitors. Simply connect a cable from each aux
send to the channel 1 input of each SRMv3 loudspeaker used as a monitor. It's a good idea to use the
Feedback Destroyer here.
For the output, you will want to set a speaker mode, described in detail on page 11. For this type
of setup, we recommend selecting the PA speaker mode for live sound on your SRMv3 loudspeakers.
If using any SRMv3 loudspeakers as monitors, select the monitor speaker mode.
6
SRM350v3 and SRM450v3 Powered Loudspeakers
SPEAKER FEEDBACK
MODE DESTROYER MAIN
LIMIT
PA 1 ON ON
OFF
DJ 2
MON 3
SOLO HOLD TO LOGO
4 CLEAR
SIG/OL SIG/OL R L
GAIN GAIN
U U
LINE MIC LINE MIC
OFF MAX OFF MAX
CH 1
MIX
MIC MIC
POWER
LINE LINE 1
ON HI-Z HI-Z
OFF
LINE/HI-Z IN 1 LINE IN 2
INSERT INSERT
U U
POWER CONSUMPTION 160W
SET LEVEL
U +50 U +50
-20dB +30dB -20dB
GAIN GAIN
LOW CUT 100 Hz 100 Hz LOW CUT
U EQ U
HI
12kHz
-15 +15 -15 +15
U U
MID
2.5kHz
-15 +15 -15 +15
U U
LOW
80Hz
-15 +15 -15 +15
U AUX U
MON
+15 +15
O O U O O U
FX
+15 +15
O O O O
PAN
L R L R
MUTE
OL OL
1
dB dB
10 10
5 5
U U
5 5
10 10
20 20
30 30
40 40
50 50
60 60
O O O O
Small Club System
SPEAKER FEEDBACK
MAIN
MODE DESTROYER
LIMIT
PA 1 ON
ON
OFF
DJ 2
MON
3
HOLD TO LOGO
SOLO 4
CLEAR
R L
SIG/OL SIG/OL
GAIN
GAIN
U U
LINE MIC LINE MIC
OFF MAX OFF MAX
MIC MIC (UNBALANCED)
L L
TAPE TAPE
IN OUT
R R
PROFESSIONAL MIC/LINE MIXER WITH FX
2 3/4 5/6 7/8
(MONO) (MONO) (MONO) (MONO)
BAL / L L L L BAL / L
UNBAL UNBAL
BAL / BAL / BAL / BAL / BAL /
LINE IN 3 UNBAL LINE IN 5 UNBAL LINE IN 7 UNBAL UNBAL MON SEND UNBAL FOOTSWITCH
BAL /
R R R R UNBAL R
LINE IN 4 LINE IN 6 LINE IN 8 ST RETURN FX SEND MAIN OUT PHONES
STEREO GRAPHIC EQ
U
LEVEL SET LEVEL SET LEVEL SET
15 15 48V
10 10
+30dB U +50 U +50 -20 +20 5 5 PHANTOM SRM
GAIN GAIN GAIN POWER
0 0 550
100 Hz LOW CUT LOW CUT 100Hz
5 5
POWER
EQ U EQ U EQ U EQ 10 10
HI HI HI HI 15 15 MAIN SRM
12kHz 12kHz 12kHz 12kHz METERS
-15 +15 -15 +15 -15 +15 125 250 500 1K 2K 4K 8K 0dB=0dBu 650
U U U
OL
MON MAIN MIX BYPASS EQ IN 15
MID MID MID MID
2.5kHz 2.5kHz 2.5kHz 2.5kHz 10
-15 +15 -15 +15 -15 +15 6 VAR
U U U 3
USB
LOW LOW LOW LOW FX PRESETS 0
80Hz 80Hz 80Hz 80Hz 2
01 BRIGHT ROOM
-15 +15 -15 +15 -15 +15 02 WARM LOUNGE U 4
03 SMALL STAGE 7
AUX U AUX U AUX U AUX 04 WARM THEATER 10
05 WARM HALL
06 CONCERT HALL 20
MON MON MON MON 07 PLATE REVERB +20 30
09 CHORUS 08 CATHEDRAL INPUT LEVEL O O L R
+15 +15 +15 10 CHORUS + REV
O O U O O U O O U 11 DOUBLER PRESETS
12 TAPE SLAP
13 DELAY 1 (300ms)
FX FX FX FX 14 DELAY 2 (380ms) MUTE
15 DELAY 3 (480ms)
+15 +15 +15 16 REVERB + DLY (250ms) USB THRU BREAK
O O O O O O (MUTES ALL CHANNELS)
PAN PAN PAN PAN U U U
OL
+15 +15
L R L R L R FX MASTER O O FX TO MON O O PHONES O O MAX TAPE LEVEL O O +20
MON MAIN
MUTE MUTE MUTE MUTE MUTE
OL OL OL OL
2 3/4 5/6 7/8 ST RTN FX RTN
dB dB dB dB dB dB dB
10 10 10 10 10 10 10
5 5 5 5 5 5 5
U U U U U U U
5 5 5 5 5 5 5
10 10 10 10 10 10 10
20 20 20 20 20 20 20
30 30 30 30 30 30 30
40 40 40 40 40 40 40
50 50 50 50 50 50 50
60 60 60 60 60 60 60
O O O O O O O O O O O O O O
SRM 550
SRM 650
VAR
POWER CONSUMPTION 200W
SPEAKER FEEDBACK
MODE DESTROYER MAIN
LIMIT
PA 1 ON ON
OFF
DJ 2
MON 3
SOLO HOLD TO LOGO
4 CLEAR
SIG/OL SIG/OL R L
GAIN GAIN
U U
LINE MIC LINE MIC
OFF MAX OFF MAX
CH 1
MIX
POWER
ON
OFF
POWER CONSUMPTION 160W