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VARIOUS REGULATORY AGENCIES REQUIRE THAT WE BRING THE FOLLOWING INFORMATION TO YOUR ATTENTION. PLEASE READ IT CAREFULLY. WARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. CAUTION; TO PREVENT ELECTRIC SHOCK DO NOT USE THE POLARIZED PLUG ON THIS UNIT WITH AN EXTENSION CORD, RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE.
Contents Your MAC 4200 Receiver will give you many years of satisfactory performance. If you have any questions, please contact: INTRODUCTION INSTALLATION CUSTOMER SERVICE HOW TO CONNECT 5, 6, 7, 8 Mclntosh Laboratory Inc. 9, 10, 11, FRONT PANEL CONTROLS...
The Mclntosh MAC 4200 is a high quality, FM/AM Stereo ditional tape recorder may be connected to the Receiver whose design has been governed by insistence MAC 4200 without disconnecting your regular system. on high performance with long life, great flexibility and The MAC 4200 switching circuits allow the AC power to sensitivity.
The MAC 4200 may be used on a shelf or table top in cover edges of the panel cutout. Lock the unit in place with a screw and washer inserted through the drilled hole the enclosure in which it comes or may be installed in a in the mounting shelf (see Fig.
HOW TO CONNECT TAPE RECORDERS TO RECORD: HOW TO CONNECT LOUDSPEAKERS Connect a cable from the MAC 4200 L TAPE 1 OUT jack Rear panel push connectors are provided for three pairs to the left high level input of a tape recorder. Connect a of stereo speakers.
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HOW TO CONNECT AC POWER results will be obtained with a highly directional FM A polarized AC plug is used on the MAC 4200. Plug it antenna used in conjunction with a rotator. If the antenna into a 120 volt 60 Hz wall outlet. The plug blades must...
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The PREAMP OUT jacks are affected by the VOLUME, EQUALIZER, BALANCE and LOUDNESS con- trols. Both the MAC 4200 amplifier and the additional amplifier will be fed from the preamplifier. If the MAC 4200 amplifier is not going to be used, insert a pair of non-shorting phono plugs in the POWER AMP IN jacks to disconnect it from the preamplifier output.
INPUT SELECTOR Use the six position INPUT SELECTOR switch to select the program source to which you wish to listen. The pro- gram selected will also be fed to the TAPE OUT jacks. TV/AU1: To listen to any high level source such as a TV monitor or tape recorder.
USING THE PUSHBUTTONS TAPE PUSHBUTTONS: The MAC 4200 is designed so it may be used with two tape recorders. Four TAPE pushbuttons control the signal inputs and outputs of the tape recorders. Recordings can be monitored as they are being recorded. Tapes can also be copied from one recorder to another while listening to a different program source.
MONO The MONO pushbutton switches the audio output of the receiver from stereo mode to MONO. When the IN- PUT SELECTOR is in the FM position and tuned to a stereo broadcast the FM MPX light will remain on regardless of the position of the MONO pushbutton.
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response is electrically flat. As the control is turned clockwise, both bass and treble frequencies increase in the correct proportion to each other. The contour is not affected by different settings of the VOLUME control. VOLUME The VOLUME control is a precision step control manufactured for Mclntosh Laboratory.
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been charged. The charge rate is dictated by the time the receiver is turned 'on' without regard to the mode of operation. For instance the batteries will charge should you wish to play records, or tape on FM. To bring the batteries to full charge, operate for twenty-four con- tinuous hours.
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SIGNAL/TUNING INDICATOR The SIGNAL/TUNING indicator is to the right of the sta- tion display area. The vertical column of LED indicators show the relative signal strength of an AM or FM station being received. The greater the number of dots il- luminated, the greater the received station's signal strength.
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POWER GUARD* POWER GUARD* assures that the amplifier can not be overdriven so amplifier output clipping is eliminated. Clipping is caused when the amplifier is asked to produce more power output than it can deliver with low distor- tion. Amplifiers are capable of delivering large quantities of power when they are driven to clipping and can have more than 40% harmonic distortion.
Mclntosh instrument. We pro- Tape: 250 mV with rated input mise you that when you purchase a new MAC 4200 from Phono: 250 mV with rated input a Mclntosh franchised dealer, it will be capable of or can...
AM SECTION SENSITIVITY 75µV IMF (External antenna) SIGNAL TO NOISE RATIO 50 dB at 30% modulation, 60 dB at 100% modulation HARMONIC DISTORTION 1% maximum at 30% modulation (0.3% typical) FREQUENCY RESPONSE -6 dB, at 3500 Hz ADJACENT CHANNEL SELECTIVITY 30 dB minimum IHF IMAGE REJECTION 60 dB minimum, 540 kHz 1600 kHz...
FM HARMONIC DISTORTION, 100% MODULATION 0.15 0.05 FREQUENCY IN HERTZ INTERMODULATION DISTORTION VS. POWER OUTPUT 8 OHM OUTPUT INPUT FREQUENCIES 60 Hz AND 7 kH7 INPUT RATIO: 4.1 POWER OUTPUT IN EQUIVALENT AVERAGE WATTS 0.02% THD POWER BANDWIDTH BOTH CHANNELS OPERATING HARMONIC DISTORTION VS POWER OUTPUT RL = 8 OHMS, BOTH CHANNELS OPERATING 0.10...
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FREQUENCY RESPONSE OF EQUALIZER FREQUENCY CONTROLS SET AT MAXIMUM AND MINIMUM FREQUENCY IN HERTZ OUTPUT SIGNAL WAVEFORM SHOWING ACTION FM PERFORMANCE, 98 MHz 1kHz MODULATION OF POWER GUARD TO ELIMINATE OUTPUT SIGNAL CLIPPING. POWER AMPLIFIER INPUT IS OVERDRIVEN BY 20 dB FOR BOTH OSCILLOGRAM TRACES. Time INPUT LEVEL IN dBF FM FREQUENCY RESPONSE...
All power transistors have limits for the maximum source impedance is 200 ohms, designed to operate into amount of heat they can tolerate. The MAC 4200 uses a a load impedance of 10,000 ohms or greater. highly efficient amplifying circuit which produces relatively little heat for the output power produced.
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Mclntosh amplifiers, assures that each channel of the POWER SUPPLY MAC 4200 will deliver full power free of clipping distor- Two high current power supplies, a positive 48 volt and tion. Clipping is caused when an amplifier is asked to pro-...
Compact Discs have been proclaimed to have a large in- "... Mclntosh is crease in "dynamic range". Dynamic range is the ratio, usually given in decibels, between the softest, quietest one of a kind sound on the disc and the loudest. Most Compact Discs claim a dynamic range in excess of 90 decibels.