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<Example - 1: Using the PH-100 as a cue box >
The following figure shows the example of using PH-100s as cue boxes for recording.
Each PH-100 is installed in each booth of a recording studio. Musicians in each booth can monitor the sound
with the desired balance between signals from the [INPUT] and [AUX IN] jacks by adjusting the [INPUT] and [AUX
IN] controls on the front panel.
<Example - 2: Using an individual talkback monitor facility>
The following figure shows the example of using an individual talkback monitor facility of the PH-100.
By connecting each [CHANNEL IN] jack to an individual cue output of the mixing console which can send a
talkback signal, you can send talkback to an individual musician.
Application Examples
CUE OUT #1
MIXER
CUE OUT #2
AUX IN
1
5
2
5
3
5
4
5
5
5
6
5
7
5
8
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
PHONES
AUX IN
1
5
2
5
3
5
4
5
5
5
6
5
7
5
8
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
PHONES
INPUT
CHANNEL IN
5
4
3
2
10
9
8
7
AC IN
PHONES (PRIORITY TO "FRONT PHONES" OUTPUT)
1
5
2
5
3
5
4
5
5
5
6
5
0
10
0
0
10
0
10
0
10
0
10
PHONES
5
MON OUT
INPUT
5
9
5
10
5
5
AUX IN
PH-100
HEADPHONE AMP DISTRIBUTOR
10
0
0
10
0
10
10
PEAK
5
CAL
ST
MONO
0
10
POWER
INPUT
INPUT
5
9
5
10
5
5
AUX IN
PH-100
HEADPHONE AMP DISTRIBUTOR
10
0
10
0
10
0
10
PEAK
5
CAL
ST
MONO
0
10
POWER
INPUT
MIXER
MON OUT
CUE OUT
L
5
4
3
L/MONO
L/MONO
1
2
1
+4dBu
-10dBV
R
10
9
8
7
6
R
R
6
CASCADE
AUX IN
INPUT
CHANNEL IN (-10dBV)
INPUT L
OUT (-10dBV)
(-10dBV)
(-10dBV)
7
5
8
5
9
10
5
5
5
AUX IN
10
0
10
0
10
0
0
10
0
10
10
PEAK
5
CAL
ST
MONO
0
10
INPUT
Model PH-100
INPUT
XLR
PHONE
HOT
2
T
+4dBu
3
COLD
R
GND
1
S
-10dBV
INPUT R
PH-100
HEADPHONE AMP DISTRIBUTOR
POWER
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