Korg MMT microKORG XL+ Owner's Manual page 49

FREQ (Frequency) ...........................................................[0.01...100.0Hz]
Specifies the frequency of the LFO. Increasing this value will result in a
faster frequency.
This parameter will be displayed and can be set only if "BPM SYNC" is
NOTE
OFF.
SYNC.NOTE........................................................................... [8/1...1/64]
This specifies the ratio of the LFO frequency relative to the tempo specified
by the [TEMPO] knob. The specified value (note value) corresponds to one
cycle. For example if this is set to 1/4, one cycle of the LFO will occupy one
beat. If this is set to 3/4, one cycle of the LFO will occupy three beats.
This parameter will be displayed and can be set only if "BPM SYNC" is
NOTE
ON.
PATCH 1, PATCH 2, PATCH 3, PATCH 4, PATCH 5,
PATCH 6
To let you create even more sophisticated sounds, the microKORG XL+
provides six virtual patches. Each patch consists of three parameters: the
source of the modulation ("SOURCE"), the destination to which that modu-
lation will apply ("DEST"), and the intensity of that modulation effect
("INTENSITY"). You can produce a variety of changes in the sound by com-
bining these parameters. For example by setting "SOURCE" to LFO2,
"DEST" to CUTOFF1, and specifying the amount of effect using "INTEN-
SITY," you can produce a cyclic change in tone (wah effect) produced by
LFO2.
Virtual Patch
On modular analog synthesizers, the input or output of each module (oscil-
lator, filter, amp, EG, LFO, and other controllers) could be connected
("patched") by a patch cord to any other module as desired, allowing you a
great deal of freedom in creating the sound. The Korg MS Series (MS-20,
MS-50, MS-10, etc.) went on sale in 1978 and featured this type of patch-
ing. The microKORG XL+ lets you perform this patching "virtually" (i.e.,
without using physical patch cords), so you can assign sources such as EG
or LFO to the most important parameters (destinations).
SOURCE............................................................................ [EG1...MIDI3]
Selects a modulation source.
EG1, EG2, EG3 EG1, EG2, or EG3.
LFO1, LFO2 LFO1 or LFO2.
VELOCITY Keyboard velocity (playing dynamics).
P.BEND Pitch bend.
MOD.WHEEL Modulation wheel.
Keyboard tracking (position).
NOTE
KEY TRK
The function specified for the MIDI.CTRL
MIDI1, MIDI2, MIDI3
page parameters "MIDI1," "MIDI2," or "MIDI3."
DEST (Destination).........................................................[PITCH...P.INT6]
Selects the parameter (destination) that will be controlled by the modula-
tion. For example if you select Tune, modulation will be applied to the over-
all pitch of the timbre.
PITCH
OSC2.TUNE
OSC1 C1
OSC1 LVL
OSC2 LVL
NOISE.LVL
FILT1.BAL
CUTOFF1
RESO1
CUTOFF2
WS DEPTH
LEVEL
PANPOT
LFO1.FREQ
LFO2.FREQ
PORTMNTO
OSC1 C2
EG1 INT1
KEY TRK1
RESO2
Parameter Guide
Keyboard tracking works according to
the pitch as controlled by pitch bend,
transpose, and modulation sequencer.
It does not reflect pitch changes pro-
duced by vibrato or virtual patching.
The pitch of the entire timbre.
The OSC2 page "TUNE".
The OSC1 page "C1". ( p. 36)
The MIXER page "OSC1 LVL".
The MIXER page "OSC2 LVL".
The MIXER page "NOISE.LVL".
The FILTER1 page "TYPE BAL".
The FILTER1 page "CUTOFF".
The FILTER1 page "RESO".
The FILTER2 page "CUTOFF".
The DRIVE/WS page "DEPTH".
The AMP page "LEVEL".
The AMP page "PANPOT".
The LFO1 page "FREQ".
The LFO2 page "FREQ".
The PITCH page "PORTMNTO".
The OSC1 page "C2". ( p. 36)
The FILTER1 page "EG1 INT".
The FILTER1 page "KEY TRK".
The FILTER2 page "RESO".
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