Sony BRAVIA KDL-40Z4100 Operating Instructions Manual page 23

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PICTURE
Press repeatedly to cycle thwugh the available picture modes:
Vivid, Standard, Cinema, Custom, Photo-Vivid,
Photo-Standard, Photo-Original, Photo-Custom,
Video, Text. (Awfilable options depend on the current mode.)
The picture modes can also be accessed in the
Picture
settings. For details, see
Picture
settings on page 42.
[] FREEZE Press once to display a frozen image with the current program
in a window. Press again to fill the screen with the frozen
image. Press a third time to return to the current program.
[] CC
[] INPUT
[] tl!ll"l.
®
[] OPTIONS
Current Frozen
program picture
Press the t/it/l"tl" to move the small window showing
current program to a different location on the screen.
• With the Freeze feature active, some features are unavailable.
• While the Freeze feature is active, pressing HOME will
deactivate Freeze and display the XMB_x_.
Press to cycle through the available settings ti>r Closed
Captions (CC): On, Off, and On with Muting.
Press to display the list of External Inputs and TV mode.
Press repeatedly to toggle through the inputs.
• See page 51 on setting up the
External Inputs
labels.
Press It/!/l./* to move focus/highlight. Press @ to select/
confirnl an item.
Press to display a list of convenient functions and menu
shortcuts. The OPTIONS menu items vary based on
current input and content.
Picture Adjustments See page 42
Sound Adjustments See page 44
P&P or PIP
Exit P&P or Exit PIP
Speakers
Audio Swap
Screen
Add to Favorites/
Remove from Favorites
MTS
Alternate Audio
Digital Rating
Background TV
Motion Enhancer
Device Control
Device Control (Menn) for
DMPORT
Photo
Music
See page 38
See page 38
See page 45
See page 38
See page 46
See page 29
See page 45
See page 45
See page 49
See page 30
See page 43
See page 51
See page 37
See page 31
See page 33
• The Digital Rating and Alternate Audio options will
appear in Options only when digital ratings or alternate
audio streams are available in the currently tuned digital
program.
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