Mackie SR324-4 User Manual

SOUND REINFORCEMENT CONSOLES
The SR24•4 and SR32•4
do for live sound what
Mackie's already done for
studio recording. Like our
acclaimed 8•Bus series,
these professional grade
mixing consoles were built
to deliver the same kind of
useful features and pro
specifications as those found
on "bigger boards. " And to
stand up to continuous,
24-hr.-a-day use.
Many of today's large
hotels, convention centers,
theaters and places of wor-
ship require mixers that can
handle advanced sound
reinforcement. At the same
time, they need to be por-
table and compact enough
to move around, flexible
enough to work in a variety
of applications, and be easy
to use. Of course, they must
be affordable. The SR24•4 &
32•4 mixing consoles are all
that. And they feature the
same high headroom
and ultra-low noise
components and cir-
cuitry as our 8•Bus
series, with many of the
same features.
24 or 32 in, 4 x 2 x 1 out.
The SR Series mixers are
true 4-bus consoles. Any
channel can be assigned
to any bus (or directly to
the main mix), and each
bus can be assigned to
the main L/R or mono
mixes, or fed out directly to,
for instance, an 8-track re-
corder. The SR24•4 and 32•4
each have 6 aux sends,
3-band EQ with sweepable
mids, and Mackie's unique
"AIR" EQ circuit.
At a price that belies their
durability and features, the
SR24•4 and 32•4 are easily
affordable workhorses that'll
be as welcome as live mix-
ing consoles as they are in a
recording studio.
Durability. A word
Mackie lives by.
The SR Series of mixing
consoles can take just about
any kind of punishment.
They're built like tanks. Be-
cause we knew they would
be moved around and used
as both live and recording
consoles, we made them to
stand up to continuous duty.
Not only can they take active
abuse — they're as rugged as
anything Mackie makes —
the SR24•4 and 32•4's
insides are made to stand up
to more passive problems.
MORE INFORMATION
SR32•4/SR24•4
ARCHITECTS' AND
ENGINEERS'
SPECIFICATIONS
"IN YOUR FACE"
ALL-PRODUCT BROCHURE
FEATURES
Fast, easy, accurate
level-setting via Solo
4 Submix Buses
8•Bus-style mic preamps
with –129.5dBm
"Double-Bussed" sub
outs for 8-tk. recording
6 aux sends available
at all times
Globally-switchable
AFL/PFL
3 Band EQ on mono chs.:
• 80Hz Lo Shelving
• Sweepable, 100Hz to
8kHz Mid
• 12kHz Hi Shelving
AIR EQ Circuit for Extra
Sheen
Very Low Impedance (VLZ)
circuitry for low noise
Trim Control on each
channel for wide gain
range
Balanced Inputs and
Outputs
Tape Return to Main Mix
Mono Out with level
control
®