Adobe PREMIERE PRO 4.0 Help Manual page 169

Adobe Premiere Pro Help
Using Help | Contents
Understanding how Adobe Premiere Pro applies audio settings
When you import video or audio, Adobe Premiere Pro first conforms its audio to the audio
settings specified in the New Project dialog box when the project was created; see
"Conforming audio" on page
audio in the following order, from first to last:
1 Gain adjustments applied to clips by using the Clip > Audio Options > Audio Gain
command.
2 Effects applied to clips.
3 Track settings are processed in the following order: Pre-fader effects, pre-fader sends,
mute, fader, meter, post-fader effects, post-fader sends, and then pan/balance position.
4 Track output volume from left to right in the Audio Mixer window, from audio tracks to
submix tracks, ending at the Master track.
Note: The default signal path can be modified by sends (see
by changing a track's output setting (see
Working with the Audio Mixer window
In the Audio Mixer window, you can adjust settings while listening to audio tracks and
viewing video tracks. Each Audio Mixer track corresponds to a track in the Timeline
window of the active sequence and displays the Timeline window's audio tracks in an
audio console layout. Each track is labeled near the top of the Audio Mixer window, and
you can rename a track by double-clicking its name. You can also use the Audio Mixer
window to record audio directly into a sequence's tracks (see
on page 79).
Using Help | Contents
| Index
192. As you edit sequences, Adobe Premiere Pro processes
"Routing track output" on page
| Index
Mixing Audio
Back
"Using sends" on page
183).
"Capturing analog audio"
Back
173
188) or
173