Microphone; Microphone Basics; The Proximity Effect - VocoPro STUDIO-C1 Owner's Manual

Microphone Descriptions and Controls

Microphone

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Microphone Basics

The STUDIO-C1's ability to pick-up extremely high and low frequencies makes it an excellent choice for use in the recording studio as well as on-stage.
In either case, we have provided a few tips to help get the best performance out of your STUDIO-C1.
Understanding the Proximity Effect and How It Is Used
The Proximity Effect is a resulting boost to the low-frequency range of sounds that occur with the close-up use of microphones designed with a uni-
directional polar pattern as with the STUDIO-C1. Occurring when the sound source is less than a ¼" from the microphone capsule, the boost is
generated mostly in the 100Hz range by 6dB to 10dB. Simply out, when a sound source is less than a ¼" from the microphone, the sound will be
boosted with a stronger and richer bass tone than if the sound source was farther away from the microphone.
While the proximity effect can intentionally be used as an advantage to enhance ones voice, it can also unintentionally be used as a disadvantage by
mudding up ones voice. To avoid a lessened sound quality when using the proximity effect, keep these tips in mind:
Always try to use available EQ or tone controls on external equipment to enhance a sound first.
If trying it for the first time, try it in a small room with moderately low volume and no tone or effects adjustments. If it doesn't good to you, it most likely
won't to others as well.
Do not try to enhance a sound source without performing a sound check at the location prior.
Do not rely on the proximity effect to "change" a persons voice. Rather use it to enhance one's voice.
Avoid the proximity effect in environments with excessive reverb, (cathedrals, school gymnasiums, large dancehalls etc).
Try to avoid the proximity effect when connected to high-output amplifiers and loudspeakers.
Remember that when speaking into a microphone, plosive words can generate loud pops which will also be boosted by the proximity effect leading to
a possible threat to external sound equipment.
1. GRILL: This reinforced metal grill protects the internal condenser
assembly and is the location where sound sources should be directed for
pickup.
NOTE: The STUDIO-C1's polar pattern allows for a stronger signal pickup
when the side of the grill with the ON/OFF button is pointed to the sound
source.
2. ON/OFF switch: This switch turns the STUDIO-C1 ON and OFF.
3. XLR jack: This is where the XLR plug from a microphone cable connects
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to STUDIO-C1. The exterior of this XLR jack is threaded for connection to
the supplied shock mount.
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