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D X - 1 1 2 / 2 1 2 D i g ita l G u ita r A m p l i f i e r
Model Name
Top Mount
High Power
Studio Tweed Fender Deluxe 5E3
Black Face
Large Tweed
60s Era UK
70s Era UK
Fuzzbox
Tube Rectifier Mesa-Boogie Dual Rectifier
Calif Mod
Ampeg VL
Flexwave
Vintage Club
Blue Voodoo
Acoustic
Clean
Great user manuals database on
Modeled After the...
Vox AC 30
Hi Watt DR
Fender Deluxe Reverb AA763 The classic tube amp – one of the first amps with reverb, a mid-60's sta-
Fender Bassman 5F6-A
Marshall 1959
Marshall JCM 800
Dallas-Arbiter Fuzz Face
Mesa-Boogie Mark IIC+
Ampeg VL-501
Crate GX-140C
Crate VC-60
Crate BV-60
Boss AC-1 Acoustic Simulator Makes your electric guitar sound like an acoustic
Crate GX-140C
A l l - i m p o r t a n t , l e g a l , " c o v e r - o u r - r e a r - e n d s " b l u r b !
Vox, Hi Watt, Fender, Marshall, Dallas-Arbiter, Mesa-Boogie, Boss, and the names of their respective products are all trademarks of their
respective companies, and have no affiliation with Crate and/or SLM Electronics, or with the DX-112/212 amplifier. These companies and
their products are acknowledged herein because we listened to their stuff and modeled some of their sounds into our amplifier.
Also, the above descriptions are paraphrased synopses of many of our own experiences with the amplifiers, along with information from the
UserManuals.info
Brief Description
Bright with a great clean sound at low gain, distorts smoothly at high gain
settings – an early 60's amp with lots of 2nd and 3rd order harmonics,
favored by the Beatles for the rhythm and lead tracks in their early days
An early 60's "upmarket" alternative to the popular Marshall amp – loud-
er and cleaner than most
The sound from which Rock 'n' Roll was born – Fender's early 50's claim
to fame
ple to the rock and roll diet (considered by some to be one of the best
amps ever made)
Originally designed for bass, favored by guitarists for its big sound – a late
50's classic
The renowned "brown sound" – a softer, smoother Marshall than the
more modern creations
The sound of ROCK! – loud and powerful with a definitive edge
Jimi would be proud – the classic stomp box distortion of his day
Barre chord Heaven – the beginning of the modern high-gain amp era
Tons of overdrive and sustain; the sound of Santana! – the hot-rodded
powerhouse Simul-Class amplifier
A hot-rodded Marshall-style amp – powerful, lots of distortion and multi-
ple gain stages
The massively overdriven, solid state Crate sound preferred by Metal-
Heads everywhere – a solid-state competitor for most classic tube amps
due to Crate's proprietary FlexWave circuitry
A unique combination of both modern high-gain and classic tube amps
– bringing back the "vintage" sound of the early days of rock
Awesome modern high-gain tone – smooth, clean, and powerful
Clean Jazz sound – just enough of a an edge to get your message across
"The Tube Amp Book, 4th Edition."
12
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