Mackie BEDIENUNGSANLEITUNG HD1221 Bedienungsanleitung page 6

2-wege high-definition aktivbox
Hide thumbs Also See for BEDIENUNGSANLEITUNG HD1221:
Table of Contents

Advertisement

Mackie HD1221 powered loudspeakers strewn across the stage in monitor position
LEFT/RIGHT MAIN OUTS to house PA
(Mackie HD1801 Power Subwoofers and
Mackie HD1531 Powered Loudspeakers
not shown, but that would be a great setup!)
Das ist das perfekte Setup, um die HD1221 als leistungsstarke, professionelle Bühnenmonitore zu nutzen. Das
Setup könnte in lokalen Clubs, auf Festival-Bühnen, in Kirchen usw. Anwendung finden.
In diesem Beispiel versorgen AUX SEND 1-3 eines Mixers die MAIN INPUTS von drei Mackie HD1221
Aktivboxen, die über die Bühnenfront als Monitore für die Band verteilt sind. Zusätzlich ist eine vierte Mackie
HD1221 Aktivbox über die LOOP OUT XLR-Buchse von einer der anderen HD1221 durchgeschleift, wodurch
man das Signal eines AUX SENDs an zwei Monitoren anliegen hat. Auf Seite 15 („Anhang B: Verbindungen")
finden Sie Details über das Durchschleifen von Boxen.
Der rechte und der linke Main-Out des selben Mixers sind mit den MAIN INPUTS der PA verbunden. Auf
der vorherigen Seite („HD1221: 3-Wege-System mit Aktiv-Subwoofern") sehen Sie, wie der Mixer an die PA
angeschlossen wird.
6
HD1221
Power
Cord
1
2
3
4
5
6
7
8
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
U
U
U
U
U
U
U
U
0
60
0
60
0
60
0
60
0
60
0
60
0
60
0
60
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
PAD
PAD
PAD
PAD
PAD
PAD
PAD
PAD
-20dB
-20dB
-20dB
-20dB
-20dB
-20dB
-20dB
-20dB
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
+15
+15
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
O O
O O
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
+15
+15
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
O O
O O
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
+15
+15
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
O O
O O
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
U
U
U
U
U
U
U
U
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
U
U
U
U
U
U
U
U
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
800
800
800
800
800
800
800
800
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
U
U
U
U
U
U
U
U
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
1
2
3
4
5
6
7
8
dB
dB
dB
dB
dB
dB
dB
dB
10
10
10
10
10
10
10
10
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
40
40
40
40
40
40
40
40
50
50
50
50
50
50
50
50
60
60
60
60
60
60
60
60
O O
O O
O O
O O
O O
O O
O O
O O
(Mackie 2404-VLZ3 shown)
HD1221: MONITOR-SETUP
Power
Cord
9
10
11
12
13
14
15
16
17
18
19
20
21/22
23/24
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
U
U
U
U
U
U
U
U
U
U
U
U
U
U
0
60
0
60
0
60
0
60
0
60
0
60
0
60
0
60
0
60
0
60
0
60
0
60
-20
+20
-20
+20
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
+15dB
-45dB
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
LOW CUT
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
100 Hz
FX 1
FX 2
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
PAD
PAD
PAD
PAD
PAD
PAD
PAD
PAD
USB
-20dB
-20dB
-20dB
-20dB
-20dB
-20dB
-20dB
-20dB
OFF
MAX
OFF
MAX
OFF
MAX
OFF
MAX
COMP
COMP
COMP
COMP
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
1
U
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
2
U
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
U
3
U
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
O O
+15
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
U
4
U
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
5
U
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
FX1
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
6
U
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
FX2
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
+15
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
INT FX
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
AUX 5/6
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
U
U
U
U
U
U
U
U
U
U
U
U
U
U
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
U
U
U
U
U
U
U
U
U
U
U
U
U
U
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15 +15
-15 +15
800
800
800
800
800
800
800
800
800
800
800
800
U
U
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
200
2k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
100
8k
-15 +15
-15 +15
U
U
U
U
U
U
U
U
U
U
U
U
U
U
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
-15 +15
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
BAL
BAL
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
9
10
11
12
13
14
15
16
17
18
19
20
21/22
23/24
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
10
10
10
10
10
10
10
10
10
10
10
10
10
10
5
5
5
5
5
5
5
5
5
5
5
5
5
5
U
U
U
U
U
U
U
U
U
U
U
U
U
U
5
5
5
5
5
5
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
10
10
10
10
10
10
20
20
20
20
20
20
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
30
30
30
30
30
30
40
40
40
40
40
40
40
40
40
40
40
40
40
40
50
50
50
50
50
50
50
50
50
50
50
50
50
50
60
60
60
60
60
60
60
60
60
60
60
60
60
60
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
Mixing Console
Mackie HD1221 powered
loudspeaker LOOP OUT to
Mackie HD1221 powered
loudspeaker MAIN INPUT for the
prima donna lead singer who
needs two monitors
Power
Cord
AUX SENDS 1-3 to Mackie HD1221
powered loudspeaker MAIN INPUTS
FX PRESETS
03 W A R M
01 P L A T E R E V E R B
02 V O C A L
P L A T E
R O O M
08 BRIGHT STAGE
07 WARM THEATER
09 W A R M H A L L
13 CHORUS
14 CHORUS + REVERB
15 D O U B L E R
19 DLY 2 BRIGHT (250ms)
20 DLY 2 WARM (200ms)
21 DLY 3 BRIGHT (175ms)
05 WARM LOUNGE
04 BRIGHT ROOM
10 CONCERT HALL
11 C A T H E D R A L
16 TAPE SLAP
17 DLY 1 BRIGHT (350ms)
23 CHORUS + DLY (300ms)
22 DLY 3 WARM (150ms)
06 SMALL STAGE
12 GATED REVERB
18 DLY 1 WARM (300ms)
TAP TO EDIT
24 REVERB + DLY (200ms)
50%
25%
75%
2404
0%
100%
SUCK
2-TRACK RETURN
USB OUT
U
CH 1-2
CH 3-4
SOLO
TAPE
GRP 1-2
GRP 3-4
O O
+20
MAIN
TO MAIN
USB
MAIN L/R
AUX 5-6
MIX
AUX MASTERS
STEREO RETURNS
LEFT RIGHT
1
U
U
AUX
U
1
SOLO
O O
+15
O O
+15
O O
+15
2
U
U
AUX
U
2
SOLO
O O
+15
O O
+15
O O
+15
3
U
U
AUX
U
3
+15
SOLO
+15
+15
O O
O O
O O
4
U
U
AUX
U
LEVEL
SET
4
+15
SOLO
+15
+15
O O
O O
O O
5
U
U
MAIN
U
O O
+15
SOLO
O O
+15
O O
+15
6
U
1
2
SOLO MODE
SOLO
SOLO
SOLO
PFL
O O
+15
AFL
1
2
FX
FX
U
U
U
U
U
SIG/OL
SIG/OL
MAX
MAX
MAX
MAX
MAX
SEND MASTER
O O
O O
TO AUX 1
SEND MASTER
O O
TO AUX 1
O O
O O
SOLO
U
U
U
TAP
O O
MAX
TAP
O O
MAX
O O
MAX
DELAY
TO AUX 2
DELAY
TO AUX 2
MONITOR
U
U
U
INT FX
INT FX
MUTE
MUTE
O O
MAX
O O
MAX
O O
MAX
TO MAIN
TO MAIN
PHONES
GROUPS
TALKBACK
U
OFF
MAX
OFF
MAX
OFF
MAX
OFF
MAX
O O
MAX
COMP
COMP
COMP
COMP
LEVEL
PUSH
TO TALK
AUX 1-4
MAIN
1
2
3
4
MAIN MIX
dB
dB
dB
dB
dB
10
10
10
10
10
5
5
5
5
5
U
U
U
U
U
5
5
5
5
5
10
10
10
10
10
20
20
20
20
20
30
30
30
30
30
40
40
40
40
40
50
50
50
50
50
60
60
60
60
60
O O
O O
O O
O O
O O
Power
Cord

Advertisement

Table of Contents
loading

Table of Contents