. interfaces . incorporating . newly-designed, . high . quality . Clarett . analogue . pre-amplifiers . with . the .unique .AIR .function. .In .conjunction .with .the .Focusrite .Control .application, .you .now .have .a .highly . versatile . a nd . p rofessional . s olution . f or . r outing . h igh . q uality . a udio . t o . a nd . f rom . y our . c omputer . r ecording .
AIR . subtly . modifies . the . pre-amp’s . frequency . response . to . model . the . impedance . and . resonance . characteristics . of . Focusrite’s . classic . transformer-based . ISA . mic . preamps. . When . recording . with .
Professional .equipment .will .generally .have .balanced .inputs. .If .your .amplifier .or .powered .speakers . have .balanced .inputs, .use .3-pole .(TRS) .1/4” .jacks .to .connect .them .to .Clarett2Pre. All . the . line . output . connectors . are . 3-pole . (TRS) . ¼” . jack . sockets, . and . are . electronically . balanced. .
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. o utputs . d o . n ot . c arry . t he . s ame . s tereo . s ignal . a s . L INE OUTPUTS 1 . a nd . 2 . . I f . y ou . w ish, . y ou . c an . u se . Focusrite .Control .to .route .the .same .stereo .signal .feeding .LINE OUTPUTS 1 .and .2 .to .these .outputs.
. p rovide . a n . a dditional . e ight . a udio . i nputs . a t . 4 4.1/48 . k Hz . s ample . r ate, . f our . a t . 8 8.2/96 . k Hz . o r . t wo . a t . 176.4/192 .kHz. .Using .a .separate .8-channel .microphone .preamplifier .equipped .with .an .ADAT .output . – .such .as .the .Focusrite .OctoPre .MkII .– .provides .a .simple .and .excellent .method .of .expanding .the . Clarett .2Pre’s .input .capability.
FOCUSRITE CONTROL - OVERVIEW Focusrite Control . is . the . software . application . used . with . the . Clarett . 2Pre. . It . allows . you . to . create . a . custom . monitor . mix . for . each . musician, . and . also . to . specify . the . routing . of . all . audio . signals . to .