Factory Patches - Behringer Pro-1 Operation Manual

CM100B

Factory Patches

This section contains 20 patches for the Pro-1 ranging from instrumental imitations to sound
effects. All sounds are created by setting the Pro-1's controls as diagrammed, then fine-tuning
knob settings to your taste.
The diagrams are not meant as absolutes but as examples. The patches should serve as
starting points for you to create your own sounds. There is no single, ideal trumpet or bass
patch, for example, because the synthesised sound must usually be heard in a musical
context of rhythm, melody and harmony. The notes played, their speed, your technique, the
voicing of ensemble instruments or soloists, even the acoustical characteristics of the room all
influence the perception of many of the knob-set parameters such as pulse-width, envelope
settings (ATTACK, DECAY, SUSTAIN, RELEASE), and filter cutoff. The art of patching is the
ability to make music with the Pro-1. It takes practice.
These have been reproduced from the original Pro-One manual, so they do not include the
Poly/Mono switch.
Solo Trumpet
Try auto-glide. Try adding OSC B's sawtooth--raise MIX OSC B. Advancing MOD
wheel gives vibrato. Adjust LFO AMOUNT.
Frequency Modulation Bells
Adjust FILTER RESONANCE and KEYBOARD AMOUNT. MODULATION OSC B
AMOUNT sets level of frequency modulation to OSC A.
Revision 1.01 AP099
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