Haier HP-2999 Service Manual page 16

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7. Program ski p
The Program ski p feat ure enabl es you t o ski p/ hi de program s t hat you do not w i sh t o
be di spl ayed w hen usi ng t he C H +/ - but t ons. These channel s w i l l st i l l be di spl ayed by
di rect l y usi ng t he channel num ber but t ons on t he rem ot e cont rol .
C H +/ - but t ons t o sel ect t he SK IP m enu, Press t he V O L+/ - but t ons t o t une t he ski p
feat ure on/ off. Press t he E X IT but t on t o save t he set t i ng.
8. Program N um ber
T he program num ber is the rem ote control channel num ber. Y ou can change the
program num ber to see w hich channels are stored w ithout exiting this m ain
m enu. Press the C H + /- button to select PR O G N O , Press the V O L + /- to change
the program num ber that you are adjusting.
9. B and S w itching (note: T his is a new item )
If you already know w hat band the channel is on, tuning can speed up by
selecting the correct band before going into the search m enu. T his feature
should only be used if you understand the channels in your local area.
Pi cture A djustm ents
1 C ontrast (A dds depth to the picture)
Press the C H + /- buttons to select C ontrast, then
press the V O L + /- buttons to adjust the C ontrast level.
2 B rightness (A dds sparkle and shine to the picture)
Press the C H + /- buttons to select B rightness, then
press the V O L + /- buttons to adjust the brightness
level.
3 C olour (A dds colour depth)
Press the C H + /- buttons to select C olour, then press the V O L + /- buttons to
adjust the C olour level.
4 S harpness (A dds fine detail)
Press the C H + /- buttons to select S harpness, then press the V O L + /- buttons to
adjust the Sharpness level.
N ote: D o not turn the sharpness up to high if the reception is poor or has lots of
noise as it w ill enhance the fine grain details.
O P E R A T IO N M E N U
15
Program Diagram
To ski p , press
OCT
PIC TU R E
C O N T R A ST
89
B R IG H TN E SS
66
C O L O U R
50
SH A R PN ESS
50
TILT
08
IIIIIIIIIIIIIIIIIIIIIIIII. . . . . . . . . .
t he

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