Akai MPC 500 User Manual
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Akai MPC 500 User Manual

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  • Page 2: Table Of Contents

    Chapter 1: Introduction... 1 Overview ... 1 Top Panel...1 Front Panel ...4 Rear Panel ...4 Bottom Panel...5 Hooking Up Your MPC500... 6 MPC500 Basic Concepts and Terminology... 7 Sequence...7 Track...7 Song...7 Sample...7 Drum Pad...7 Program ...7 Note Number, Velocity, and Length...8 RAM...8 Memory Card ...8 Operating Modes...
  • Page 3 Count In...19 In Play ...19 In Record ...20 Rate...20 Sound...20 Note Repeat Feature ... 20 Sequence Params... 20 Setting the Length of a Sequence ...21 Setting the Time Signature of the Sequence...21 Setting the Loop for a Sequence ...22 Extending the Sequence Length Automatically ...22 Changing the Default Settings ...22 Changing the Sequence Name ...23 Copying a Sequence...23...
  • Page 4 12 Level Function ([12 Levels] Button)... 53 Setting the Track Mute with Pads... 54 Track Mute Page ...54 Chapter 8: Q-Link slider... 57 'Pad' Field ...57 'Parameter' Field...57 'Pad Bank' Field...57 Low and High Field ...57 Chapter 9: Using the MPC500 with external devices... 59 Sync with the MPC500 as the Master ...
  • Page 5 Additional Program Editing ... 80 Changing the Program Name...80 Copying a Program ...80 Deleting a Program ...80 Delete All the Unused Samples at the Same Time (Purge)...80 Setting the Program Change Number ...81 Setting a MIDI Note Number to the Pads...81 To Reset the Setting to the Default ...81 Chapter 13: Effects...
  • Page 6 Version ...106 How to Upgrade the MPC500...106 Specifications ... 107 General ...107 Sound Generator...107 Effects...107 Sequencer ...107 Inputs/Outputs ...107 Data Compatibility...107 MIDI Implementation Chart ... 109 Sampler Section ...109 Sequencer Section ...110 MPC500 Operator's Manual rev 1.0...

  • Page 8: Chapter 1: Introduction

    Chapter 1: Introduction Thank you for purchasing the MPC500. The MPC500 is a powerful musical production tool and this manual describes how to use the MPC to its fullest potential. We know you want to dive in and start making music immediately, but please take the time to read through this manual so that you can get the most out of your new purchase.
  • Page 9 Chapter 1: Introduction 6. [Pad1] Through [Pad12]: These drum pads let you trigger the samples in your MPC. These pads also let you enter various modes, choose sequences, mute tracks, and to select letters and numbers for naming your work. 7.
  • Page 10 20. [Sequence] Button: This is the Main Sequence page of the MPC500 and is displayed when the unit is powered on. Pressing the [SEQUENCE] button at any time will return you to this page (in Sequence Mode). See "Chapter 3: Sequence feature" on page 13 for more about this button. 21.

  • Page 11: Front Panel

    Chapter 1: Introduction 29. [Stop] Button: This button stops playback and recording. Quickly pressing this button three times sends an "all notes off" MIDI command stops all sounds from playing back. Note: If your MPC500 has a "stuck note" or if a sample is ringing due to improper programming, you can always stop all sounds by quickly tapping the [STOP] button three times.

  • Page 12: Bottom Panel

    8. [Dc In] Jack: Connect the power adapter to this jack. If AC power is not available, the MPC500 can also be powered with batteries. If both AC and battery power is available, the MPC500 will use AC power to preserve battery life. 9.

  • Page 13: Hooking Up Your Mpc500

    Chapter 1: Introduction Hooking Up Your MPC500 The following diagram demonstrates how the MPC500 can be integrated into your recording setup. Note that the diagram below uses every connector on the MPC and that your setup may vary from the one shown. For analog connections, use ¼"...

  • Page 14: Mpc500 Basic Concepts And Terminology

    MPC500 Basic Concepts and Terminology Please take a moment to familiarize yourself with the following terms and concepts since you’ll encounter them throughout this manual. Sequence A sequence is the most basic "building block" of music you can compose on the MPC. MIDI information from the MPC’s pads, buttons, and Q-Link slider (or an external keyboard) are recorded to tracks within a sequence.

  • Page 15: Note Number, Velocity, And Length

    Chapter 1: Introduction Note Number, Velocity, and Length When you are recording a sequence, every time you tap a pad, three key pieces of data are recorded on a track: The note number (i.e., which pad you struck) The note velocity (i.e., how hard you struck the pad) The note length (i.e., how long you held the pad down) Once this information is recorded, the MPC can playback your performance exactly as it was recorded.

  • Page 16: Trim Mode ([Mode] + [Pad5])

    Trim Mode ([Mode] + [Pad5]) This is where you can edit individual samples, deleting silence, adjusting overall volume of recorded samples and so forth. Program Mode ([Mode] + [Pad6]) Where individual samples are assembled into a group for playback on the individual pads. This can be thought of as a drum kit, assembling different individual drums to form one kit.

  • Page 18: Chapter 2: Basic Operation

    Chapter 2: Basic Operation In this chapter, we will describe the basic operation of the MPC500. Main Sequence Page This is the main screen of the MPC500, where you record and play back sequences. You can go back to this page at any time by pressing the [SEQUENCE] button.
  • Page 19 Chapter 2: Basic Operation Entering Letters with [Data] Wheel You can change letters selected with a cursor by turning the [DATA] wheel in the 'Sequence name' window. Move the cursor with thr RIGHT/LEFT cursor button and enter letters. You can enter letters using both the [DATA] wheel and pads. Entering Letters with a Pad Three letters are assigned to each pad.

  • Page 20: Chapter 3: Sequence Feature

    Chapter 3: Sequence feature The MPC500 has a sequencer feature that allows you to record/playback your performance. With the sequencer feature, you can record the performance you created with the pads, and by playing back the recorded data, you can reproduce your performance. The actual performance will be recorded on a track within a sequence.

  • Page 21: Main Track Page

    Chapter 3: Sequence feature A Sequence is the most basic unit when you create data with the MPC500. Performance data from the MIDI keyboard or pad can be recorded on each track within a sequence. You can select a sequence in this field by turning the [DATA] wheel, or typing in a number with the pads while holding the [NUMERIC] button.

  • Page 22: Playing Back A Sequence

    Hit pads to check the sounds that are assigned to the pads. You can play back the program selected in the Program assign page. Press the [PLAY START] button while holding the [REC] button. The recording will start after 4 counts. Play the pads to record your performance.

  • Page 23: Other Useful Features For Recording Sequences

    Chapter 3: Sequence feature Tip: In SONG mode, you can also set a specific order for sequences playback. For more information, see "Chapter 6: SONG mode" on page 49. Other Useful Features for Recording Sequences Undo and Redo Feature When overdubbing sequences, you can cancel the current recording and restore the previous recording. During overdubbing, press the [STOP] button to stop the overdub and press the [ERASE/UNDO] button.
  • Page 24 The 'Value' field for 'Notes' consists of two parts, Low note and High note. Low note (left) sets lower range of MIDI note and High note (right) sets high range of MIDI note. In this page, you can set note range with an external MIDI keyboard. The range is updated whenever a MIDI note is received.
  • Page 25 Chapter 3: Sequence feature You can select a start point for erasing in the 'Time' field. This field will default to the start of the current sequence, but you can change this field with the [DATA] wheel. Next, select the 'Parameter' field again. Turn the [DATA] wheel to change this to OUT. This selects the endpoint for erasing.

  • Page 26: Timing Correct Feature

    Timing Correct Feature When recording a pad performance, it takes practices playing the pads exactly in time. By using the timing correct feature, you can correct the timing of the events you recorded. There are two ways to use this feature: by correcting the timing in real time during the recording, and by correcting the events after recording.

  • Page 27: In Record

    Chapter 3: Sequence feature In Record You can select this if you want the metronome sound during recording/overdub. If you select NO, you will not hear the metronome sound during the recording/overdub. Rate You can select the rhythm for the metronome sound. You can choose 1/4, 1/4(3), 1/8, 1/8(3), 1/16, 1/16(3), 1/32 or 1/32(3). Sound Here, you can specify how the metronome sounds.

  • Page 28: Setting The Length Of A Sequence

    Setting the Length of a Sequence By default, a sequence is set to a 2-bar length, but you can set this length between 1 to 999 bars. Press the [SEQUENCE] button to make sure you are in Sequence mode. Press the [PARAMS] button, and scroll with the [DATA] wheel in the top 'Parameter' field to choose Sequence Length.

  • Page 29: Setting The Loop For A Sequence

    Chapter 3: Sequence feature Setting the Loop for a Sequence By default, the MPC500 has the sequence loop feature on. It is useful when you create a short sequence. With the sequence loop feature, you can overdub a new performance while playing back a sequence repeatedly. However, when you are working on a long song, created as a single sequence, it may be better to loop only the part of the song that needs to be changed.

  • Page 30: Changing The Sequence Name

    Changing the Sequence Name This parameter lets you name your sequence. Press the [SEQUENCE] button to make sure you are in Sequence mode. Press the [PARAMS] button, and scroll with the [DATA] wheel in the top 'Parameter' field to choose Sequence name. In the 'Name' field, enter a new name.

  • Page 31: Handling The Duration (The Length Of A Note) At The Loop Boundary

    Chapter 3: Sequence feature In the 'Sequence' field, Select 00 by turning the [DATA] wheel clockwise until you pass the 99th sequence. The LCD will display the following: Press the [DO IT] button. The following confirmation prompt will appear to ensure you do not accidentally delete all of your sequences: Press the [DO IT] button again to delete all sequences or the CANCEL button to stop.

  • Page 32: Track Mode Parameters

    Track Mode Parameters When you press the [PARAMS] button in Track mode, you will see the following page: The upper line lists the various track parameters whereas the lower line lets you see how each track is configured. Use the [DATA] wheel to cycle through the available options in the 'Parameter' field.

  • Page 33: Setting The Midi Output Channel

    Chapter 3: Sequence feature You can set the mute for each track independently. For example, let’s assume you have recorded a Piano solo on track 1 and another piano solo on track 2. By setting either track to mute, you can compare these two piano solos and choose the better one. If you set the mute ON for a track, the MPC500 won’t play back that track.

  • Page 34: Deleting A Track

    Select the 'To/from' field and change the value to Fr (from) using the [DATA] wheel. In the 'Track' field, choose the Track you wish to copy. Next, select the 'To/from' field and change the value to 'To' using the [DATA] wheel. In the 'Track' field, choose the track you wish to have the selected track copied to.

  • Page 35: The Midi Sequencer Feature

    Chapter 3: Sequence feature Pressing the [DO IT] button will clear all changed default track names to the factory default. The MIDI Sequencer Feature When you are playing the internal sound module with the pads, you can start recording just by selecting the desired program in the 'Program assign' field in the MAIN TRACK page.

  • Page 36: Connecting Your Midi Devices

    Connecting your midi devices Connect the [MIDI OUT] of the keyboard to the MPC500’s [MIDI IN] and the MPC500’s [MIDI OUT] to [MIDI IN] of the external sound module as per the following diagram. Note: You may still want to connect the MPC500’s stereo out to a mixer so that you can hear a metronome sound even when you use the MPC500 as a MIDI sequencer.

  • Page 37: Handling The Sustain Pedal

    Chapter 3: Sequence feature Tip: If you select another sequence in the 'Sq' field, you can record a new performance separately. By playing back those sequences, you can create one whole song. Tip: You can use other useful features for sequence recording (see page 13) like when you record the performance data from pads. Tip: For more information on how to connect a MIDI keyboard with sound module to the MPC500, see the "connecting MPC500 to a MIDI keyboard with sound module"...

  • Page 38: Chapter 4: Editing Sequences

    Chapter 4: Editing sequences There are two ways to edit sequences. You can select a region and edit all events at one time, or you can edit each event in detail. In this section, you will learn about the SEQ EDIT mode, where you can select a region to edit your event(s) Seq Edit Mode You can edit the events within a region of the the track.
  • Page 39 Chapter 4: Editing sequences Notes The display changes to show the selected region by note number. Here, you will set the upper limit and the lower limit of the note in this field, The MPC500 will edit only the events within the note numbers set here.
  • Page 40 Choose S: 1, T: A1 to select Sequence 1, track 1 Tip: Next to the track number will be a display of what kind of track it is, either a MIDI (M) track, or a Drum (D) type track. In the 'Parameter' field, choose 'To' S and T will be displayed, representing Sequence and Track.

  • Page 41: Move Events

    Chapter 4: Editing sequences Move Events You can move events within the selected region to another location. Unlike the copy function, this function will remove the source data from the original location. All parameters are same as Copy event. Example: Here is an example of how to perform a move operation.

  • Page 42: Transpose

    For ‘Copies’, choose 1. 10. In the 'Parameter' field, choose Mode For ‘Mode’, choose REPLACE. 11. In the 'Parameter' field, choose Do it. 12. Press [DO IT] while on this page to execute the copy function. You will notice that like Copy, most of these selections are default. As parameters are changed, they are remembered, in order to speed up moving operations.

  • Page 43: Shift Timing

    Chapter 4: Editing sequences Shift Timing You can Shift the timing of recorded events. Edit S, T Field The edit selection consists of two fields, 'S' and 'T'. The 'S' field represents the Sequence, and the 'T' field is the track. The default setting will be the current sequence and track.

  • Page 44: Edit Duration

    ADD VALUE - Add value of 'Amount' field to velocity of selected events SUB VALUE - Subtract value of 'Amount' field from velocity of selected events MULTI V% - Multiply value by 'Amount' field SET TO V - Set velocity to value of 'Amount' field 'Amount' Field This is the amount that the velocity will be changed by.

  • Page 45: Track Move

    Chapter 4: Editing sequences Edit S, T Field The edit selection consists of two fields, 'S' and 'T'. The 'S' field represents the Sequence, and the 'T' field is the track. The default setting will be the current sequence and track. There is also a selection on the right to display whether the selected track is a Drum or MIDI type track.

  • Page 46: Insert Bars

    'To S' Field Sets the destination sequence. 'First' Field Sets which bar will be the first to be copied. 'Last' Field Sets the last bar of the source sequence. 'After' Field The selected bars will be copied to the end of the bar set here. 'Copies' Field To copy the same phrase repeatedly, enter the number of copies in the 'Copies' field.

  • Page 47: Fix Tempo

    Chapter 4: Editing sequences Fix Tempo Each sequence has its own tempo. When you are creating a song in the Song mode, it is useful to change all the sequences to have the same tempo at once. With this feature, you can change all the sequences in memory to the same tempo at once. 'Tempo' Field This field is the tempo that all sequences will be set to.

  • Page 48: Chapter 5: Step Edit Mode

    Chapter 5: STEP EDIT mode There are two ways to edit sequences. You can select a region and edit several events at one time, or you can edit each event in detail. In this section, you will learn about the STEP EDIT mode, where you can edit each event in detail. A note about playing events You can play a selected event by pressing PLAY button when Step or Move is selected in the 'Parameter' field.
  • Page 49 Chapter 5: STEP EDIT mode Indicates the end of list. 'Event' Field This is a list of the events within the active track. Events are displayed by type. When the 'Now' field is changed, the 'Event' field shows the event that is in the selected now time. The following is a list of abbreviations used for each event type: A1...D12 Pad event (on DRUM track)
  • Page 50 The 'Parameter' field is where different properties of the selected note events can be viewed. This field can be selected and changed with the [DATA] wheel. The following chart details each selection's meaning: Velocity This is the setting of the selected pad event's velocity. In the MIDI standard, the speed used to trigger a note is called velocity.
  • Page 51 Chapter 5: STEP EDIT mode The Poly pressure event is used for aftertouch much like the channel pressure event. The Poly pressure event can be set to a different value for each individual note, however. Both the 'Note' Field and the 'Value' field can be edited. The full range of MIDI notes and values of 0 to 127 can be selected.
  • Page 52 QT (Q-Link - Tune) This represents Note Tune Variation data recorded with the Q-link slider. The 'Note' field will display either Pad or Note information, depending on the track type. This field is editable with the [DATA] wheel. The 'Value' field selects the amount of tune variation. QL (Q-Link - Level) This represents Note Level Variation data recorded with the Q-link slider.
  • Page 53 Chapter 5: STEP EDIT mode Delt (Delete Event) Events can be deleted directly from the event list by doing the following: Select an event that you want to delete. Select "Delt" on 'Parameter' field. When you select "Delt" at 'Parameter' field, the [DO IT] button will start to blink. Press the [DO IT] button to delete the selected event.

  • Page 54: Step Recording

    Pad events (on DRUM track) Note events (on MIDI track) Pitch Bend (PB) Control Change (CC) Program Change (PC) Channel Pressure (CP) Poly Pressure (PP) Tempo Change (♪C) Q-Link event - Filter (QF) Q-Link event - Tune (QT) Q-Link event - Level (QL) Effects Set (ES) Exclusive (EX) Example:...
  • Page 55 Chapter 5: STEP EDIT mode Press the REC button Note that the red led above the REC button is lit. This idicates that Step Recording is enabled. Locate the sequence time that you want to record to in the Now field. You can locate sequence by rotating the [DATA] wheel while selecting the 'Now' field.

  • Page 56: Chapter 6: Song Mode

    Chapter 6: SONG mode In SONG mode, you can set the order of multiple sequences and play them in a series. The SONG mode is useful when you are creating a song by combining short sequences. You can check the structure of an entire song while working, so you can finish the song easily. You cannot record the performance in the SONG mode;...

  • Page 57: Creating A Song

    Chapter 6: SONG mode Creating a Song This section will give a step by step example on how to create a song. Select an unused song on 'Song' field (lower line). Select "Assign seq" on 'Edit select' field (upper line). The 'Sequence' field shows "End of song"...
  • Page 58 Insert Before Allows for steps to be inserted in the middle of a song. When Insert before is selected on the 'Edit select' field (upper line), the [DO IT] button will blink. Pressing the [DO IT] button will insert a new step with the same contents as the selected step right before it.
  • Page 59 Chapter 6: SONG mode Copy Song This procedure allows the copying of a song to a different location. 'To/from' field This is a selectable field. 'Fr' is the source sequence to be copied. The 'To' field is the destination song. 'To' and 'Fr' will default to the same song.

  • Page 60: Chapter 7: Functions Of A Pad

    Chapter 7: Functions of a pad The MPC500 has 12 drum pads. The pads perform various function besides making sounds when hit. In this section, you will learn about various functions of the pad. Playing With Pads By assigning the sounds in memory to a pad, you can play those sounds. Below are some useful functions when playing with pads.

  • Page 61: Setting The Track Mute With Pads

    Chapter 7: Functions of a pad Tip: When you select VELOCITY in the 'Type' field, the velocity of the pad event can be played in 12 Levels, but if you select an option other than VELOCITY, the note variation value will be played in 12 Levels. The note variation data can change the value of a specific parameter when you play the pad’s sample.
  • Page 62 Track Status "." means Track mute is OFF, so the track will play. "M" means Track mute is ON, so the track will not play. For example, This shows: Track mute: OFF for tracks A1, A2, A3, A8, A9 Track mute: ON for tracks A4, A5, A6, A7, A10, A11, A12 Track Solo Mode Solo function switches the track mute setting temporarily off.

  • Page 64: Chapter 8: Q-Link Slider

    Chapter 8: Q-Link slider By using the Q-Link sliders, you can control certain pad parameters (filter, tune, etc…) with a slider. This is done in the SLIDER mode, which can be accessed by pressing the [MODE] button and then the [PAD 1] (SLIDER) button. 'Pad' Field In the 'Pad' field, select the pad to which you wish to assign Q-Link by hitting it.
  • Page 65 Chapter 8: Q-Link slider While Recording A Sequence When the [AFTER] button is OFF If you move the Q-Link slider, the new Q-Link Event will be recorded and added to the existing Q-Link Events. When the [AFTER] button is ON If you move the Q-Link slider, the new Q-Link event will be recorded and will erase any previous Q-Link Events.

  • Page 66: Chapter 9: Using The Mpc500 With External Devices

    Chapter 9: Using the MPC500 with external devices In this section, you will learn how to sync the MPC500 to other MIDI devices using MIDI clock. MIDI clock is a function of the MIDI standard and allows several MIDI devices to synchronize. If your MIDI device supports MIDI clock, you can use the device and the MPC500 in sync.

  • Page 67: Connecting The Mpc500 To A Midi Keyboard

    Chapter 9: Using the MPC500 with external devices Connecting the MPC500 to a MIDI Keyboard In this section, you can learn how to connect the MPC500 to a MIDI keyboard which has internal sounds to use the MPC500’s sequencer feature. Normally, the MIDI keyboard with internal sounds is set to generate the sound when you play the keyboard.

  • Page 68: Setting Local Control

    Press the [SEQUENCE] button to return to the Main Sequence screen. The MPC500 will now only receive MIDI on channel 1. Setting Local Control You can cut off the internal sound from a Pad. When the 'Pad to sampler' field is set to OFF, the pad information does not play samples, but is sent out via the MIDI OUT port.

  • Page 70: Chapter 10: Recording

    Chapter 10: Recording Recording a Sample In this chapter, you will learn how to record from an analog external device (CD player’s analog output, microphone, etc…) so that you can play the sound by hitting the pads. Preparing the recording Connect the external device to the RECORD IN, which is located on the MPC500’s rear panel.

  • Page 71: Recording The Main Out

    Chapter 10: Recording Tip: While it is not necessary to name each sample, it is recommended, as it will make future organization much easier. Tip: When you record a sample the first time after the MPC500 is powered on, the default sample name is "Sample01". If you change the sample name, the new name is used as the default name for the next recording.

  • Page 72: Recording Options

    Recording Options In this section, you will learn about additional options regarding the recording process which were not described in the "Recording the sample" section. Each of these options is accessible by scrolling with the [DATA] wheel in the upper 'Parameter' field of the Record screen. Mode This selection determines whether the incoming analog signal will be recorded in stereo or in mono through the left input only.

  • Page 74: Chapter 11: Editing A Sample

    Chapter 11: Editing a sample Setting the Start / End Points for the Sample The start/end points set the part of the sample data which will actually be played back. The recorded sample may have an unnecessary part at the beginning, which may make it more difficult to place the sound in the correct timing when hitting the pad. You can fix this problem by adjusting the start point.
  • Page 75 Chapter 11: Editing a sample Scroll through the 'Parameter' field to select the Loop parameter. Set the Loop parameter to On. Next, scroll through the 'Parameter' field to select 'Loop st'. When the loop feature is on, the MPC500 first plays the part from the start point to the loop start point, which is set here, then to the end of the sample, and then plays the part from the loop point set in the LOOP page to the end point repeatedly.

  • Page 76: Advanced Editing

    Advanced Editing In this section, you will learn various parameters used to apply more advanced editing procedures to samples. These features are accessed by selecting the Edit parameter within Trim mode as shown: When Edit is chosen, Select is shown by default at the 'Value' field. This is the initial page of the sample edit function. Once you change this 'Value' field, the [DO IT] button will start to blink.

  • Page 77: Copy Sample

    Chapter 11: Editing a sample You can select parameters at the left field on the lower line, and set the value at the right field on the lower line. Origin This is where you set the original tempo of the sample manually. If you don't know the tempo of the sample, set this value to 100. New ♪...

  • Page 78: About Patched Phrase

    About Patched Phrase The MPC1000V2.0 and MPC2500 can make Patched Phrases, which is a special sample file that includes chopped points. MPC500 cannot create Patched Phrases, but it can load and play Patched Phrase files created with an MPC1000V2.0 and MPC2500. In TRIM mode, you can select Patched Phrase in the 'Sample' field, just like a normal sample.

  • Page 80: Chapter 12: Program Mode

    Chapter 12: Program Mode In this section, you will learn how to edit a program. This is done in the PROGRAM mode, which can be accessed by pressing the [MODE] button and then [PAD 6] (PROGRAM). Creating a Program To create a new program, proceed as follows. Note: the MPC500 is set to load the preset program automatically when turned on.

  • Page 81: Playing The Sample While The Pad Is Being Hit

    Chapter 12: Program Mode Playing the Sample While the Pad Is Being Hit When you play a sample by hitting the pad, the sample will be played until the end regardless of the length you hit the pad for. This is useful when you play short drum sounds.

  • Page 82: Setting The Volume, Pan And The Tuning For A Sample

    Setting the Volume, Pan and the Tuning For a Sample You can set the volume, stereo positioning (Pan) and tuning for samples that are assigned to the pads. In PROGRAM mode, hit the pad you wish to change. The pad number displayed in the 'Pad number' field will change according to the pad that you hit. In the 'Edit select' field, choose Sample level.

  • Page 83: Editing The Sound Of A Sample

    Chapter 12: Program Mode Editing the Sound of a Sample Each pad has a parameter to change the sound, which is called "Filter". You can edit the sound of the sample by editing this parameter. This is done by selecting Filter in the 'Edit select' field of PROGRAM mode. Setting the Filter In PROGRAM mode, choose Filter in the 'Edit select' field.

  • Page 84: Modifications Using Velocity

    Modifications Using Velocity The following section will show modifications possible using velocity. Changing the Sample Volume with Velocity You can control the sample volume by velocity (how hard you hit the pad). With this feature, you can play the pads like real drums; when you hit the pad strongly, the sound will be loud and vice versa.

  • Page 85: Changing The Sample Pitch With Velocity

    Chapter 12: Program Mode Changing the Sample Pitch with Velocity You can control the sample pitch using velocity (how hard you hit the pad). In PROGRAM mode, hit the pad you wish to change. The pad number displayed in the 'Pad number' field will change according to the pad that you hit. In the 'Edit select' field, select the Velocity>'Tune' field.

  • Page 86: Voice Overlap

    off will be set higher and more of the high frequencies will be let through the filter, resulting in a brighter sound. If you set this field to 0, the sample will always sound bright. Voice Overlap Normally, when you hit the same pad several times, the same sound will be overlapped. When you use the MPC500 as a drum machine, you can make the performance sound natural with this feature.

  • Page 87: Additional Program Editing

    Chapter 12: Program Mode Additional Program Editing Changing the Program Name In the 'Edit select' field of the PROGRAM page, select Rename program In the 'Program name' field, enter the new name. For more information on setting the name, see the "Setting Names" section on Page 11. Press the [DO IT] button to accept the new name.

  • Page 88: Setting The Program Change Number

    All the samples which are not assigned to the program will be deleted at the same time. Setting the Program Change Number You can switch the programs assigned to a track within the sequence by setting the program change numbers in each program. You do not have to set the program change numbers if you do not need to switch the programs.

  • Page 90: Chapter 13: Effects

    Chapter 13: Effects In this section, you will learn how to select and edit effects. The MPC500 has two stereo effects processors and one master effect. To apply the effects to a specific pad sound, use the two stereo effects. To apply effects to the entire mix, use the master effect. Note: The effect settings will be saved with the ALL file, which is created when you save the data by selecting SAVE ALL SEQS &...

  • Page 91: Applying Effects Of Fx2 To Fx1

    Chapter 13: Effects Scroll in the 'Select' field to choose the Fx send parameter. Choose a pad to apply reverb to by hitting a pad. This will select the desired pad in the 'Pad' field. In the 'Send' field, choose FX2. Notice now, that the 'Send level' field is available.

  • Page 92: Band Eq (4 Band Equalizer)

    'Depth' Field Sets the amount to lower the sound quality. The larger the value, the more lo-fi sound will be created. 4 Band EQ (4 Band Equalizer) This effect is the equalizer, which can adjust the 4 frequency bands to correct or process the sound. Low/Hi EQ is a shelving type equalizer, which boosts or cuts the frequencies higher or lower than the specified frequency.

  • Page 93: Phase Shifter

    Chapter 13: Effects 'Release' Field Sets the time it takes to finish the compression after the incoming signal falls below the level set in the 'Threshold' field. Phase Shifter This effect duplicates the signal and changes its phase, then adds it to the original sound. This creates a swelling or rotating sound. 'Sweep Rate' Field Adjusts the speed of the modulation here.

  • Page 94: Reverb

    'Pan Low' Field Adjusts how to move the position. If you select LINEAR, the position moves horizontally. If you select ROTATE, the position rotates in circle. 'Seqsync' Field Adjusts the Sweep rate (the speed of the sound rotation) with the Beat and the Pulse of the tempo in the sequence. When it is set to ON, the display in the 'Sweep rate' field will change to Beat and Pulse.

  • Page 95: Chorus And Flanger

    Chapter 13: Effects Chorus and Flanger FLANGER adds modulated delay sounds to the original sound to give a ringing effect to the sound. Both CHORUS and FLANGER add modulated delayed sounds, which are added to the original sound to give a ringing effect. The settings are the same for both effects.

  • Page 96: Compressor

    If you increase the gain in the 'Hi gain' field, you can boost frequencies higher than the selected frequency. If you lower the gain, you can lower the level of frequencies higher than the selected frequency. If you increase the gain in the 'Lo gain' field, you can boost frequencies lower than the selected frequency. If you lower the gain, you can lower the level of frequencies lower than the selected frequency.
  • Page 97 Chapter 13: Effects The settings of the effect set selected in the 'Eff' field will be reset to the default settings. Pressing the [CANCEL] button cancels the operation and closes the window. MPC500 Operator's Manual rev 1.0...

  • Page 98: Chapter 14: Save / Load

    Chapter 14: Save / Load The sample and sequence data you have made in the MPC500 will be deleted when you turn off the unit. If you wish to keep the data, you need to save it to a memory card. You can use the saved files again by loading them back into the MPC500. About memory cards The MPC500 can use the memory card called "compact flash".

  • Page 99: Saving A Sample

    Chapter 14: Save / Load In the 'Select' field of the Save to screen, scroll with the [DATA] wheel to select New folder. The new folder will be created in the selected location. Press the [DO IT] button. The following screen will be displayed. Enter a name for the new folder.

  • Page 100: Saving A Sequence

    You can select the Program data in memory by turning the [DATA] wheel. Press the [DO IT] button. Using the [DATA] wheel and the [CURSOR] buttons, select a folder to save the selected program to. Press the [DO IT] button. The following screen will be displayed. 'Save' Field You can choose whether or not to save the sample data (sounds) with the program data.

  • Page 101: Saving All Sequences And Songs

    Chapter 14: Save / Load SMF is a file format set by MIDI standard. If you wish to load the MPC500’s sequence data to another sequencer, select this option. However, the data specific to the MPC500 cannot be saved. Press the [DO IT] button. The MPC500 will start saving the data.

  • Page 102: Saving All Data In Memory At The Same Time

    Press the [DO IT] button. The MPC500 will start saving the data. Saving All Data in Memory at the Same Time You can save sample/program/ALL files at the same time. When you save the data, a project file will be saved, as well as a sample, program and ALL files.

  • Page 103: Replacing The Sounds And Sequences In The Internal Flash Memory

    Chapter 14: Save / Load Replacing the Sounds and Sequences in the Internal Flash Memory If you select Save: To internal in the SAVE field, you can save the data to the MPC500’s internal flash memory. When this is selected, you can choose to save All sequences and songs, or All programs and samples.

  • Page 104: Loading A File

    Loading a File In this section, you will learn how to load a file. The MPC500 can load a file from the Memory Card or the Internal Flash Memory. This is done in the LOAD page, which is accessed by pressing the [MODE] button and then the [PAD 2] (LOAD). Selecting a File To select a file to load, proceed as follows: Press the [MODE] button and the [PAD 2] (LOAD).

  • Page 105: Loading A Program

    Chapter 14: Save / Load Selecting Replace and pressing the [DO IT] button will overwrite the data by the new data. Selecting Rename and pressing the [DO IT] button will show the following page: Here, you can change the name of the file you are about to save. When you enter the name in this window and press the [DO IT] button, the MPC500 will start to load the sample.

  • Page 106: Loading The All File

    Loading the All File You can load the ALL file, which has sequence and song data. When you load the ALL file, all the sequences and songs, which are currently in the MPC500, will be replaced by the new data. Select the ALL file and load it.

  • Page 107: Deleting A File

    Chapter 14: Save / Load Yes - pressing the [DO IT] button will remove all contents of the memory and load the selected folder No - adds the loaded program and samples. Pressing the [DO IT] button will show the following page.

  • Page 108: Saving Data To The Internal Flash Memory

    In the 'Type' field, select 'Format', which is displayed as 'Form' Frmt: Format CF card Press the [DO IT] button. The following screen will be displayed. Press the [DO IT] button again to start the formatting procedure. Saving Data to the Internal Flash Memory If you select 'To internal' in the select parameter with SAVE as the type, you can save data to the MPC500’s internal flash memory.

  • Page 110: Chapter 15 Connecting The Mpc500 To Your Computer

    Chapter 15 Connecting the MPC500 to your computer The MPC500 supports the USB mass storage class. When you connect the MPC500 to a PC that supports USB mass storage class, the PC will recognize the memory card in the MPC500 as a removable media drive. You can transfer the data between the recognized memory card and the PC.
  • Page 111 Chapter 15 Connecting the MPC500 to your computer Connect the MPC500’s USB slave jack to your computer’s USB host jack via USB cable. Removable media will be displayed on the desktop. To save the data in the computer, select the data and drag and drop it from the removable disk to the hard disk. To load the data from the computer, select the data and drag and drop it from the hard disk to the removal media.

  • Page 112: Chapter 16: Other Settings

    Chapter 16: Other settings In this section, you will learn about the other features, which were not mentioned in the other chapters. Adjusting the Master Level You can adjust the level of the headphone and the stereo out by turning the MAIN VOLUME knob. The MAIN VOLUME changes the analog signal level.

  • Page 113: Initialize To Factory Default

    Chapter 16: Other settings Initialize To Factory Default Various Sample and Sequence settings can be saved to Compact Flash when the file is saved. The global settings found in the MPC500 (listed below) are saved to the internal Flash Memory and stored when the MPC500 is turned off. You can re-initialize the Factory Preset settings using the following procedure.

  • Page 114: Specifications

    Specifications General Display: 2 x 16 character LCD w/back light Memory card slot: Compact Flash (The size of the compact flash card that MPC500 can handle is from 32MB to 2GB) Dimensions: 266mm x 175mm x 44mm Weight: 1.34 kg Power requirement: 12v DC 600mA (negative tip) Battery life:...

  • Page 116: Midi Implementation Chart

    MIDI Implementation Chart Sampler Section Function Basic Default Channel Changed Default Messages Mode Altered Note Number True Voice Note On Velocity Note Off Keys After Touch Ch’s Pitch Bend Control 0-127 Change Program Change True # System Exclusive Song Pos System Song Sel Common...

  • Page 117: Sequencer Section

    MIDI Implementation Chart Sequencer Section Function Basic Default Channel Changed Default Messages Mode Altered Note Number True Voice Note On Velocity Note Off Keys After Touch Ch’s Pitch Bend Control 0-127 Change Program Change True # System Exclusive Song Pos System Song Sel Common...

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