Tascam 788 Tutorial page 22

22
Built-in Effect Processing
EFFECT 1 MULTI-EFFECT PROCESSOR
Compressor - Distortion - Gate - Flanger - Reverb
Compressor - Distortion - Gate - Flanger - Delay
Compressor - Distortion - Gate - Exciter - Reverb
Compressor - Distortion - Gate - Exciter - Delay
Compressor - Distortion - Gate - Pitch - Reverb
Compressor - Distortion - Gate - Pitch - Delay
Compressor - Distortion - Gate - Chorus - Reverb
Compressor - Distortion - Gate - Chorus - Delay
Compressor - Gate - EQ - Flanger - Reverb
Compressor - Gate - EQ - Flanger - Delay
Compressor - Gate - EQ - Exciter - Reverb
Compressor - Gate - EQ - Exciter - Delay
Compressor - Gate - EQ - Pitch - Reverb
Compressor - Gate - EQ - Pitch - Delay
Compressor - Gate - EQ - Chorus - Reverb
Compressor - Gate - EQ - Chorus - Delay
Compressor - Gate - De-esser - Chorus - Reverb
Compressor - Gate - De-esser - Chorus - Delay
Compressor - Gate - Exciter
EFFECT 2 DYNAMICS (CHANNEL/STEREO)
Compression
FINAL NOTES (EFFECTS)
A couple of behavior items that you may (or may not)
have thought of:
1) If an effect processor is not assigned to a SEND
(AUX SEND or EFFECT SEND), then that send will not
return to the STEREO BUSS. (AUX SEND will still feed
the AUX OUTPUT on the back panel of the 788.)
2) If you want to get both EFFECT SEND and AUX
SEND out of the 788 independently, we do have a
way of doing that. Check the Tips and Tricks at the
end of this tutorial for detailed instructions.
3) When EFFECT 1 is assigned as a Multi-Effect
Processor on channels 7/8, it only receives input from
channel 7, but returns stereo effects to 7/8. This is
because the Multi-Effect Processor is a mono in,
stereo out processor.
Built-In Effect Processing
(Continued)
Section IV
TASCAM 788 Operational Tutorial • 8/2000 Edition