Mackie HR624mk2 Quick Start Manual page 6

Hookup Diagrams / Diagramas de conexión
Schémas de câblage / Anschlussdiagramme
Stereo Speaker Hookup
Conexión de altavoz stereo
Connexion en stéréo
Stereo Setup
HRmk2
QUARTER SPACE
CONSOLE
SPEAKERS IN CORNERS SPEAKERS AGAINST WALL
A
ACOUSTIC SPACE APPLICATIONS
LOW CUT LOW CUT
24dB/oct BUTTERWORTH
0 dB
–
0
dB
2dB
–
3dB
–
4dB
37Hz 47Hz 80Hz
20
LOW FREQ ACOUSTIC SPACE
–
10dB
OFF NORMAL
80Hz
LOW CUT
QUARTER HALF WHOLE
INPUT (NORMAL)
SENSITIVITY ACOUSTIC SPACE
SIGNAL INPUTS BAL/UNBAL
PHONE XLR
HRmk2
QUARTER SPACE HALF SPACE
CONSOLE CONSOLE
SPEAKERS IN CORNERS SPEAKERS AGAINST WALL
A B
ACOUSTIC SPACE APPLICATIONS
LOW CUT LOW CUT
24dB/oct BUTTERWORTH
0 dB
–
0
dB
2dB
–
3dB –
4dB
37Hz 47Hz 80Hz
20 100Hz
LOW FREQ ACOUSTIC SPACE
–
10dB
OFF NORMAL
80Hz 47Hz
LOW CUT (NORMAL)
QUARTER HALF WHOLE
INPUT
(NORMAL)
SENSITIVITY ACOUSTIC SPACE LOW FREQ
SIGNAL INPUTS BAL/UNBAL
PHONE XLR RCA
6
HR624mk2 • HR824mk2 Studio Monitors
HALF SPACE WHOLE SPACE
CONSOLE
CONSOLE
SPEAKERS AWAY FROM WALLS
B C
10kHz
+2dB
0 dB
–
2dB
100Hz
HIGH FREQ
–
47Hz 37Hz 2dB 0 2dB STANDBY ON
+
(NORMAL) (NORMAL)
AUTO
ON
LOW FREQ HIGH FREQ. POWER MODE
MAINS INPUT
RCA
WHOLE SPACE
CONSOLE
SPEAKERS AWAY FROM WALLS
C
10kHz
+2dB
0 dB
–
2dB
HIGH FREQ
–
37Hz 2dB 0 + 2dB STANDBY ON
(NORMAL)
AUTO
ON
HIGH FREQ. POWER MODE
MAINS INPUT
INPUT
1 2
MONITOR
2x2 USB RECORDING INTERFACE
LINE LINE
HI-Z HI-Z
SIG/OL SIG/OL
MONO PHANTOM USB POWER
STEREO
30 30
U U
20 40 20 40
U 60 U 60
O O MAX O O MAX O O MAX
-15dB +45dB -15dB +45dB
GAIN GAIN TO MON MONITOR PHONES
MIC MIC MIC MIC
(UNBALANCED)
L L
TAPE TAPE
IN OUT
R R
PROFESSIONAL MIC/LINE MIXER WITH FX
1 2 3/4 5/6 7/8
LINE LINE
HI-Z HI-Z
(MONO) (MONO) (MONO) (MONO)
BAL /
BAL / L L L L L
UNBAL UNBAL
BAL / BAL / BAL / BAL / BAL /
LINE/HI-Z IN 1 LINE IN 2 LINE IN 3 UNBAL LINE IN 5 UNBAL LINE IN 7 UNBAL UNBAL MON SEND UNBAL FOOTSWITCH
BAL /
R R R R R
UNBAL
INSERT INSERT LINE IN 4 LINE IN 6 LINE IN 8 ST RETURN FX SEND MAIN OUT PHONES
STEREO GRAPHIC EQ
U U
U
LEVEL LEVEL LEVEL LEVEL
SET SET SET SET 15 15
48V
10 10
U +50 U +50 U +50 U +50 -20 +20 PHANTOM
-20dB +30dB -20dB +30dB 5 5
GAIN GAIN GAIN GAIN GAIN POWER
LOW CUT LOW CUT LOW CUT LOW CUT 0 0
100 Hz 100 Hz 100 Hz 100Hz
5 5
POWER
EQ EQ EQ EQ EQ
U U U U U 10 10
15 15 MAIN
HI HI HI HI HI
12kHz 12kHz 12kHz 12kHz 12kHz
METERS
125 250 500 1K 2K 4K 8K 0dB=0dBu
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15
U U U U U
OL
MAIN MIX EQ IN
15
MID MID MID MID MID MON BYPASS
10
2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz
6
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15
U U U U U
3
USB
0
FX PRESETS
LOW LOW LOW LOW LOW
80Hz 80Hz 80Hz 80Hz 80Hz 2
01 BRIGHT ROOM
4
02 WARM LOUNGE
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 U
03 SMALL STAGE 7
04 WARM THEATER
AUX AUX AUX AUX AUX
U U U U U 05 WARM HALL 10
06 CONCERT HALL 20
MON MON MON MON MON 07 PLATE REVERB
08 CATHEDRAL O O +20 30
09 CHORUS INPUT LEVEL L R
O O +15 O O +15 O O +15 O O +15 O O +15 10 CHORUS + REV
PRESETS
U U U U U 11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms) MUTE
FX FX FX FX FX 14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms) USB THRU BREAK
O O +15 O O +15 O O +15 O O +15 O O +15
(MUTES ALL CHANNELS)
PAN PAN PAN PAN PAN U U U
OL
+15 +15
L R L R L R L R L R O O O O O O MAX O O +20
FX MASTER FX TO MON PHONES TAPE LEVEL
MON MAIN
MUTE MUTE MUTE MUTE MUTE MUTE
OL OL OL OL OL OL
1 2 3/4 5/6 7/8 ST RTN FX RTN
dB dB dB dB dB dB dB dB dB
10 10 10 10 10 10 10 10 10
5 5 5 5 5 5 5 5 5
U U U U U U U U U
5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10
20 20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60 60
O O O O O O O O O O O O O O O O O O
HRmk2
QUARTER SPACE HALF SPACE
CONSOLE CONSOLE
SPEAKERS IN CORNERS SPEAKERS AGAINST WALL SPEAKERS AWAY FROM WALLS
A B
ACOUSTIC SPACE APPLICATIONS
LOW CUT LOW CUT
24dB/oct BUTTERWORTH
0 dB
+2dB
–
0
dB
2dB
–
3dB 0 dB
–
4dB
–
2dB
37Hz 47Hz 80Hz
20 100Hz
LOW FREQ ACOUSTIC SPACE
–
10dB
OFF NORMAL
–
80Hz 47Hz 37Hz 2dB 0
LOW CUT (NORMAL) (NORMAL)
QUARTER HALF WHOLE
INPUT (NORMAL)
SENSITIVITY ACOUSTIC SPACE LOW FREQ HIGH FREQ.
SIGNAL INPUTS BAL/UNBAL
PHONE XLR RCA
HRmk2
QUARTER SPACE HALF SPACE
CONSOLE CONSOLE
SPEAKERS IN CORNERS SPEAKERS AGAINST WALL
A
ACOUSTIC SPACE APPLICATIONS
LOW CUT LOW CUT
24dB/oct BUTTERWORTH
0 dB
–
0
dB
2dB
–
3dB –
4dB
37Hz 47Hz 80Hz
20
LOW FREQ ACOUSTIC SPACE
–
10dB
OFF NORMAL
80Hz
LOW CUT
QUARTER HALF WHOLE
INPUT
(NORMAL)
SENSITIVITY ACOUSTIC SPACE LOW FREQ
SIGNAL INPUTS BAL/UNBAL
PHONE XLR
WHOLE SPACE
CONSOLE
C
10kHz
HIGH FREQ
2dB STANDBY ON
+
AUTO
ON
POWER MODE
MAINS INPUT
WHOLE SPACE
CONSOLE
SPEAKERS AWAY FROM WALLS
B C
10kHz
+2dB
0 dB
–
2dB
100Hz
HIGH FREQ
–
47Hz 37Hz 2dB 0 + 2dB STANDBY ON
(NORMAL) (NORMAL)
AUTO
ON
HIGH FREQ. POWER MODE
MAINS INPUT
RCA